Metascore
50 out of 100

Mixed or average reviews - based on 33 Critics

Critic score distribution:
  1. Positive: 14 out of 33
  2. Negative: 5 out of 33
  1. Reviewed by: Jay Carr
    88
    With Jackson leading the way, Shaft has style, punch, and street cred. It's a hot cool update.
  2. The new movie, like its predecessor, is a crime thriller with a moral viewpoint, an eye and ear for street color and a taste for macho movie fantasy.
  3. Violent, cool and street-smart, Shaft supplies everything you want in a summer movie.
  4. Shaft is what summer action flicks should be... thanks to superior writing, acting and direction.
  5. Shaft is still enormously involving. It's popcorn, but very fresh.
  6. Shaft has everything --smart writing, shrewd direction and a handful of performances that are first-rate by any standard.
  7. Reviewed by: Mike Clark
    75
    It's fast, easy on the eyes, full of funny putdowns and cast well enough to have two memorable villains.
  8. 75
    There's good trash: throwaway, intellectually undemanding action movies that, despite their heavy body counts and hard edges, are executed with a touch of class and a sunny disposition.
  9. If nothing else, Shaft is spicy fast food.
  10. Reviewed by: Robert Koehler
    70
    Samuel L. Jackson instantly takes the mantle from Mr. Shaft himself, Richard Roundtree, and runs with it on pure style and charisma.
  11. Essentially works, even though the script is a mess and John Singleton's direction is often clumsy and heavy-handed to an annoying degree.
  12. 63
    Is this a good movie? Not exactly; too much of it is on automatic pilot, as it must be, to satisfy the fans of the original Shaft. Is it better than I expected? Yes.
  13. Reviewed by: Phoebe Flowers
    63
    It's not easy to forgive a movie that so ungratefully wastes its potential with such a poorly structured plot, but Shaft has a few redeeming moments up its sleeve after all.
  14. The movie's primary narrative weakness is that its racism plot points seem ripped from the headlines of a "Geraldo" newsletter and stretched into a string of terribly executed car chases.
  15. 60
    It's a bad sign when audience enthusiasm peaks during the credits sequence.
  16. 60
    Lean, fast and undeniably entertaining.
  17. 60
    Shaft scores by lacing ba-da-boom action with social pertinence.
  18. 60
    Singleton's lack of influence makes Quentin Tarantino's "Pulp Fiction" look far funkier in comparison.
  19. 54
    This avenging cat gets no action whatsoever. Neither does the movie, despite a terrific cast and a heap of street style.
  20. The storyline goes from bad to worse as one-dimensional characters gradually flatten out into pure stick figures, and the crime plot goes from hokey to implausible.
  21. 50
    (If) you're one of those killjoys who demands logic, coherence and a semblance of human life from a movie, this one will leave you cold.
  22. 50
    As an action flick, Shaft is clumsy out of the gate and overfond of hurtling stuntmen through windows.
  23. Reviewed by: Robert Horton
    50
    The movie itself gets scattered.
  24. Reviewed by: Tom Keogh
    50
    Shaft is a decent popcorn movie and Jackson rises to the responsibility of appearing bigger than life.
  25. 50
    Shaft? Not in this splashy-but-empty remake he isn't.
  26. The main thing the new Shaft gets right is casting for the title role. It's too bad the rest of the film doesn't hold your attention the way he does.
  27. Reviewed by: David Edelstein
    40
    A pretty good action flick -- twisty, marvelously acted, and energetically (if not always coherently) staged.
  28. As an action thriller with music by Isaac Hayes it's not bad.
  29. 30
    This may be the first movie that runs under two hours and yet has no attention span. Characters are abandoned and picked up; narrative threads dissolve before your very eyes.
  30. Reviewed by: Richard Schickel
    30
    This is not necessarily an improvement, but it's not a total disaster either.
  31. The plot is a shameless plea for vigilante violence, and the dignity of the black hero is outweighed by the ethnically marked evil of his Hispanic antagonist. Beneath its crisp veneer, much of the movie is a high-energy hymn to hate.
  32. 20
    What Jackson's Shaft can't do is talk the talk, or much of anything else, in director John Singleton's feature-length insult to one of the more cherished modern screen icons.
  33. Singleton's version is cynical and silly--one long set-up to a closing scene that promises, or threatens, a sequel.