- Studio: Strand Releasing
- Release Date: Jul 29, 2005
User Score
8.1
out of 10
Universal acclaim- based on 13 Ratings
User score distribution:
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Positive: 10 out of 13
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Mixed: 2 out of 13
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Negative: 1 out of 13
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MyriamFeb 7, 200610Loneliness and love. How deep could be the suffering, to move people to do strange beahvior. And come back.
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mosesl.Oct 10, 200510A cinematic poem.
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KirstenFeb 18, 20065An exercise in existentialist angst...I lost patience with it. And the director's habit of going from one scene to another by panning to the right of frame became maddening to me.
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StephenQ.Jul 28, 200610A Must see for the open-minded. A slow, engaging, thoughtful and emotionally fulfiled film. It relies on atmosphere, setting and color to really imprint the emotions of each scene. If you sit through it and pay attention, you'll look back and feel impacted. I was.
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JulieK.Aug 29, 20058This is an amazing film to watch on the big screen. Be prepared to have a heavy heart when you leave the theater.
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MattA.Mar 19, 200610Beautiful. The San Francisco Chronicle was right: this film is a visual poem and unlike anything you've ever seen. Director Ichikawa executes perfectly what he sets out to do and the result is one of the finest films of the year. I would take this film over any of the best picture noms any day.
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DouglasD.Mar 8, 20069slow, but interesting and reflective. Something one remembers.
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MartinS.May 29, 20064The very definition of meandering. The writer ran out of material 5 minutes into the movie. A terrible dissapointment.
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FrankR.Jul 29, 200510
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JabezM.Dec 5, 200610This film, while admittedly short on narrative and action, has some of the most beautiful and haunting images I have ever seen in a film. They remain with me more than a year after viewing. With the proper mindset and expectations, Tony Takitani is richly rewarding.
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20You really have to be in the right mood to sit through Tony Takitani. You have to be ready to take in a thoroughly depressing story that moves...very...slowly.
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50Ultimately, this is a striking-looking film -- consciously recalling the paintings of Edward Hopper in its architectural use of space -- which, like its protag, is a little short on real feeling.
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70Oneiric as it is, though, Tony Takitani conveys a powerfully tangible sense of loss and loneliness. In both concrete and existential terms, it's a film that dwells on what the dead leave behind and how the living carry on.