- Studio: Miramax Zoë
- Release Date: Jun 29, 2001
- Critic Score
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100Neither a "gay" movie nor a straight one; it is simply a funny one.
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100Hilarious, near-flawless.
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91Cagey, high gloss comedy.
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90Wins you over with its devastating simplicity.
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90The French originals are always much breezier, the characters more genuine and the actors subtler even if the situations are just as silly.
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88The movie's steady good humor and respect for character is pleasing - even energizing.
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83It is aided both by fine performances by Auteuil, Aumont and Depardieu and by wonderful pacing.
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80Auteuil and Depardieu spar hilariously, and writer-director Francis Veber, following "The Dinner Game," offers another delicious treat.
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80Veber's giddy social comedy The Closet finds more delicious, chortling fun in the spectacle of obsequious hypocrisy than any movie I've seen in ages.
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80More sweet than savage, this amiable farce creates laughs with old-pro efficiency.
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80A clever premise that's good for many laughs.
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80An expertly developed farce that's very funny and surprisingly affecting in the bargain.
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80The director is in fine form with The Closet, an expertly acted divertissement that may well be headed for a Yank incarnation within the next few years.
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80Funny? This one is. It's also sweet and thoughtful.
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75A farce nearly as cracked as his previous "The Dinner Game."
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75Hilarious French farce.
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75It's a bright and breezy piece, and a refreshing alternative to the gross-out Hollywood comedies.
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75This is economy of style that Americans get only in Woody Allen movies -- and even that's not a guarantee.
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75Perhaps not the most uproarious of Veber's farces, but entertaining and emotionally satisfying all the same.
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75Auteuil does an excellent job. He's like Marcello Mastroianni, whose naturalness also deluded people into thinking for a while that he wasn't a versatile actor.
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70Auteuil is as charming as ever, with a surprising aptitude for physical humor that keeps the tone cheerfully light and the laughs plentiful.
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63Passes the time pleasantly and has a few good laughs.
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63By the end we are left with a mildly amusing comedy and the lingering memory of a sterling cast that deserved better material.
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60It's amusing more often than it isn't, largely because the cast is so nonchalant and, well, French about everything.
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60Tumbles happily into every pitfall that lines its well-trodden path.
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60Veber, also responsible for "The Dinner Game," apparently has a finger on the pulse of French audiences and Gallic-minded Americans, but there's just not a lot of freshness in this Closet.
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40It doesn't have the bite to be satire, the pratfalls to be broad comedy, or the wit to pass as a comedy of manners. What does that leave? The French cinematic equivalent of motivational coaching, and -- just like Pignon -- something spectacularly unspectacular.
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20Has a blithe tone and a capable cast, but Veber's script is 100 percent laugh-free.
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