Metascore
77

Generally favorable reviews - based on 29 Critics

Critic score distribution:
  1. Positive: 24 out of 29
  2. Negative: 0 out of 29
  1. Reviewed by: Andrea C. Basora
    90
    With her Doc Martens and her spiky, fire-engine hair, Franka Potente makes a perfect Lola. Like the film itself, her tough, flashy exterior cloaks a warm emotional center.
  2. About as entertaining as a no-brainer can be--a lot more fun, for my money, than a cornball theme-park ride like "Speed," and every bit as fast moving. But don't expect much of an aftertaste.
  3. Tykwer's style gives the movie an explosive energy that never quits, marking him as the most ingenious new talent to hail from Germany in ages.
  4. A knock-down, haywire ballad of the adrenalinization of love and despair.
  5. 88
    Has as much depth as it has energy and action.
  6. 75
    I would not want to see a sequel to the film, and at 81 minutes it isn't a second too short, but what it does, it does cheerfully, with great energy, and very well.
  7. The action is so fast that the viewer almost breaks out in a sweat...Ultimately vapid. Lola never does develop as a character, and the fuss seems ultimately pointless.
  8. Fun, fun, fun. Take the title at its word, because this movie is nothing less than a flat-out, lung-pumping, 76-minute sprint.
  9. Reviewed by: Chris Gore
    100
    I can't rave about this film enough -- this is passionate filmmaking at its best. One of the best foreign films, heck, one of the best films I have seen this year -- go see it!
  10. 80
    The film's extra-special trick, the one that kicks in under your radar because it's so busy with all the flash, is that it makes you care deeply for Lola and Manni.
  11. The rush subsides, however, the minute the movie ends, and leaves the viewer with the faint aftertaste of a processed sugar high.
  12. An existential chain reaction, yet as remarkable as his cinematic gamesmanship is the way that he traces the anatomy of feeling in Lola.
  13. The formula has rarely been done as well as it is in this goofy, audacious, visually stylized omnibus of what-ifs that operates on its own peculiar logic, and powers along with the force of a truck on the Autobahn.
  14. 100
    As essential in its own way as Anton Karas' celebrated zither work was to "The Third Man," Lola's music is perfectly suited to the film's aims and just about addictive in its throbbing, insinuating rhythms.
  15. A movie that really zips along; it offers some of the same pleasures as the silent slapstick comedies, particularly the Keaton films, with their sense of how sheer velocity carries its own wit.
  16. Reviewed by: David Rooney
    90
    A highly accomplished, compact feature, which, while it may be light on depth, is rich in humor, rhythm, energy and inventiveness.
  17. 80
    It doesn’t add up to much, which is part of the point as well as the fun, but what makes the film noteworthy is its pure pop adrenaline.
  18. Tykwer deliberately blows away all traces of the mundane and the familiar, so that not even the closing credit crawl moves in the expected way.
  19. Reviewed by: David Edelstein
    80
    It's both fractured and fluid, with a helter-skelter syntax and a ceaselessly infectious backbeat. Beyond that, it's a blast.
  20. 80
    Wisely, Run Lola Run lasts something under 80 minutes; any longer, and it would have been as exhausting and boring as a half-hour Donna Summer track.
  21. 70
    Potente pumps strong and true from the first frame to the last.
  22. 60
    An enjoyably glib and refreshingly terse exercise in big beat and constant motion.
  23. Reviewed by: Richard Corliss
    60
    Invigorating and annoying, Lola could use a dose of Ritalin. Best to take this 76-minute riff on alternate destinies as an antidote to Europe's minimalist art-house cinema and to enjoy Potente's sweaty radiance.
  24. Reviewed by: Joshua Klein
    50
    May be all Eurotrash flash, but it's not often that a film packs this much visceral punch.
  25. Kind of like watching a John Waters film on fast forward with all the good parts cut out. It's empty of charm and meaning, but it certainly kills time, for those who wish it dead.
  26. Reviewed by: Gemma Files
    90
    The kind of thing Franz Kafka might have dreamed up, had he only had access to a daily dose of MTV.
  27. Reviewed by: Ernest Hardy
    90
    MTV, comic books and gangster flicks are all in Lola's cinematic family tree; it's a heady, breathless ride.
User Score
8.3

Universal acclaim- based on 69 Ratings

User score distribution:
  1. Positive: 23 out of 25
  2. Mixed: 0 out of 25
  3. Negative: 2 out of 25
  1. Aug 18, 2014
    10
    Run Lola Run is a very enjoyable thriller. The movie has a brilliant plot and style that will never be
    emulated. The movie was made by a
    German director and stars Franka Potente from Blow and
    The Bourne Identity.
    Full Review »
  2. Jul 1, 2014
    10
    Run Lola Run is a very unique crime thriller. Lola has to get 20,000 dollars to her boyfriend Mannie in 20 minutes or he'll be murdered. He owes someone the money and he is dangerous, a man named Ronnie. He needs her to get the money from somewhere or he's going to steal it. He leaves the bag with the 20 thousand in it and someone grabs it on a train. The day for Lola repeats so she has multiple chances to get him the money. In every scenario the result of the two's behaviour ends in different consequences. The movie also repeats many scenes so when you expect something to happen, something totally different happens. The movie is similar to memento in that it uses innovative techniques to tell the story. One of my favourite movies that is unlike any movie. Full Review »
  3. Feb 7, 2013
    10
    As exciting as it is exhilarating; Run Lola Run is also fun, smart, original, well-directed and an enjoyably thrilling experience that won't leave a single viewer bored. Full Review »