- Studio: Newmarket Films
- Release Date: Aug 6, 2004
- Critic Score
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91Riveting true-life drama.
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80This needs its 'based on a true story' caption because otherwise you'd never believe it.
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80The movie is stirringly, thrillingly animated; Stander, as some say around Johannesburg, lives.
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80Crackles with forceful portrayals. Funny, violent, impassioned and inescapably poignant, Stander in no way sanctions Stander's turning to a life of crime yet has the courage to see him as a victim of apartheid himself.
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75An extremely good picture that, with a little tweaking, might have been a great one.
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75The action is great, the story line unpredictable, the ending satisfying. Stander is crackling. Really.
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70That all the events filmed actually took place make Stander a highly entertaining ride.
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70The always-interesting Jane, a volatile and unpredictable character actor, fits the bill.
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70Loses some its bearings once it turns into a caper movie. The movie hardly bothers to explain the mechanics of the jailbreak or of the robberies themselves, which take place in a flurry of disguises and stickups that has a Keystone Kops flavor.
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67With his periodic porn-star mustache, shaggy hair and reckless demeanor, the movie Stander embodies a certain brand of brooding outlaw cool that feels increasingly rare.
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63The movie is bookended by a powerful indictment of apartheid and a study of white guilt.
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60It can be thrilling to watch Stander and his gang of gentlemen bandits rack up the loot without ruffling their (or anyone else's) shirt collars. The movie isn't content to rest there, though; it wants to be a caper with a conscience.
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60Takes a notorious true story about a loyal soldier-turned-bank robber, and pumps it up into charged if uneven entertainment.
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50Attempts to pass itself off as a fast-paced caper picture doubling as a socially conscious apartheid drama but ends up equally unconvincing in both departments.
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50The story is so eager to highlight macho action scenes that it loses track of the important historical and political issues it raises.
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50Mostly a second-rate action picture that's content to use apartheid as a colorful background.
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50Although notorious in South Africa, Stander is little known elsewhere and Canadian director Bronwen Hughes' unsatisfying account of his life and crimes is unlikely to earn him a spot on the outlaw celebrity A-list.
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40Kind of a bore.
User score distribution:
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clivef.10Great flick.