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100It's that rare kind of movie that comes along only a handful of times each year -- gut-level entertainment that's oddly profound.
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91Sensational sex-and-its-consequences melodrama.
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90Lane is a force of nature. Her slow-burning, fiercely erotic performance charges the movie.
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90Meticulously crafted and beautifully performed.
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88All the accolades Lyne got for "Fatal Attraction" -- and didn't really merit -- he deserves here.
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88The movie doesn't stoop to cheap psychoanalysis and must be commended for a bravely ambiguous ending. But most of the credit goes to Lane, who is simply extraordinary as a woman whose body is at war with her conscience.
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88Unfaithful doesn't push the melodrama the way "Attraction" did, but it lingers in the mind as much.
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83Like Lyne's other heavy-breathers, this one has glossy production values, a relentlessly somber mood and its share of sexual gymnastics. But it's atypical and unique in the way it builds a volcano waiting to erupt with nail-biting anticipation and sympathy for all three characters.
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80It's one of the fullest portrayals of sexual desire and pleasure and fear I've ever seen in a movie.
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80Unfaithful shows what a powerful, sexy, smart filmmaker Lyne can be. It’s a shame he substitutes the mechanics of suspense for the real suspense of what goes on between a man and a woman, a husband and a wife.
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80This refitting of Claude Chabrol's 1968 classic "La Femme Infidele" is less concerned with suspense and dramatic fireworks than is the usual American "erotic thriller," and much more devoted to nuances and the minutiae of how men and women behave, pretend and lie in duplicitous situations.
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78Lyne's excesses are usually the kind of thing I love to hate, but Unfaithful found me pretty much following along in step with his rhythms and dramatic choices.
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75That's what's intriguing about the film: Instead of pumping up the plot with recycled manufactured thrills, it's content to contemplate two reasonably sane adults who get themselves into an almost insoluble dilemma.
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75American movies are generally so skittish about sexuality that Adrian Lyne's appetite --and aptitude -- for exploring it in Unfaithful is a relief.
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75Has its cheesy moments but it's bolstered by interesting performances and a final scene not typical of a mainstream movie. Though no "Fatal Attraction," Unfaithful nevertheless is an interesting and worthy film.
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70Not bad for a mainstream suspensefest. Gere's good, Lane, as I said, is amazing in places and Lyne does some of his most assured work in years.
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70The irony is, it's his vulgarity, this mixture of the gaudy and the glossy, that distinguishes Lyne, that makes his work identifiable and, when the story's right, such a guilty pleasure.
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70Trashy enough to envelop its sex scenes in aerobicized glamour (a Lyne trademark), so the fact that it takes itself so seriously almost counts as a daring move.
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70Though it is difficult to take Unfaithful as seriously as it takes itself, on its own terms it's quite well done.
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70Ms. Lane has the role of her career in Connie, and her indelible (and ultimately sympathetic) performance is both archetypal and minutely detailed.
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63Despite some fine, nuanced acting (it's Lane's movie, to be sure), Unfaithful doesn't get much deeper than a romance novel.
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63The good points about Unfaithful can't overcome the movie's eventual downward spiral.
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63Since life's infidelities have a way of ending on a messy note, it becomes art's responsibility to impose order upon the mess, to give it an aesthetically convincing shape. And that's exactly where Lyne falls short.
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50Comes off curiously flat.
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50Though it comes from a director whose résumé includes "Flashdance" and "9 ½ weeks," these smoke-filled interludes are less erotic than today's average car commercial.
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50Despite the Gallic source material, what we truly have in Unfaithful is a tasteful, adult-contemporary ''Fatal Attraction'' redux, right down to the mister's Soho address and the happy family tucked away in the New York hinterlands.
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50If ever a movie cried out to be French, it's this one, and not just because it's a remake of Claude Chabrol's notoriously icy La Femme Infidele (1968).
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50Casual familiarity with Lyne's oeuvre is all you need to predict the major plot contortion.
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50Doesn't reflect anyone's love or hatred for anything, just a lot of anxiety about test marketing, which means it takes a nosedive when it goes shopping for an ending.
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40A glossy, depthless melodrama.
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40At what point in the movie is it too late to ask for your money back?
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38Heavy-handed symbolism permeates the picture, down to the leading lady's name.
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30In the end, Unfaithful leaves you dispirited and grumpy: All that money spent, all that talent wasted, all that time gone forever, and for what? It's an ill movie that bloweth no man to good.
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0Even those looking to catch a few Diane Lane tit shots will be so exhausted by the endless nothingness between each one that it won't be worth it.
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