- Studio: Paramount Pictures
- Release Date: Jan 10, 1997
- Critic Score
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80Unpretentiously and likeable Peter Hyams is one of the few hacks still working at this budget level, and he relishes the chance to make an audience jump, not only with some neat monster effects and a pile of mutilated corpses but also with some subtleties of editing and lighting, plus one of the loudest jump-out-of-your-seat soundtracks in a recent memory.
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80Yes, we've seen it all before. But The Relic proves that the hoariest cliches, when stirred together with enough money, shaken vigorously and artfully lighted, can still make the adrenaline surge.
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75All of this is actually a lot of fun, if you like special effects and gore.
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70Still, this strikingly proficient production boasts genuinely scary thrills and first-rate visual and creature effects.
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70But Peter Hyams, who's both director and director of photography, forces us to constantly strain to see what isn't there, until ultimately the screen explodes in welcome light, a cathartic finale in broad visceral terms even if the drama hasn't inspired much emotion.
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60Hyams the director ("Sudden Death," "Timecop," "The Star Chamber") operates at too much of a fevered pitch for things not to eventually get out of hand -- accelerating violence and horror eventually hit maximum velocity and warp into nonsense, no matter how erudite the script.
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58If you can stagger around the plot holes (how'd a Brazilian cargo ship with a dead crew get to Lake Michigan?), the last 30 minutes are pure, dumb monster-movie fun.
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50Sizemore ("Heat") and Miller, though saddled with a lot of scientific DNA jargon, are really the only lively people in this dense, gruesome film that stubbornly refuses to break out of its contrived atmosphere.
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50There are moments when The Relic is almost enjoyable, albeit in a visceral sort of way. Unfortunately, when all is said and done, this horror/science fiction amalgamation seems like nothing more ambitious than a bad reworking of elements from Aliens, Species, Jaws, and Predator.
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50There's nothing much new going on here (we feel compelled to point out the resemblance to one of the worst-ever episodes of The X-Files, "Teso Los Bichos"), but it's all slickly done, with the requisite big jumps, false leads, weird science and scary trips down dark corridors.
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50Much like the DNA-scrambled beast to which the title alludes, this film is a chimerical chop-shop product, consisting mostly of spare parts pulled from Alien, Jurassic Park, and even The Ghost and the Darkness.
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50The monster effects, as designed by Stan Winston, are stunners, but after Twister, it should be obvious that it's not the quality of the effects that matter so much as the quality of the film in which they appear.
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25It took four people to write the screenplay for The Relic. All I can say is that I hope these people have not quit their day jobs.
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As written by Douglas Preston and Lincoln Child, The Relic deserved to be taken off the shelf; as adapted by a quartet of screenwriters and directed by Peter Hyams, it should have been left on one.
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User score distribution:
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Positive: 3 out of 3
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Mixed: 0 out of 3
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Negative: 0 out of 3
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GregE6
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NickB.8