Rain Man


Generally favorable reviews - based on 18 Critics

Critic score distribution:
  1. Positive: 12 out of 18
  2. Negative: 2 out of 18

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Critic Reviews

  1. USA Today
    Reviewed by: Mike Clark
    There've been few screen moments more moving this year than Cruise's initial reaction to his brother's almost superhuman math prowess. [16 Dec 1988]
  2. Los Angeles Times
    Reviewed by: Sheila Benson
    Somehow, Hoffman makes all this hypnotically interesting, and, through impeccable timing, sometimes terribly funny--a sweet humor which never betrays Raymond's unalterable character. [16 Dec 1988]
  3. Newsweek
    Reviewed by: David Ansen
    In every detail - the superb soundtrack, the rich cinematography, the dinstinctively edgy editing - Rain Man reveals itself as a movie made with care, smarts, and a refreshing refusal to settle for the unexpected. [19 Dec 1988]
  4. Wall Street Journal
    Reviewed by: Julie Salamon
    A film that is both touching and generous of spirit - and funny as well. [15 Dec 1988, p.A16(E)]
  5. 88
    How can you make a movie about a man who cannot change, whose whole life is anchored and defended by routine? Few actors could get anywhere with this challenge, and fewer still could absorb and even entertain us with their performance, but Hoffman proves again that he almost seems to thrive on impossible acting challenges.
  6. Fortunately, the script by Ronald Bass and Barry Morrow isn't half bad, and both Barry Levinson's direction and the performances are agreeably restrained.
  7. Christian Science Monitor
    Reviewed by: David Sterritt
    The story wanders, the plot twists seem contrived at times, and the emotions are never as intense as they might be. But it highlights yet another facet of Hoffman's talent: a gift for monochrome, of all things! And it has a heart as good as Raymond's own. [30 Dec 1988]
  8. Only after the Hollywood hypnotism wears off is it apparent that Rain Man, fundamentally an artsy sentimentalization of "The Odd Couple," is somewhat less than the sum of its perfect parts.
  9. San Francisco Chronicle
    Reviewed by: Peter Stack
    There is ultimately in Rain Man a soul that emerges. It's not the grand vision found in the great films, but it is a vision nevertheless. [16 Dec 1988]
  10. Chicago Tribune
    Reviewed by: Dave Kehr
    Though it's well directed, written and performed, Rain Main still slips irreversibly into the so-what category. [16 Dec 1988]
  11. Rain Man rises above the banality of its concept--another buddy movie crossbred with a road picture--to become a genuinely moving and intelligent look at what it means to be human.
  12. 70
    It's a mature assignment for Cruise and he's at his best in the darker scenes.
User Score

Universal acclaim- based on 215 Ratings

User score distribution:
  1. Positive: 25 out of 31
  2. Negative: 1 out of 31
  1. SimonS.
    Dec 5, 2007
    I love this movie! So touching, so well made. Cruise and Hoffman feed well off each other, great chemistry.
  2. Sep 19, 2013
    Hoffman plays the autistic Charlie with such a sense of innocence and nonchalant-ness that we feel for his character and want Tom Cruise toHoffman plays the autistic Charlie with such a sense of innocence and nonchalant-ness that we feel for his character and want Tom Cruise to burn in hell for what he's doing to his brother. (To be honest, a lot of people want Tom Cruise to burn in hell anyway! Full Review »
  3. Apr 12, 2013
    The masterful parts about Rain Man derive from the fact that the movie never tries to be masterful. The situations are realistic, it doesn'tThe masterful parts about Rain Man derive from the fact that the movie never tries to be masterful. The situations are realistic, it doesn't paint an overly joyous happy ending and the characters of Dustin Hoffman's 'Raymond' and Tom Cruises 'Charlie' are equally important, relying on each other for gratification rather than playing to the fact that Raymond is in fact autistic, but the writers have perfectly created the Cruise character to balance out a well crafted and touching drama.
    Charlie is a hotshot car dealer who must try and close a deal before the end of the day otherwise he will lose his clients, but he finds out that his father has died, and Charlie must go to Cincinnati along with his girlfriend to attend the funeral, and look over the will that his father left.
    To Charlie's shock, his father has only left him his car (which he never let Charlie drive when he was younger) and nothing else. He then discovers that his fathers inheritance has been placed in a trust fund in a mental institute, where Charlie discovers his autistic brother, someone he never knew existed.
    Charlie's selfishness is soon tested as we learn more and more about Raymond, his routines must happen, his anxious behaviour helps him cope, and he must be in bed and lights out by 11pm, these little things are Raymond's life, and Charlie at first has difficulty dealing with them.
    As their road trip continues, Charlie learns valuable lessons about his brother, and about himself, simply because he learns to accept that Raymond cannot change, but that he is remarkable in his own right, especially his memory and his mathematical skills.
    Its a truly touching film with superb acting, Hoffman portraying an obviously controversial character, but one that truly stands out in his loveable and fact-based self, Cruise is forever seeking to change his brother, but his determination cannot be ignored, but the chemistry between Cruise and Hoffman is realistically wonderful.
    Truly, the film absolutely deserved the Academy awards simply for the fact that it doesn't try to be glam, but it gives the message that you don't have to reach for the stars to be happy, that it could indeed be right in front of you.
    Superb film that has aged well and certainly one that is still a powerful reminder of the dramatic effects of human behaviour, in this case with and even without autism, because it isn't always the disabled person with the biggest problems.
    Full Review »