There is a serious problem with this film. The first third of it includes graphic sex scenes between an adult and a teenager. And in this case, the actor portraying a teen is actually a teen. Since when is it legal to shoot full frontal nudity with kids??

Winslet definitely deserved her Oscar (though I haven't seen Revolutionary Road yet)--her portrayal was fascinating from start to finish. There is nothing black and white about this film for me (other than that Winslet is great and I loved Kross as well). No easy judgement of the characters or what they did, mercy regarding personal shame and punishment--all totally shown in their complexity-- and I'm pretty sure that was the idea. As soon as you want to condemn someone, you must face your own moral relativity. This film gives you many chances to judge or sympathize and leaves it to you to figure it out. Bravo.… Collapse

Frustratingly uneven throughout. Kate Winslet literally saves the film from being a complete mishmash. Ralph Fiennes is completely limp and adds nothing and is almost ridiculously inert. The young MIchael is an attractive and intriguing guy, but the college age MIchael looks and acts strange and not in a revealing or appropriate way. And was the daughter necessary at all?

I completely agree with Maciej C. in one respect: Kate Winslet deserved her Oscar, but it should not have been for this movie. So nice to find a kindred spirit! Winslet's performance in "Revolutionary Road" was SHOCKINGLY good - awesome in the truest sense of the word. As for The Reader, I can understand the critics' opinions that parts of the 2nd half did not live up to the beginning. What I hate, though, is their seeming dislike of ambiguity. Hello! Ambiguity and a sense of the characters suffocating their emotions doesn't make for a bad, or even average, film. I found it heartbreaking in so many ways, and that's ok. Also, when critics are moralizing about their individual interpretations of The Holocaust, they are not reviewing a film. They're just trying to promote their opinions. This film doesn't FORCE you to have sympathy for a Nazi. It asks you, "DO YOU THINK you could have sympathy for a Nazi?" It draws no conclusions, just puts out plot points to make people think, and question their long-held opinions. I gave this film a 9 because it's not perfect. But in the world of current film-making, it is one of the best.… Expand

Winslet's powerful and remarkable performance makes this well worth watching. Very well written, fine period detail. The story is always interesting. The art direction and cinematography are exceptional.

The best performance of the year miss kate winslet

This is on my top 10 list for 2008 right now. I found it a beautiful and powerful movie. It's like two separate films in one, the first half a love affair while the 2nd half was a resolution to the impact of secrets among ourselves. I strongly recommend this film for any serious movie goer.

Excellent movie. I'm surprised at the low scores given this movie and the ridiculous reasons for the low scores. I suspect that most people still prefer movies with really bad guys and really good guys such as a superhero movie. This movie has good and bad mixed all up and I'm sure that blows most people's minds and sense of decency.

I loved the moral ambiguity. It is one of the most thought-provoking films I've seen in a long time and Kate Winslet is outstanding.

My first impression was that this is great and striking movie. It was like an attempt to look on things and events from inside. Firstly this film reminded me The Captain Reddle in the way of showing the life in its shocking diversity. It raises the quastions of law and moral, what should be judged and what we could have a mercy on. So, frankly speaking, it seems a bit ideological, I mean an attempt to normalizing history. Is it possible to explain everything trough the feeling of obidience to law. Of course, moralizing is not the best way of accepting and interpretating because we should take into account different "personal reasons". Still as it was said in the film - every law is connected to current life. So from "today moral values" it seems like whitewashing of old crimes. PS. I am sorry for my grammar I am not a native speaker)))… Expand

Peaking in a the sex was the only saving part of his film: bu evevn this left one conflicted....Ultimately, a boring overwrought film.

"The Reader" is a fine piece of filmmaking. It is one of all too infrequent examples of a truly adult film that many discerning adults will appreciate. Those who prefer their characters to be all this or all that should stay away. The film's moral ambiguity will not be to their liking. Kate Winslet, the best actress of her generation, is superb and is supported by a superior cast.

Kate Winslet is top-notch and the story has potential but everything is marred by a half unimaginative screenplay, a totally unimaginative direction and a thoroughly hypocritical and underdeveloped character, and that's not Hannah, it's Michael. And Ralph Fiennes is annoying, really really annoying.

Great cast and great performances - especially by Winslet and Kross.

Most reviewers who panned the movie missed the point (and they would benefit from viewing the Director's feature included on the DVD). If you're expecting a classic Holocaust film, this isn't it. But neither is it 'soft on the Nazis', as some claim. Watch it and draw your own conclusions -- they may not come easily, but that's what separates great films from good ones.… Expand

Call me crazy, but didn't Sophie's Choice work far better in 1982 when the young protagonist's first love was a Nazi VICTIM, not a perpetrator? The title character and narrator of Stephen Daldry's filmization of Bernhard Schlink's bestseller is a callow creature who hooks up with a streetcar conductor (Kate Winslet) in the 1950s, and due to her demand that he read aloud to her before sex, finds that The Adventures of Huckleberry Finn can be just as effective an aphrodisiac as Lady Chatterley's Lover. Through a series of contrived coincidences, he later learns that his friend with benefits had previously been a concentration camp guard, and he grows into Ralph Fiennes, experiencing a higher-than-average degree of Ralph Fiennes guilt. Stage director Daldry's one watchable film remains his first, Billy Elliott; otherwise he's the reigning king of WTHITA (What-The-Hell-Is-THIS-About) cinema, a first cousin to the WTHWTH (Why-The-Hell-Was-This-Made) film; his second effort, The Hours, taught that the height of 1950s women's liberation was to, under the inspiration of a suicidal novelist, dump your adoring husband, thus shattering your sensitive little boy's self-image and eventually destroying his life. The message of The Reader seems to be "Nazi stooges need love too, especially if they're illiterate." Mind you, there's a universe of difference between HUMANIZING evil (as Fiennes did beautifully in Schindler's List) and whitewashing it; The Boy in the Striped Pajamas may have its share of haters, but at least it aptly communicates the horror of the camps. The Reader, in a misguided attempt to build sympathy for its central figure, deliberately abstracts her crimes and their effects, keeping us at a calculated distance...and no, a last-minute coda featuring Lena Olin (who's nevertheless excellent) doesn't help. I have no problem with Winslet winning a Golden Globe (and most likely an Oscar) for her portrayal; she admirably delivers a completely unsentimental performance that in no way buys into the filmmakers' apparent intent--in fact, under the circumstances perhaps she should also be up for a Congressional Medal of Honor. As for the rest of The Reader, if I want to look at Nazi porn (or, more precisely, if I'm forced to at gunpoint), I'll rent out Ilsa, She-Wolf of the SS or one of its sequels, which at least have the ever-so-slight advantage of unpretentiousness.… Expand

Wonderful movie with great acting.But isn't it illegal to show nude a 15-year old character even if the actor is over 18?

Above all, The Reader is a beautifully filmed love story and not the Holocaust movie that critics led me to believe it was. Kate Winslet is illuminous and heartbreaking as Anna, reminding me of Vanessa Redgrave as Julia, and if she gets a supporting actor nomination for this she will be the clear favorite. Ralph Feinnes is once again outstanding and deserves recognition but with In Bruges, The Duchess and The Reader he will slpit his own votes and go without again this year. Please give The Reader a chance, it's not Schindler's List or The Pianist, it is a love story for the ages!… Expand

When Ralph Fiennes starts looking wistful, and the flashbacks attack, the film lapses into sentimentality. Scenes of Winslet with young Kross, however, crackle with the power of sexual coming-of-age. Still, too many questions hover unanswered and we leave unsatisfied.

I remember reading the book many moons ago and being absorbed. I didn't have the same feeling with the film. Although dealing with a serious subject, I felt it lacked intensity, even if it was quite moving in parts. Kate Winslet was good but not outstanding. The young German actor Kross was excellent. That's my opinion of the film.

Kate Winslet and David Kross give deeply sensitive portrayals of complex characters. Kudos to them.

This movie is a great depiction of the victimization of women the world over. This single woman is jailed for the heinous crimes of Nazi men, and her single supporter who could have helped her kept silent...Ah, men, how dispicably you are portrayed in this film. She is held responsible for men's wars and is punished for them...Ugh, it is truly reprehensible.

incredible and powerfull movie. Winslet, Kross and Fiennes are amazing.

An adult film that keeps your attention without throughout. Rating of 58 almost kept us away.

Pretty good movie. first I was like OMG to much sex in. but you only have to wathed till the end to see all the beauty of the acting the script the images the ... all the movie. and for those who can't do the part of fiction and reality you know some actors can play characters younger than they are.

Although most people seem to say the second half was the better half, focusing more on the German guilt and et cetera aspects, I really enjoyed the first half far more thoroughly. The human aspect was quietly well done, with a subdued resonance running beneath the dialogue. But once the film shifted, it started to gradually get weaker and weaker, not really knowing how to support itself, and ultimately falling flat, losing any emotion it had built along the way. Really, my main problem with the film is that there were so many things that could've been done with the plot and the characters, and it was reduced to barely a nub--the entire theme of protecting a secret and human shame was pratically nonexistant--though the entire film is built around it! Winslet's character already had many complicated layers built in, yet the filmmakers still managed to make her somewhat two dimensional. I went in expecting just an average movie posing as Oscar bait, and was surprised at the first half, only to be ultimately affirmed in the second half of me assumptions. I'm at a loss for putting my critique into words at this moment, but it just seems that all the many little things the film could have done with the plot and characters were ignored, when a truly fantastic film is lurking right beneath the surface, struggling to get out under much more daring hands. This and Benjamin Button were definitely the weakest of the Oscar contenders this year, both of which I consider pure Academy fodder, though not made without talent. Whereas Button had a weak first two hours and a great last hour, The Reader started off well and ended completely without resonance. In my opinion, Winslet gave a much better performance in Revolutioanry Road, which I also consider the best film of the year along with The Wrestler.… Expand

Kate Winslet deserved her Oscar, but definitely not for this movie. As noticed by Ron Rosenbaum in 'Slate', Hollywood seems to believe that if a film is about Holocaust, it must be acclaimed. And this particular flim is about a mass murderer who - the film suggests - we should feel sympathy for because she couldn't read; and because she didn't know that what she had done - namely, burning 300 women alive and selecting others to be gassed - was part of a bigger thing called 'Holocaust'. What should be noted here is that the story, although entangled with true historical events, is fictional. The illiterate female mass murdered was an invention of German writer Bernhard Schlink, author of the adapted novel. Rosenbaum, in his article, writes that the movie - apart from trying to evoke sympathy for a Nazi killer - acquits the 'ordinary Germans' of WWII era of acceptance of Holocaust, and the illiterate character is a symbol of Germans that supposedly had no idea about extermination of Jews - while in fact, they were perfectly aware of it. Personally, i think there are many other movies where this claim of 'unknowing Germans' (or Germans massively opposing Hitler) is made more blatantly. And although I realized how little and distorted is the historical knowledge of an average American, i really didn't think they will fall for this story: it seemed too absurd to me. I was wrong. The film affects almost anyone because of its use of the strongest weapon known to filmmakers: nudity. We see a beautiful woman having a passionate affair with a teenage boy - long before the woman turns out to be a Holocaust murderer. We can't judge what she has done (and what wasn't depicted onscreen, of course), remembering her naked body. Kate Winslet's body. Other big names on the film poster? Ralph Fiennes, Sydney Pollack, Frank Minghella (last movie he's produced), the director Stephen Daldry... All of them created a film that makes us sympathetic of a Nazi killer. It doesn't make us consider what she has done - the way the events are depicted makes sympathy the only proper reaction. What good can I say about this movie? Well, Kate Winslet (without an aging make-up) still looks great, and she has many occasions to show it up. A few truly amazing stills of her are the best things you can extract from this movie. What, a disrespect for a brilliant actress? Not as evident as this film has - for any kind of commonsense morality.… Expand

The Reader Professional reviewers had a hard time with this one. A majority were favorable, but like the minority, seemed unable to formulate what it was that they liked or disliked. I think this kind of review is a result of taboo on shame in our society. Like sex in Victorian society, doing it is one thing, but talking about it is another. Perhaps the film is mostly about the power of shame, both for the characters and for the audience. It repeatedly makes the point that the guilty are also innocent, and the innocent arealso guilty, because of shame and guilt. During the trial, Hanna is so ashamed of being illiterate that she accepts a life sentence. And Michael is so ashamed of his relationship with her that he doesn… Expand