- Studio: New Yorker Films
- Release Date: Mar 30, 2012
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90With its soft, bleached images and occasional detours into black-and-white stills, Turn Me On, set in an unspecified recent past, has a gentle oddness as unforced as its performances and as inoffensive as its dialogue.
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Mar 29, 201285The way salty-sweet comedy Turn Me On, Dammit! treats the hormone-addled turmoil of its 15-year-old heroine Alma feels something close to revolutionary. I don't want to overburden this mild-mannered 76-minute Norwegian debut, but it's true.
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80Stuff just happens, some of it funny, some of it uncomfortable, some of it good, some of it bad. Just like real life, which is what makes Turn Me On, Dammit! so weirdly enjoyable.
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75Alma is at once a charmer and a contrarian, and Bergsholm achieves that balance with seeming effortlessness. At times, she's more than a bit reminiscent of the young Jodie Foster.
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May 17, 201275Turn Me On, Dammit! is that rare thing: an honest coming-of-age story from the female perspective.
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75Throughout, Bergsholm's poker-faced performance creates the effect that we are watching the misadventures of an actual teenager. It may be a slight comedy but Turn Me On, Dammit! is enormously entertaining.
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75What's refreshing about the Danish movie is how direct the girls are.
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Mar 30, 201275So deftly does Turn Me On, Dammit! approximate the experience of small-town teenagerhood that occasionally its slowness can frustrate.
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70Jannicke Systad Jacobsen, a documentary maker directing her first fiction film, demonstrates a sure sense of tone, and Bergsholm is memorable as the misfit teen.
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70The movie treats a girl's burgeoning sexuality as neither epic nor problematic, or mutually exclusive of feelings of love, but rather simply, refreshingly, as one part of maturing.
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70Here's a debut feature from Norway, a coming of age comedy so fresh and droll that the actors seem not to have been directed at all, but simply observed as they went about their odd lives.
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70It's a mixed blessing to see these dramas play out in Norwegian, surrounded by what we tend to imagine are more liberal perspectives on sex.
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70There's an undeniable sweetness here, evident in the vulnerability that peeks through Alma's disaffected facade, and in the unconventional grand romantic gesture that turns the film's climax into a playfully dirty spin on "Say Anything's" boombox scene.
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70This yarn about an innocent-looking but desperately horny teenage girl might not have that much commercial upside, but its bittersweet, faintly depressed brand of Nordic humor is definitely enjoyable.
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63Nothing here is wrong, but beyond pointing out that sexually charged teenage girls are likely to be misunderstood in an oppressive small town, there's nothing that's especially insightful here either.
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Mar 27, 201260There's plenty here to recommend; so what if its explicitness and femcentric sexuality turn off some prudish viewers, dammit!
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50The film's editing and pacing are appealingly straightforward, not to say blunt, and the humor runs from dry to bone-dry to parched.
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50Like its title, Turn Me On, Dammit! is a jokey pseudo-provocation.