|Paramount Pictures | Release Date: April 3, 1996||CRITIC SCORE DISTRIBUTION|
As a forum for its actors and for the big-screen directorial debut of multi-Emmy winner Gregory Hoblit, the film is up to the job.
Diverting without being fully absorbing, this is a film best appreciated as an exercise in--shall we say it?--Primal Gere. [15 Apr 1996, p.100]
Pared down to a farfetched plot and paper-thin motives, the story relies on an overload of tangential subplots to keep it looking busy. [3 Apr 1996, p.C15]
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