- Studio: Fine Line Features
- Release Date: Dec 17, 2004
- Critic Score
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100Based on a true story, the movie has abundant humor and uplift - but it's a heartbreaker of extraordinary dimension.
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100A monumentally moving experience, from the powerful acting by Javier Bardem to the evocative music, composed by the director, Alejandro Amenábar.
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100The Sea Inside brings us outside and inside ourselves, and takes us to brave new aesthetic depths.
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100In the way that water can heal and harm, this film balances moments of dreamy spirituality with the salty harshness of family disputes.
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100A dramatic triumph.
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The result is a film both poetic and profound.
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90What makes The Sea Inside such a riveting drama is that none of these relationships is sufficient to make Ramón want to go on living.
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90Bardem's performance is a marvel of restraint and control, both physical and emotional.
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88The Sea Inside is uplifting. This is a movie that may cause viewers to both laugh and cry.
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83The film is a melancholy but poetic meditation on the fragility of the gift of life.
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80Rare is the motion picture which grapples with issues this provocative and profound. Rarer still is one which does so this well.
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80The more intimate scenes are almost unbearably poignant.
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80Operates as stealth art: stately, moving, beautifully acted, and urgently subversive to our own status quo.
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A flawed film worth seeing.
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80As for Bardem: How can I do him justice? He is normally the most robustly physical of actors, with a plummy voice and an insolent sensuality. To see him immobile, ashen, his hair gone, de-bodyized: It's agonizing.
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80Has its share of contrivances, some more successful than others, but center stage is occupied by truth, and austere beauty.
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80A film about freedom as well as death, this won't suit every taste, but it rewards close attention and has moments of saving humor.
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75The film, quite rightly, is a tour de force for Bardem.
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75This is simply the story of one man. Yes, and on those terms I accept it, and was moved by the humanity and logic of the character.
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75Wrings honest emotion and riveting dramatics from its tale.
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75Bardem is brilliant.
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75Fortunately, Bardem, who earned an Oscar nomination for his role in Julian Schnabel's "Before Night Falls," makes up for the script's shortcomings.
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75For the most part, the film stays steady-on, celebrating one man's crusade - and one family's heartbreak.
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75It's moving, romantic, dreamlike, flawlessly acted and so engaging as to make you forget about euthanasia before it jolts you back into recognition.
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This movie might make you cry, but it is not explicitly designed to do so.
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75The classy production, with its aesthetic graces, is especially convincing about the charisma of the man, a performance specialty of the great Bardem.
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70The result isn't an easy film, but it is rewarding.
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70There's a combination of fatalism and hard-edged humor at work in The Sea Inside that you can imagine Irish writers would feel right at home with.
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70Unfortunately, Bardem is confined by more than Ramón's paralysis. He also must work within the limits of a partially numbed script.
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70It's a testament to his (Amenabar's) cinematic flair that he has taken as daunting a subject as euthanasia and turned it into a crowd-pleasing movie. It's also an indication of what feels wrong here. I can't deny that I was moved, but it all goes down a bit TOO easy.
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67Understandably, a filmmaker tackling the retelling of a national hero must do so with great delicacy, but The Sea Inside presents not so much a hero as a saint in Sampredo.
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67If the movie is largely familiar, its passion and craft are noteworthy.
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63Bardem gives such a brilliant performance in The Sea Inside, it's a crime that the film itself drowns in tears.
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Placid and rather attractive on the surface, with depths you can sense but which are never fully plumbed.
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50You want the movie to stir your soul, push your intellect, or at the very least, break your heart. But it's such a repetitive and thinly constructed piece of filmmaking that the scope and complexity of Sampedro's case are turned to porridge.
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50When pinned mostly in the man's bedroom, Amenábar's flashier instincts are stifled by a bolted camera and a procession of issue-of-the-week clichés.
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50The film fails to convey the claustrophobic terror experienced by a man who called his book "Letters From Hell."
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40I remained strangely dry-eyed up to the final shot.
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User score distribution:
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Positive: 29 out of 31
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Mixed: 1 out of 31
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Negative: 1 out of 31
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LizB.10Brilliant and subtle; so many layers of meaning for multiple watchings; profound.