Robot and Frank

Metascore
67

Generally favorable reviews - based on 33 Critics

Critic score distribution:
  1. Positive: 24 out of 33
  2. Negative: 1 out of 33
Watch On
  1. Reviewed by: Mike Scott
    Nov 9, 2012
    60
    An enjoyable diversion, a lightweight bit of philosophizing that blends humor with the bittersweet. It won't likely stick in your memory for too terribly long.
  2. Reviewed by: Joe Morgenstern
    Aug 23, 2012
    40
    The concept is schematic and predictable, and watching first-rate actors - the cast includes Susan Sarandon as a local librarian - doing third-rate material is a dubious pleasure.
  3. Reviewed by: Mark Feeney
    Aug 23, 2012
    50
    Robot & Frank isn't sure whether it's a comedy or drama, buddy movie or sci-fi fantasy, family melodrama or social satire.
  4. Reviewed by: Joe Neumaier
    Aug 16, 2012
    60
    No one conveys late-life elegy and cool intellectual cunning like Langella.
  5. Reviewed by: Manohla Dargis
    Aug 16, 2012
    60
    Frank Langella plays so many variations on cute and crotchety and with such suppleness - he's by turns a charming codger, a silver fox and a wise graybeard - that his performance comes close to a saving grace.
  6. Reviewed by: Cory Everett
    Aug 16, 2012
    50
    While the premise certainly makes it stand out from the sea of dysfunctional family dramas, a cute idea alone doesn't quite cut it. In the end it's just not funny enough to be completely entertaining and the sentiment feels tacked on.
  7. Reviewed by: David Fear
    Aug 14, 2012
    40
    The pleasure of watching the star sling barbs at Sarsgaard's sandpaper-dry android, shyly court sexy librarian Susan Sarandon and rage against geriatric befuddlement doesn't offset what's essentially a mediocre character study dipped in sci-fi conventions and Social Security‚Äďage sentimentality.
  8. Reviewed by: Ray Greene
    Aug 11, 2012
    60
    The film is light-fingered and charming.
User Score
7.9

Generally favorable reviews- based on 86 Ratings

User score distribution:
  1. Positive: 18 out of 20
  2. Mixed: 0 out of 20
  3. Negative: 2 out of 20
  1. Jul 12, 2015
    6
    Robot and Frank is both touching and moving when it comes to the movie story line, as the chemistry between the old man and the robot was spotRobot and Frank is both touching and moving when it comes to the movie story line, as the chemistry between the old man and the robot was spot on great and the highlight of the movie easily, but I really wish this was in a better movie. The movie isn't terrible but the movie didn't really interest in some scenes and I'm not going to re-watch this movie anytime soon. The movie is decent at least. Full Review »
  2. Oct 23, 2012
    6
    This review contains spoilers, click full review link to view. The world we live in, for people who suffer from Alzheimer's, must seem like a parallel universe, or worse, a planet they've never laid their eyes on, thereby making this degenerative condition a science fiction natural, with the disease's metaphoric possibilities inherent in the genre's tropes, ready-made for easy correlation. Frank, a cat burglar, to his chagrin, at the outset of Robot and Frank, robs his own house. A picture frame he picks up during the break-in reminds him of the life he forgot, and will soon forget. Hunter and Madison, now adults, posing with their father, yanks the epiphanic thief down from the ether and sets him afoot, albeit not surefootedly, on memory lane. The eidetic cataloguing of remembrances, a seemingly never-ending source of anecdotes, presupposed by people with hale minds who can access such memories, both happy and sad, in an eye blink, for the Alzheimer's sufferer, blinks shut, this mind's eye, so referential documentation, like a family snapshot, helps keep Frank's ongoing narrative linear, however precarious the psyche's ability for orthodox sequencing may be. Walking alongside the town's main drag, the sidewalk under Frank's feet, threatens to sidestep each footfall, since the pedestrian, in essence, could either be a time or space traveller, depending on the enormity of his temporal memory loss, given the day. Sometimes he's an alien; sometimes he finds a worm hole of his own making. It's the same town, Frank's face registers, but with differences he can't account for. On the phone with Hunter, the old man fends off the half-stranger's insistence that his condition is worsening. He brings up Harry's, a greasy spoon his younger self patronized as recently as a week ago. Of course, jewel thief's present is the real world's past, since his old haunt, the old man discovers, is now Blush, a boutique shop specializing in artisan soaps. Flashback, or flash-forward? That's the disorientation he feels, akin to taking a quantum leap in time, as it does for Fiona, an aging scholar's wife in Sarah Polley's Away From Her, who answers, "Well, that's shocking," when Grant, her husband, informs her that they've been living in their cottage for twenty years, not one. It's very isolation(the Hamilton, Ontario setting) has a vague science fiction feel to it, as if their home was a snowy outpost in post-apocalyptical oblivion, and they themselves were the last remaining couple on earth, and more pointedly, Fiona, the only living, breathing woman alive, especially after we learn about her husband's numerous extramarital affairs with his students in Grant's former life as a tenured professor. Fiona's condition razes the utopia that a remorseful Grant had built for his wife, leaving behind a dystopian realm of the Alzheimer's sufferer's own making, the place where she'll rematerialize, this parallel universe, once the disease consumes her former self. She'll be a copy. At a dinner party, Fiona explains, in regard to her relationship with the physical world, "I think I may be disappearing." The AD patient in Maureen McHugh's short story "Presence" once worked as an engineer at Gillette, a place where they make razor blades, a reference, presumably, to Occam's Razor, a principle based on the belief that the hypothesis which makes the fewest assumptions should be selected. In the past, this razor worked against the concept of parallel universes, but now, in due part to the rhetoric of MMI adherents, the belief that the relative state formulation has, in actuality, fewer constraints than physical theory, is starting to gain traction. Siding with the many worlds interpreters, McHugh's "Presence" establishes AD as a metaphor for parallel universes. A rarity for sci-fi films, Robot and Frank disguises its speculative elements in a pragmatic world. Its slice of life approach that recalls Robot Stories, in which the interaction between man and machine takes place in milieus so much like our own, it normalizes such fantastical technological advances as practice babies for prospective adoptive parents, and the ability for an android's synthetic "heart" to self-perpetuate love. But unlike the mechanical baby and office temp automatons, Frank's robot has no anthropomorphic qualities. Robot is not alive like 5 in Short Circuit. And yet, Frank humanizes the machine through the assignation of anthropomorphic traits, projecting his own bout with Alzheimer's onto the surrogate human, sympathizing with "it", when the robot tells him that somebody will "wipe my memory". It's no wonder Frank feels a kinship with the thing. The robot is a sort of coincidental sociopath, because similar to Frank, the machine, naturally, has no thoughts, no guilt, in regard to stealing. For Frank, pressing the robot's erase button is Alzheimer's, the whole of it. He'll forget him. And likewise, Frank will forget the librarian(Susan Sarandon). He doesn't want to. Full Review »
  3. Sep 3, 2012
    7
    Frank Langella plays a retired cat burglar who's starting to lose his memory. His concerned son buys him a service robot (this is the nearFrank Langella plays a retired cat burglar who's starting to lose his memory. His concerned son buys him a service robot (this is the near future), which is greeted with disdain Full Review »