- Studio: Cinema Guild, The
- Release Date: Jul 25, 2008
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90Smartly edited, utterly engrossing, and as intelligent an examination of American race relations as I've seen.
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An invaluable portrait of us-and-them America, a smart, generous, poignant, quietly disturbing movie about secrecy and hospitality, and how easy it is for a tradition of separateness to flourish when the stakes are as deceptively frivolous as an eye-popping yearly party.
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90Eschewing voice-over or any obvious trace of an on-screen or off-screen presence, she (Brown) lets her images, a little text and other people do the talking for her. Her quiet has its own force.
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88Margaret Brown's documentary is actually an examination of the racial divide in a city that claims there is none.
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83So The Order Of Myths' central question remains tantalizingly unanswered: When a society respects its old-growth trees so much that they let the roots crack the sidewalks, are they being noble or ignorant?
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80Brown explores a potentially enraging subject--rigidly upheld racial segregation in the country's oldest Mardi Gras celebration, in Mobile, Alabama--but her touch is so unforced and her gaze so open that no one is bruised.
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"They have their Mardi Gras; we have ours," the explanation goes on both sides, but everyone seems to realize it's just a rationalization aimed at covering over Mobile's docile perpetuation of segregation.
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70Exotic and thoughtful.
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70Moving and surprising documentary.
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Quietly shocking, The Order of Myths is a deft, engrossing cross-section of Mobile life, heavy on local color and insight.
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Gracefully explores Mobile's Mardi Gras celebrations and profiles the young people playing at royalty at these ceremonies' hearts.
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60Order of Myths looks good, and its characters are memorable. It's important to know that the "traditions" extolled by both sides of Mobile involve keeping people apart. But it's not clear at all that Brown is bringing them together.
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