- Studio: Triumph Films
- Release Date: Mar 18, 2005
- Critic Score
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100Visually stunning animation.
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89If Victorian Manchester had been remotely like this, H.G. Wells never would have bothered to pen "The Time Machine" – he'd have just stepped outside and into the fray.
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80It's a roller-coaster action film that thunders along with top-notch set pieces and studiously researched period settings. The only letdown is that the focus on action drowns out any character development.
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80The movie's true genius lies in the exquisite animation, a blend of hand-drawn and state-of-the-art digital technology that suggests an old world being bullied into a new one.
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80Steamboy adds a touch of innocent wonder to the formula through Ray's eyes, resulting in Otomo's most human film to date, but humanity rarely seems to be among Otomo's priorities. His films seem far more concerned with the spectacle he manages like no one else in animation.
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80Steamboy doesn't have the deep melancholia or the visionary élan of last year's Ghost in the Shell 2: Innocence. Consistent in its graphic invention from first to last, however, it's a sensationally designed piece of work. (The retro stylistics are comparable to Brazil, David Lynch's Dune, and The Iron Giant.)
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80A stunning-to-look-at film marred by a less than searing pace and some narrative incoherence.
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80The film turns into a preposterous but engrossing spectacle, fueled by a resource more enduring than steam or its successors: big ideas.
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75Gorgeously detailed animated adventure.
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A fine example of how anime uniquely contributes to world cinema.
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75Boys of all ages, by contrast, will be mesmerized by the relentless, breathtakingly visualized action.
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75Though Steamboy could have been smarter and more dramatically engineered, this razzle-dazzle ride won't disappoint if you just need to blow off a little you-know-what.
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75The narrative here may be strictly nuts and bolts, but as an achievement in graphic design, Steamboy is first class.
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70Visually commanding, conceptually beguiling, but dramatically inert.
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67It's nifty to behold, but about the only drama in Steamboy lies in waiting for this colossal hovering machine-monster to blow a gasket.
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67It's part Jules Verne arms-race nightmare, part James Bond gadget war and part boy's own adventure.
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60The sci-fi wonders, including an army of shuddering robo-soldiers and one-man, steam-powered bombers with delicate wood-and-linen wings, are truly marvelous and go a long way toward making up for the film's erratic pacing.
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60Perhaps the key to understanding where Steamboy goes wrong is in understanding why Otomo's previous animated feature "Akira" was such a success.
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60Visually arresting, with an enjoyably wacky premise, but scuppered somewhat by its rusty, clunky storytelling.
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60Dry storytelling and boy's-toys mechanics will stop this from being the next "Spirited Away"-style crossover hit.
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50There may be possibilities here, but they're lost in the extraordinary boredom of a long third act devoted almost entirely to loud, pointless and repetitive action.
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50Though Katsuhiro Otomo's animated Victorian-era adventure Steamboy stars British characters, it's a Japanese film through and through.
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50The weak story and bland hero are no match for the increasingly exciting visuals, while the score by Steve Jablonsky should be on exhibit in the Hall of Lead.
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50Much of Steamboy is actually reminiscent of "Wild Wild West," with a giant moving tower substituting for the giant spider, and the personalities of Will Smith and Kevin Kline being replaced by . . . no personality at all, really.
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50It's just that, in this world of clanking, hissing machines, even the people seem like robots.
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30The movie never transcended its elaborate production work to achieve an independent reality.
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User score distribution:
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Positive: 7 out of 10
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Mixed: 2 out of 10
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Negative: 1 out of 10
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RClemo10Kind of like Laputa: Castle in the Sky.
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This review contains spoilers, click full review link to view.
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GerrickC.9Easily one of the best anime movies ever. If you liked Akira you will like this movie.