- Studio: Fox Searchlight Pictures
- Release Date: Oct 19, 2012
- Critic Score
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70There is a sad sweetness to the whole affair, for lack of a better term. Or maybe it's a sweet sadness. But O'Brien's outlook on life (he thinks his use-by date may be approaching), and Hawkes' portrayal of it, elevates the film beyond what's on the page, making what's on the screen a lot more satisfying.
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88The achievement of this simply told, exceptionally fine film is the clarity with which it portrays the drama of a good soul in an inert body.
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80The emotional journey is articulated with so much nuance, and such a vigorous belief in human possibility, that everything The Surrogate touches becomes its own, and is made new.
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88Mark is played by John Hawkes, who has emerged in recent years as an actor of amazing versatility. What he does here is not only physically challenging, but requires timing and emotion to elevate the story into realms of deep feeling and, astonishingly, even comedy.
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88John Hawkes is wonderful as O'Brien, as is Helen Hunt as the surrogate whose sessions with O'Brien form the crux of the film. The results are extremely moving and, in general, low on egregiously yanked heartstrings or the usual biopic filler.
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83Although stylistically and conceptually it never lifts itself entirely out of the realm of a made-for-television drama – don't expect "My Left Foot" – The Sessions is bracing. It's also one of the few movies to recognize that people with severe physical disabilities have sexual lives, too.
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60Formulaic but uplifting, positive and accessible. Fairly graphic sex is handled as tastefully as one is ever likely to see in a crowdpleaser.
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83The Sessions is first and foremost about Hawkes' virtuoso performance, one of those "My Left Foot"-y transformations that make audiences verklemmt and generate awards talk.
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83Baring all and radiating an affability that defines the movie's tone, Hunt delivers her finest performance since "As Good As It Gets."
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80In a country that embraces cinematic violence with such ease but blushingly prefers to keep sex in the shadows or under the sheets, the grown-up approach of The Sessions is rare.
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75Hunt gives this funny, touching movie its soul, and the actors elevate the material into something more resonant and memorable than the story promises.
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100The result is a human drama that quietly argues that the gift of life isn't one to be taken lightly.
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60It's strange to call a film with so much nudity and simulated sex "old-fashioned," but The Sessions nicely bridges that gulf.
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70The briskness of The Sessions works against it: It lacks the fullness of the best films of its ilk, chief among them Jim Sheridan's "My Left Foot." But Lewin lets his eye wander pleasingly.
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100The Sessions is fascinating, informative, engaging and heartbreaking stuff. Its easygoing, matter-of-fact tone makes it subtle and rewarding, not weird. Roses all around to all and sundry for one of the year's most captivating films.
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100The very sex-positive The Sessions treats intimacy with an explicitness and honesty that's very rare in movies. It may be the first film that doesn't turn premature ejaculation into a punch line.
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80For once in an American movie, the uplift feels earned.
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91John Hawkes has, until now, been known primarily as the skilled character actor who brought an earthy authenticity to roles on TV's "Deadwood" and the Oscar-nominated "Winter's Bone." With The Sessions, he makes his mark as a bona fide member of screen acting's elite. And he does it while barely moving a muscle.
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75Although the majority of the movie focuses on the interaction between Mark and Cheryl, there is a third character in the mix. Catholic priest Father Brendan, played by William H. Macy, belongs to a liberal wing of the Church found only in movies.
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88Just see it. This movie will take a piece out of you.
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70The Sessions should be taken for what it is, a sweet but minor fictional parable about the strange possibilities of love. You may find it significant, moving and even profound, but it has a limited connection to the real world and the real life of Mark O'Brien.
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75The Sessions is moving. At times, it's even erotic, which is unexpected, to say the least. It sends viewers out of the theater with a heightened sense of the physical and a real feeling for all the things that sex means in human life.
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Oct 17, 201275It's the rare film to sell sex as something truly tender and life-affirming, and Helen Hunt, in particular, is lovely and poignant.
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80This frank, funny, tender film both asks and receives more from its sex scenes than any movie I've seen in a long time.
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75Few mainstream movies, let alone disability dramas, are so frank about sexual mechanics, yet notwithstanding the nudity, The Sessions isn't voyeuristic or sleazy.
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100The Sessions is often brazenly funny, not from shocking dialogue but characters speaking and reacting the way real people do, especially with such a flustering subject as sex.
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91It might just be the most poignant, moving film ever made about one man's surprisingly noble efforts to get laid.
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75For all that The Sessions does well, it offers some telling deviations from the real story.
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60The Sessions can be sugary, but it's likable.
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80At once entirely frank and downright cuddly in the way it deals with the seldom-visited subject of the sex lives of people with disabilities, this well-acted and constructed film will, at the very least, turn the spotlight on this unusual topic.