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91The first of von Trier's efforts to be certifiably farcical.
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Colors and angles and sound levels don't match from one cut to the next. The movie is ugly as sin to look at. But it's all intentional on the part of von Trier.
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88Bone-dry but completely assured, both in its visual strategy and its wry deconstruction of the workplace comedy genre.
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88The result is a kind of very faux documentary style, which, along with the subject matter, has suggested to some the influence of the BBC television series "The Office." Von Trier says he's never seen an episode, and I believe him.
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75With echoes of "Dave," in which Kevin Kline takes over for the comatose U.S. President he resembles, Kristoffer begins to feel the power given to him and to make his own decisions, leading to some hilarious situations and an unpredictable ending.
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75Funny is not a word often used to describe von Trier's output, but "Boss" definitely is that, thanks to a breezy script and a bright cast.
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75The Boss of It All finds the common ground between business and acting -- panicky improvisation -- and wonders whether applause or an executive comp package is the greater reward.
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75Von Trier's proficiency at the quicksilver business of comedy comes as a surprise, given the grinding seriousness of earlier films.
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70No one is likely to rank "Boss" on the same level as his more somber and ambitious efforts, but Von Trier admirers will be pleased to discover that, even while working in a far less consequential mode than usual, the ever-uninhibited filmmaker's distinctive flair is in full force.
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70Like all of Mr. von Trier's films, The Boss of It All is a cold, misanthropic work that places no faith in institutions and in humanity itself. But it's also very funny.
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70For all its slightness, pic is helmer's least pretentious and most sheerly enjoyable for years.
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70Screwball office comedy.
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67There's a comment in here somewhere about leadership and authorship, and it's not that we're laughing too hard to fully comprehend it. In von Trier's world, the laugh is often ON the audience, not WITH the audience.
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67This satire of empty-suit capitalism has scalding moments, but most of it suggests Being There meets The Office gibberized into theater of the absurd.
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67The Boss Of It All, though clever as a piece of genre deconstruction, isn't terribly funny.
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63Cynical, misanthropic and embittered.
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50It's a modest and mildly funny effort, with good scenes and touches of incisive satire, but it's not quite funny enough, and it's undermined by its camera technique.
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