- Studio: Twentieth Century Fox Film Corporation
- Release Date: Sep 3, 2004
- Critic Score
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60This is a film which resonates on a surprising number of levels. But the level on which it undoubtedly works best is the victim-goes-postal-and-takes-the-law-into-his-own-hands level.
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60A surprisingly efficient B-grade revenge pic.
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60It was shrewdly written by Forrest Smith and directed crisply by Paul Abascal (Gibson's onetime hairdresser) for maximum visceral impact upon the susceptible.
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58It doesn't take long for the film to devolve into a ludicrously far-fetched Celebrity Death Wish.
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50Paparazzi is for anyone who's ever wondered how good it would feel to knock down a photographer with his car and then back over him.
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50A throwback to the kind of '80s action flicks that had titles like "Adrenaline Force," is enlivened by a raft of celebrity cameos, including a blink-and-you'll-miss-it appearance by Gibson.
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50In essence this is a celebrity revenge fantasy, something few of us can relate to, but director Paul Abascal has the sense to keep the homilies short and the pacing fast.
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40First-time director Paul Abascal brings no style or personality to this B-movie exercise. Except for Farina, the actors go through the paces as if they too lack conviction in the proceedings.
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40In producer Mel Gibson's second crackpot persecution-complex film of 2004 -- heat-blast directed by first-timer Paul Abascal -- it's obvious who Bo is supposed to represent.
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40Paparazzi follows the vigilante playbook in all its banality, without much in the way of moral reflection.
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Cookie-cutter "Cape Fear" knockoff.
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40Amazingly arrogant, immoral film.
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40Visually uninspired and dramatically overheated, Paparazzi has overall look and feel of generic direct-to-video production.
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38One has the sense that if the level of violence had been ratcheted up a little, Paparazzi might have been more of a guilty pleasure and less of a chore to watch.
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38In the age of reality television, Paparazzi feels desperately out-of-touch, the jaded grousings of an industry burnout.
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30This mean-spirited revenge story would once have starred Cole Hauser's father, veteran B-movie psycho Wings Hauser, and played grindhouses and drive-ins. And it would have been a far more entertaining picture.
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30All this would be fine if the script by Forrest Smith had more wit and fewer clichés, or the direction by former makeup artist Abascal had more inventiveness.
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25There is no energy here. No sense of movie invention or fun.
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