Metascore
84

Universal acclaim - based on 21 Critics

Critic score distribution:
  1. Positive: 21 out of 21
  2. Mixed: 0 out of 21
  3. Negative: 0 out of 21
  1. Reviewed by: Mike Scott
    Feb 14, 2014
    100
    Not only is it a searing on-the-ground, in-the-fray portrait of the heart of Egypt's ongoing revolution, but it is also a stirring tribute to the indomitable spirit of those who are risking, and in many cases giving, their lives to keep it alive.
  2. Reviewed by: Ann Hornaday
    Jan 16, 2014
    100
    In this vibrant, lyrical, graphic, sobering and finally soaring testament to aesthetic and political expression, Noujaim consistently provides light where once there was heat.
  3. Reviewed by: Kenneth Turan
    Oct 31, 2013
    100
    The Square bears witness to history in an articulate, thoughtful and intensely dramatic way.
  4. Reviewed by: A.O. Scott
    Oct 24, 2013
    100
    Even though The Square depicts widely covered recent events, it still feels like a revelation. This is partly because of the immediacy of Ms. Noujaim’s approach, which often puts the viewer in the midst of chaos as it unfolds.
  5. Reviewed by: Peter Rainer
    Nov 1, 2013
    91
    By the film’s end, the main protagonists have become more philosophical, if no less ardent, about the future of Egypt. “We are not looking for a leader,” Hassan declares. “We are looking for a conscience.” He has only to look in the mirror.
  6. Reviewed by: James Greenberg
    Sep 25, 2013
    90
    A riveting firsthand account of the Egyptian revolution presented with remarkable immediacy and filmmaking skill.
  7. Reviewed by: Ty Burr
    Jan 16, 2014
    88
    An electrifying, at times heartbreaking documentary from the Egyptian-born, Harvard-educated documentarian Jehane Noujaim (“Control Room”).
User Score
8.2

Universal acclaim- based on 12 Ratings

User score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Jan 28, 2014
    9
    Director Jehane Noujaim delivers a riveting documentary with "The Square,"which manages to powerfully convey the chaos, complexity, and inherent dangers of a Revolutionary movement. The film boldly provides a perspective unattainable by journalists, and the activity recorded from 2011 to 2013 captures the passion and defiance of a movement first hand. The fight for a democratic Egypt is far from over, which is part of what makes the film so dynamic and riveting.

    "The Square" is a documentary that traces the events of Egypt's Tahrir Square protests beginning in early 2011 when millions of people took to the streets to demand the removal of President/Dictator Hosni Mubarek, who held power for 30 years. However, when Mubarek is overthrown, the army steps in to temporarily take over the countries affairs, but does not follow through with their promises to its citizens.

    After a free and fair election, the military fascist dictatorship is essentially replaced by a religious fascist dictatorship under President Morsi of the Muslim Brotherhood. Once again, the protesters unite and return to the Square to face a violent military oppression. It's a harrowing narrative of people twice betrayed: once by the army and again by militant Islamists who insist on a constitution based on religion instead of secularism.

    Noujaim tells the story primarily through focussing on three activists, all of whom are friends. A charismatic, young artist named Ahmed Hassan, a British accented actor-turned activist Khalid Abdalla ("United 93"and "The Kite Runner"), and a family man Magdy Ashour, who is a member of the Muslim Brotherhood who finds his loyalties to his friends tested. The film's storyline follows the revolutionaries through the euphoria of victory, followed with the uncertainties and dangers while under military rule that threatens the politics of democracy.

    "The Square" documents the promise and hope of a better future at the beginning, but by the end, you are left with an overwhelming sense of opportunities lost. While a more detailed back story of political maneuvering would have provided welcome context, its implications for the future are extraordinary. The revolution is a work in progress, a rebellion against an oppressive regime, and a call to arms for true democratic ideals. Informative international media outlets are few, and international news rarely generates much interest in the US. Ever more so it's the courageous filmmakers recording history with handheld cameras that are filling the void.
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