User Score
7.8 out of 10

Generally favorable reviews- based on 16 Ratings

User score distribution:
  1. Positive: 14 out of 16
  2. Negative: 0 out of 16

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  1. PatC.
    Mar 1, 2004
    7
    A study of a clueless obtuse father Sutherland who simply doesn't know when to stop being domineering. Macy is suitably exasperated in his oddly repressed way. Campbell threatens to turn the plot into a soap opera. A good solid if not slightly unpleasant movie, an American Beauty lacking only complexity and insight.
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  2. JayH
    Aug 9, 2009
    6
    Fine story, a little too slow moving, but the cast is great, particularly William H. Macy. Good writing. Barbara Bain is fine in a supporting role.
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  3. MichaelF.
    Aug 8, 2001
    9
    This is a really well told story. The film unfolds so perfectly from beginning to end. It is an anti-violence film about a hitman. Its brilliant! Macey is great. Everyone is great. The film is great from beginning to end. Expert direction by Bromell. A must-see!
    • 0 of 0 users said yes
  4. SethV.
    Apr 9, 2002
    9
    Excellent, Superb!!! I loved this, William H. Macy does an amazing job "misdirection" type of acting. Also Neve Cambell is great to see out of her "Scream" roles.
    • 0 of 0 users said yes
  5. JessG.
    Jan 4, 2002
    4
    Everyone seems to love this movie, but I can't agree... it seemed pretty immature for a film that supposedly flouts typical Hollywood conventions.
    • 0 of 0 users said yes
  6. JeremyM.
    Jul 18, 2002
    8
    Macy is fantastic, but the kid was painful. All in all great.
    • 0 of 0 users said yes
  7. TonyB.
    Apr 14, 2006
    9
    excellent movie i cant believe this movie wasnt bigger. i didnt even hear about it until i saw it on tnt. i also found it extremely hard to find in stores but fortunatly i did find a copy today so happy excellent movie a deffinatly worth a viewing.
    • 0 of 0 users said yes
  8. RyanM.
    Oct 15, 2001
    10
    Turns out to be the single best thriller in years!
    • 0 of 0 users said yes
  9. NickA.
    Nov 17, 2007
    9
    In his first go as a Hollywood director, Henry Brommell whips an enthralling yarn that is all of penetrating relatable marital issues with melancholic authenticity, and lacing such with an equally absorbing subplot of a father-son hitman business. The film is directed astutely and consists of a wonderfully put together cast as well as a swift, family-conscious screenplay (also by Brommell) that brings life to an otherwise fatigued genre. As a bonus, 'Panic' delivers subtle, acerbic humor—an unexpected, undeniably charming, and very welcome surprise—through its bumbling, unsure-of-himself, low-key star, whose ever-cool state is enticing, especially given his line of work. The forever-great William H. Macy again captures our hearts as Alex, a unhappy, torn, middle-aged husband and father who finds solace in the most dubious of persons: a young, attractive, equally-messed-up 23-year-old named Sarah (Neve Campbell), whom he meets in the waiting-room at a psychologist’s office, where he awaits the therapy of Dr. Josh Parks (John Ritter) to discuss his growing eagerness to quit the family business that his father (Donald Sutherland) built. Alex, whose lust to lead a new life is obstructed by the fear of disappointing his dictating father, strikes an unwise fancy for Sarah, which ultimately leads him to understand the essence and irrefutable responsibility of being a husband to his wife and, more importantly to him, a good father to his six-year-old son, Sammy (played enthusiastically by the endearing David Dorfman). Henry Brommell’s brilliant 'Panic' is something of a rarity in Hollywood seldom seen (with the exception of 2002’s 'Road to Perdition') since its conception in 2000—it weaves two conflicting genres (organized-crime, family drama) into a fascinating, warm hunk of movie-viewing that is evenly strong in either direction—and it’s one that will maintain its exceptional, infrequent caliber and gleaming sincerity for ages to come. Expand
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Metascore

Generally favorable reviews - based on 24 Critics

Critic score distribution:
  1. Positive: 21 out of 24
  2. Negative: 0 out of 24
  1. 100
    Unfolds like quietly engrossing short fiction, reminding us that there are few things more pleasurable than being in the hands of a good storyteller.
  2. 100
    Seeps with melancholy, old wounds, repressed anger, lust. That it is also caustically funny and heartwarming is miraculous.
  3. The atmosphere is more compelling than the plot, but the story does pack a surprise or two.