- Studio: IFC Films
- Release Date: Dec 1, 2000
- Critic Score
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90The sense of continuing life is quietly remarkable.
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90Spring Forward is so fully realized and so moving that you wish you could get away with merely saying: "Go see it for yourself."
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90You realize this is a story about the life beyond this movie, about the great changes in life we never give ourselves time to consider. And for a moviegoing experience, that's a lot of bang for your buck.
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88Not too many actors last year bettered or equaled Beatty and Schreiber here, separately or (better yet) together. It's a pleasure and a privilege to watch them work.
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83Great, restrained performances of Beatty and Schreiber, delicately framed by the filmmaker's taste for visual compositions.
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80It's a pleasure to watch these unhurried, character-driven vignettes when such great actors are anchoring them.
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80A resonance that is moving beyond all measure.
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80Gilroy has brilliantly played to his strengths in Spring Forward. With a story that has no room for big, obviously "cinematic" effects, he concentrates on simple staging, unobtrusive (though often beautifully evocative) visuals, and sheer performance. It's a decision that pays off.
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80Two very fine actors, Ned Beatty and Liev Schreiber, engaged in an intense contest to see who can give the more understated performance.
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75The movie's seven scenes were filmed in real time (as opposed to condensed editing-room time) over the course of a year, giving the drama an extra touch of realism and humanity.
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75There's no question that the film's primary intent is to showcase its stars, but thanks to their perfectly attuned performances, it feels more real than self-conscious.
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75A little gem that's everything a fine independent film used to be.
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75It's the kind of unpretentious movie that falls between the cracks, and for a certain kind of audience, the thoughtful kind, it would be a shame to miss.
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63Despite the high quality of the acting, Spring Forward is for the most part sleepy, long-winded stuff.
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60Tom Gilroy's debut feature is a little obvious, but it's an excellent showcase for the criminally underused Ned Beatty.
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