- Studio: Kino International
- Release Date: May 27, 2005
- Critic Score
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100This is moviemaking on the highest dramatic, psychological, and moral plane.
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83The dark, rotting interiors and sunless winter skies create a festering atmosphere of unexpiated guilt as Kremer ponders the question of how a decent man is to navigate the rivers of hell.
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80A morally complex and emotionally satisfying drama about the vagaries of Catholic response to the Third Reich.
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80It's important for the film to establish the concentration camp as a hell on earth from the start, but Schlöndorff has more in mind than creating another reminder of the inhumanity of fascism.
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80A thoughtfully written drama of ideas with vivid performances by August Diehl and Ulrich Matthes.
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80Powerful, concise, fully sustained.
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75It doesn't measure up to Schlondorff's 1979 Oscar winner, "The Tin Drum," but it's compelling nevertheless.
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70Succeeds in illuminating an almost unimaginably dark story.
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70Like Costa-Gavras's "Amen." (2002), this German drama uses a true story to examine the Catholic church's response to the Holocaust, but it focuses less on institutional politics than on personal conscience and responsibility.
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63The Ninth Day is far from perfect, but is still thought-provoking and intriguing, a film that can begin its own kind of debate.
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60A grim meditation on faith and betrayal that focuses on a relatively obscure corner of Holocaust history: the fate of the Catholic clergy under the Third Reich.
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50The film is thought-provoking but not terribly involving.
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Though The Ninth Day longs for a grander scope, it never lifts much beyond Kremer's personal dilemma.
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50Earnest but ambling drama.
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50Plays best as a dry exercise in historical doublespeak and rationalization.
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50Plays more like a philosophical debate than a war drama.
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User score distribution:
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Positive: 7 out of 7
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Mixed: 0 out of 7
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Negative: 0 out of 7
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LynaH.8Very emotional, and informative.
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FernandoC.9
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GeraldB.10