User Score
7.8 out of 10

Generally favorable reviews- based on 12 Ratings

User score distribution:
  1. Positive: 10 out of 12
  2. Mixed: 0 out of 12
  3. Negative: 2 out of 12

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  1. AndyS.jr.
    Sep 6, 2002
    10
    Teriffic.
    • 0 of 0 users said yes
  2. RezaT.
    Apr 16, 2008
    10
    This is by far the best Kiarostami`s film. Watching it is an amazing journey to human soul.
    • 0 of 0 users said yes
  3. SammyG.
    Jan 23, 2005
    10
    See it more than once; you need to be familiar with kiarostami's work before you appreciate it.
    • 0 of 0 users said yes
  4. LizD.
    May 17, 2007
    9
    An awesome film. and the "engineer" appears as a good guy--who is really an assassin.
    • 0 of 0 users said yes
  5. WillC.
    Nov 30, 2002
    10
    This is a beautiful film that requires effort on the part of the viewer to truly appreciate. Understanding the political situation in Iran is crucial, and it helps to know some of the other works of Kiarostami.
    • 0 of 0 users said yes
  6. ChadS.
    Aug 28, 2004
    7
    "The Wind Will Carry Us" begins with a car brimming with conversation between men as they traverse across rural Iran conducted in an unbroken master shot. We hear disembodied voices for about seven minutes. Welcome to Iranian cinema. "The Wind Will Carry Us" is made more accessible than Abbas Kiarostami's previous effort "The Taste of Cherry" by the friendship our Engineer (Behzad Dourani) strikes up with a child. Your lasting memory of "The Wind Will Carry Us" is how the Engineer seeks higher elevation in order for his cell-phone to work. He does this four, or maybe, five times, in which Kiarostami shows him arrive at this destination by foot, and then by car, with varying strategies of editing. This repetitive action must be deadpan comedy as way of explanation for something so mind-numbing. Each time the phone rings, it prevents the Engineer from pushing the narrative in a potentially interesting direction. He wants to answer the call, but the audience wishes that he'd ignore it. Our exasperation could be the desired effect Kiarostami was after; deliberate anti-entertainment as entertainment; the potential to learn more about the Engineer and his mission, stalled by the need to answer a call. Expand
    • 0 of 0 users said yes
  7. NaomiH
    Nov 8, 2006
    6
    I have to admit, this was a very difficult film for me to sit through. I happen to be one that loves slow, beautiful movies. I stand up to criticism from friends and family who think foreign films are boring and plotless. I don't want to give this a poor review, I just want people to be aware that not everyone has the right sensibilities to enjoy this film. I thought I did, but I was wrong. If the intention was to exasperate me every time the phone rang, the film won. Boy did it win. Expand
    • 0 of 0 users said yes
Metascore

Universal acclaim - based on 19 Critics

Critic score distribution:
  1. Positive: 18 out of 19
  2. Negative: 0 out of 19
  1. A celebration of the human spirit nothing short of sublime.
  2. Poetic but tedious and all but plotless.
  3. Kiarostami's genius is elusive. His films may be unknowable, but they are undeniably hypnotic, charismatic.