SummaryFor aspiring comedian Donna Stern (Jenny Slate), everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and...
SummaryFor aspiring comedian Donna Stern (Jenny Slate), everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and...
I really liked this movie. Yes at times it was crude but all in all it dealt with real life issues and how some feel when dealing with them. Truth! The actress Jenny Slate is great. I wish she had more female lead roles.
This movie had me laughing hysterically and crying in the theater. And I never cry in the theater! It's just so honest and funny and good about all the strange paths that life can take. Highly highly recommended.
It's a well-written rom-com with rascally charm, a modest story of an awkward Brooklyn girl making a go of life. It's irreverent and rough around the edges with an imperfect protagonist, blue language, scatological humor and rambling confessional stand-up monologues, sometimes about bodily fluids. The laughs are frequent and ribald.
Despite its attention-grabbing logline and gleeful embrace of raunchy, frequently scatological humor, Obvious Child is at heart a well-realized, straight-ahead rom-com, one with the potential to reinvigorate a genre that’s been flagging for decades.
It’s a warm, sympathetic, very sloppy, and often very funny little movie about a young woman who, among several other things, is not remotely ready to be a parent and knows it.
Caught this movie on Netflix, Obvious Child is a true gem. Jenny Slate is absolutely incredible here, giving a very real and extremely likable performance. The movie's subject matter is a bit touchy for some, which is understandable but nonetheless this is an incredibly honest and classy film.
One of the many ingredients that so many romantic-comedies are missing today is the element of truth: truth in the dialogue, truth in its characters and truth in the scenarios the characters are put in. If there is one thing that is obvious about Gillian Robespierre debut feature film Obvious Child, it is that the truth be the guiding light for characters in the film and the film itself.
Obvious Child could best be described as the anti-romantic-comedy, yet, its roots are very much brooding in the realm of the girl-centric, highly profitable genre. Yet, there is nothing highly alluring to Robespierre’s truthfully crude comedy where a young comedienne shares the embarrassing exploits of her life, her bowel movements, her crusty underwear and her insecurities as a young twenty-something living in a desolate, hipster filled New York City.
Jenny Slate, whom I only know from the HBO show House of Lies, plays the twenty-something young comedienne. Slate wouldn’t seem to fit the role by simply reading the script, but from page-to screen, Slate does a surprisingly great job as a young, lost independent, creatively misunderstood soul unleashing herself to the world and the loved ones around her.
The beginning of Donna Stern’s (Slate) problems begin with her smelly, cheating boyfriend Ryan (Paul Briganti) dumping her and also admitting to her that he has been cheating on her with her best friend. Donna, who reacts almost like anyone else would, consuming a crap load of alcohol, moaning to friends and family and being miserable in any way possible, cinematically makes the break-up a lot more dramatic that it needs to be, especially since the foundation of Ryan and Donna’s relationship is never seen or bonded with its audience. The break-up scene is literally the second scene in the film, so we don’t empathize much with Donna. Sure enough, what’s the best way to mend a broken heart? Sex! And what better way to get back with your ex than to hook up with Max (Jake Lacy), the most straight laced, squared-jaw guy anyone would find at a scuzzy bar in Brooklyn. Robespierre’s dialogue does tread the line between originally inventive and subliminally juvenile, as the two’s meet-cute begins by noticing each others “pee pee missiles”, but hey, someone must have liked that line. Like any good drunken, dumped sex scheme, things don’t necessarily go to plan, and a few weeks later, Donna’s discomforting boobs lead to a pregnancy test with positive results. Perhaps not so positive for Donna.
Abortion comedies are a very sensitive topic for me, seeing that one of my favourite comedies of all time, Knocked Up, dealt with the topic and the disastrous results of unwanted, drunken hook-ups. Although the film was funded and aided with the help of a big studio, the film dealt with the realities of people trying to make things work, when things aren’t obviously working around them. The beauty about a film like Obvious Child is that such a small, indie film never gets the pressures of big studio execs breathing down their throat, therefore, the film is able to venture off into very crude and appallingly real, taboo territory of female sexuality, cleanliness and comedy.
For the most part, Slate is excellent as Donna, a character whose journey of self-discovery and female empowerment begins the moment she gets up on the stage. One of the most obviously enjoyable parts of the film are Donna’s stints of comedy on-stage. Her truthful, almost confessional type comedy is the basis of Robespierre’s feature success, and brings up some of the most laughs for its audiences. It was a nice touch to see a new director handle stand-up comedy scenes gracefully and adequately edit them into the troubled world of a young girl who knows nothing about life. Donna’s best stand-up scene is when she confronts the revelations of that fateful night, which turns into a **** lapse into the epic non-prophylactic judgement of two people and the issues they must face or would face for the rest of their lives.
Donna’s life is the basis of her comedy, and although her life is nothing to really roll on the ground, dying of laughter, her take on the realities of everyday life allow for the film to take small, hysterical turns for a relatable brand of female humour. Women all over the theatre were unable to contain their laughter. But although the film barely runs ninety minutes, one cannot help but notice how much the use of awkward silence and awkwardness accounts for the comedy, which at times took me away from the film. I am no fan or avid-watcher of Lena Dunham’s Girls, but if a feature film of the popular HBO series were to be made into a movie, I am pretty sure it would look something similar to Obvious Child.
A fine showcase for the standup comedy of Jenny Slate and an entertaining vehicle for a cast of colorful supporting characters -- but not much else. The thin, unimpressive script always feels like it's leading somewhere but never arrives at a recognizable destination. Watch the trailer, and you'll pretty much see what this underwhelming offering is all about.
i really wanted to like this. i liked parts of it. the trope of the brooklyn almost-30-person-who's-still-a-child is played out. everything that donna had to say was clever and funny, but, really, who talks like that all the time? and, of course, she doesn't have anything resembling a real job. the ultimate goy boyfriend was annoying. as were the coincidences. worth watching for jenny slate. hope she graduates to a better role next time.
If you find stepping into dog turds or public farting automatically funny, this is your movie. Jenny Slade is not a bad actress, but her standup stuff is pathetically bad---Lenny Bruce without teeth trying to be ingratiating. The abortion at the end was heartening--this character should not reproduce.