Protektor
Protektor Image
Metascore
49 out of 100

Mixed or average reviews - based on 7 Critics What's this?

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  • Summary: 1938, Prague. Emil, a radio reporter, is married to the beautiful Hana, an actress whose new film has catapulted her into fame. As the Nazis come to power, however, Hana's Jewish heritage precipitates her fall from stardom to the bottom of the social ladder. In order to protect her, Emil compromises himself collaborating with the new Nazi-controlled state radio station. But as Emil starts enjoying the attention and respect that had previously evaded him, his fidelity and loyalty towards his wife begin to falter. The assassination of the Third Reich Deputy Protector and a chance encounter on a bicycle bring their lingering marriage to a crisis, possibly sealing Hana's fate. (Film Movement)… Expand

Critic Reviews

Score distribution:
  1. Positive: 1 out of 7
  2. Mixed: 6 out of 7
  3. Negative: 0 out of 7
  1. The Hollywood Reporter
    Reviewed by: Sheri Linden
    Aug 1, 2011
    70
    Young director Marek Najbrt, commendably, is not interested in wringing easy tears from the European experience of World War II. In the handsome drama Protektor, he brings a cool, noirish slant to a story of Czech artists and intellectuals as they accommodate and to a lesser extent resist the German occupiers.
  2. New York Daily News
    Reviewed by: Elizabeth Weitzman
    Aug 5, 2011
    60
    Though it remains a little too enigmatic, Marek Najbrt's Holocaust drama is atmospheric enough to keep us edgy on its heroine's behalf.
  3. Boxoffice Magazine
    Reviewed by: Vadim Rizov
    Aug 13, 2011
    60
    The strong central hour - full of beautifully assembled linking montages and a refreshingly offbeat sense of dramatic timing that could pass for comedy - makes up for a lot, marking Najbrt as a filmmaker to watch.
  4. The New York Times
    Reviewed by: Jeannette Catsoulis
    Aug 4, 2011
    50
    Dipping in and out of luminous black and white, Protektor has a distancing glamour that prevents the story from digging in. Burdened by a central relationship so lacking in passion that its fate becomes negligible, the film's narrative feels trivialized by jaunty musical fragments and repetitive cycling and rowing motifs that belabor Emil's metaphorical treadmill of appeasement.

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