- Studio: Sony Pictures Classics
- Release Date: Dec 20, 2002
User Score
6.9
out of 10
Generally favorable reviews- based on 42 Ratings
User score distribution:
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Positive: 29 out of 42
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Mixed: 9 out of 42
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Negative: 4 out of 42
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JoshuaW.Apr 2, 20039
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MethusalahJan 9, 200810This movie was visually astounding. It had more eye catching, amazingly framed scenes than any previous Cronenberg movie. A surreal trek through a day in the life of a mentally ill individual.
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BillyO.Nov 3, 200310
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[Anonymous]Feb 28, 200310A masterpiece of filmmaking with superb acting, directing, writing, and cinematography. Cronenberg takes us on a captivating journey into the complexities of the human mind.
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PedroS.Mar 13, 20039This is one of the best films of the year and it proves that less is more with both of the lead characters performance. It nice to know that there are still movies like this eeing made.
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JonathanH.Apr 3, 200410Great, breathtaking performances, wonderful visuals, sadly very little-seen.
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MathewB.Jul 6, 200710A masterpiece of perception of reality vs. reality
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williamwApr 1, 200910The most nerve-racking, chillingly precise film about mental illness ever made. In my humble opinion, the director's magnus opus.
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BernieC.Aug 21, 20039Slow, extremely nuanced study of mental illness. One of the few films that allows the viewer to experience the inner workings of a damaged personality. The performances are pitch perfect.
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EonOct 20, 20069Great acting, great directing, great puzzle. ;)
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VocecitaOct 26, 200610An excellent movie.
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ElliottAug 24, 200310The most accurate film about psychological madness since Roman Polanski's Repulsion in 1965. What Fiennes and Richardson do with their acting is nothing short of miraculous. Easily Cronenberg's best since Dead Ringers, and his direction is perfect.
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90His story is sad, compelling and morbidly, tragically watchable.
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88What catches us in Spider's web -- besides the indelible performances of Fiennes and Richardson -- is the director's sympathy with this freak man-child who struggles to order his confused memories into a kind of truth.
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88This is a rare adaptation where the script (by McGrath himself) heads straight for the novel's horrible essence, reproducing it non-verbally and in an even more concentrated form.