Metascore
72

Generally favorable reviews - based on 23 Critics

Critic score distribution:
  1. Positive: 18 out of 23
  2. Negative: 2 out of 23
  1. It's no accident that this movie is named after both the filmmaker and his subject. It stands with the most thoughtful releases of recent months, and will linger in memory.
  2. Reviewed by: Mike Clark
    100
    It's hard to recall the last movie that has left such an emotionally searing question dangling in the mind: "What if ... ?"
  3. 90
    Neither condemning nor forgiving, the film is a model of documentary evenhandedness, even though James makes no claims of objectivity.
  4. The tragic tale that emerges is full of powerful lessons and impenetrable mysteries
  5. 88
    Stevie seems destined to end the way it does, and is the more courageous and powerful for it. A satisfying ending would have been a lie.
  6. So troubling and unflinchingly honest that watching it becomes a test of empathy and compassion.
  7. Grueling but ultimately rewarding new documentary.
  8. 80
    The roots of Steve James's disturbing documentary lie in youthful idealism.
  9. It becomes clear that all this man-child craves is to be loved and, thus, saved.
  10. Reviewed by: Eddie Cockrell
    80
    A forceful, affecting experience.
  11. A heart-stirrer at times. More often, it's a heartbreaker.
  12. Without excusing Stevie's behavior, the film makes a compelling case for how a child molester can grow from the bitter seeds of neglect and abuse.
  13. 75
    Overly long and uncomfortably intrusive, but never less than compelling.
  14. Stevie is compelling, real-life drama: bleak and disturbing, but illuminating all the same.
  15. A painful documentary film, partly because of its subject, partly because of the troubling questions raised by the filmmaker's approach.
  16. Of course, James is exploiting Stevie, but the peculiar power of this film lies in James' indirect acknowledgment of it and his hope that his film has some point and value.
  17. Because Stevie has none of the glamour of "Hoop Dreams," with its portrait of gifted teenage athletes struggling for glory, it is not nearly as likable a film; but in its earnest, plodding way it is every bit as deep.
  18. Reviewed by: Richard Schickel
    60
    Can one recommend this unblinking film to the average moviegoer, out for a good time? Only in this way: if James and his crew can spend years with these blighted souls, surely you can spend two hours with them, exploring compassion's outer limits.
  19. 50
    Foreigners often comment on the peculiar American combination of superficial friendliness and profound indifference. Stevie epitomizes a related national trait -- the belief in the curative powers of publicity.
  20. 50
    In the end, Stevie is a relentlessly messy, sometimes trying picture of family dysfunction, official neglect and personal tragedy, a disturbing redneck soap opera about real people and real consequences in which the protagonist--like the filmmaker--often proves to be as unlikable as he is sympathetic.
  21. 30
    By the film's self-congratulatory final shot, Stevie has become less a portrait of a sorry young man's difficult life than the story of auteurist arrogance and self-deception run amok.
  22. Despite good reviews at this year's Sundance Film Festival, this is the kind of squishy lost cause that gives liberal guilt a bad name.

There are no user reviews yet.