- Studio: Public Broadcasting Service (PBS)
- Release Date: Aug 21, 2009
- Critic Score
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100I can't single out a performance. This is a superb ensemble, conveying hat joy actors feel when hey know they're good in good material. This is not a traditional feature, but it's one of Spike Lee's best films.
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91Lee doesn't exactly reinvent the wheel when it comes to filming live theater, but he moves the camera artfully and edits with an energy that matches the music.
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In directing the film, Lee allows the show's inherent vitality to carry the doc, relying on Stew's charismatic stage presence, the cast's absorbing performances and the production's effective combination of minimal staging and impressive lighting design to convey the musical's energetic celebration of artistic discovery.
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Passing Strange conjures a rare kind of theatrical magic with its emotionally raw, frequently euphoric portrait of the artist as a young man.
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90A show not simply preserved by Mr. Lee's camera, but brought, somehow, to its fullest, strangest, most electrifying realization.
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88As for Lee, he clearly relates to this material and the questions of political, musical and family identity he himself raised in films as diverse as "Malcolm X," "Mo' Better Blues" and "Crooklyn."
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80Rousing, devastating, invigorating, painful, joyful, soulful--all those adjectives don't even begin to describe Passing Strange, but it's a start.
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80The cutting is hyperkinetic, yet Lee is always in synch with the cast's phenomenal energy. He's in their thrall--and so are we.
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80This first-rate multicamera transcript of a terrific show should delight musical fans (and many who think they aren't) as a niche broadcast item.
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75Basically canned musical theater, but this is one Tony-winning Broadway show that's well worth preserving and seeing.
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60The beginning is awkwardly earnest, but the play matures considerably while retaining its youthful energy and enthusiasm
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