• Starring: Lena Dunham
  • Summary: Twenty-year-old Aura returns home to her artist mother’s TriBeCa loft with the following: a useless film theory degree, 357 hits on her Youtube page, a boyfriend who’s left her to find himself at Burning Man, a dying hamster, and her tail between her legs. Luckily, her trainwreck childhood best friend never left home, the restaurant down the block is hiring, and ill-advised romantic possibilities lurk around every corner. Surrounded on all sides by what she could become, Aura just wants someone to tell her who she is. (IFC Films) Expand
Score distribution:
  1. Positive: 25 out of 30
  2. Negative: 1 out of 30
  1. Reviewed by: V.A. Musetto
    Dec 11, 2010
    100
    Whether Tiny Furniture is a mumblecore movie is an open question. It has many of the tell-tale signs of that ill-defined genre; although improvised dialogue, a mumblecore staple, is minimal.
  2. Reviewed by: Joshua Rothkopf
    Dec 11, 2010
    60
    The funny thing? It all works reasonably well, especially if you have a yen for the urbane register of city kids and their amazingly cool parents.
  3. Reviewed by: Rex Reed
    Dec 11, 2010
    0
    Lena Dunham makes a 98-minute home video seem like 98 days of hard labor.

See all 30 Critic Reviews

Score distribution:
  1. Positive: 2 out of 8
  2. Negative: 4 out of 8
  1. JMH
    7
    Lena Dunham's debut feature Tiny Furniture is an emotionally well-tuned, rich, and often funny look at post-college aimlessness, as Aura (played by Dunham) returns home after graduating from college. (The home is her parents' home in Tribeca, and her mother and sister are played by her real-life mother and sister.) Given comparisons to Woody Allen in many reviews (and elsewhere), I expected a funnier film. Tiny Furniture does deliver a number of comedic moments, but I found myself truly taken by the film's realism and pacing. The characters are sympathetic, believable, and almost instantaneously well-developed -- they ring true from the moment they enter they film. Dunham's slice of New York life is very much that -- a slice. And a seemingly personal one. People of independent means floating in a finely clustered Downtown world. It may not play in Peoria, but it plays well in New York, for New Yorkers of this world and generally, as most New Yorkers will know this world to some extent. The film's pacing adds to an already consistent tone that wistful and quirky. Dunham's voice and perspective are powerful, and apparent throughout the film. Dunham's voice is, foremost, fresh and inventive. Debut's of this quality are few and far between, especially from a filmmaker so young. There's immense pleasure and promise in this picture. Try it on for size. Expand
    • 0 of 0 users said yes
  2. 5
    After reading the reviews, I expected something more interesting. Although the camera work and editing were good, I found the characters hard to believe, even though the director/star's mother and sister played her mother and sister. Expand
    • 1 of 1 users said yes
  3. After reading several reviews, noticing the unusual amount of praise being heaped upon this film, I eagerly seized my first chance to see it. I can honestly say that I am flabbergasted that this film is being so well received. Instead of a being a movie that "... is full, assured and extremely wry." as Michael Phillips wrote, the film truly is a loathsome exercise in self indulgence. Lena Dunham's screenplay has all the bite and wit of an episode of "Days of Our Lives". When the rare occasion arises to show the audience a moment of true insight into the life of a frustrated youth stranded in post-grad limbo, it is dashed instantly by poor dialogue and unbelievable interactions with the director/stars actual family members. With all the independent films out there struggling to find an audience and distribution it is a shame to see this mess of a film reared its ugly head. A completely unsatisfying and frustrating 98 minutes. Expand
    • 2 of 2 users said yes

See all 8 User Reviews

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