Mixed or average reviews - based on 27 Critics

Critic score distribution:
  1. Positive: 14 out of 27
  2. Negative: 3 out of 27
  1. This banal horror retread involves a couple of critters flailing inside a sticky trap for what is, in effect, the big-screen equivalent of a roach motel.
  2. 80 minutes of formulaic unpleasantness isn't even close to my idea of a good time, and I doubt that Hitchcock himself could have done very much with Mark L. Smith's script.
  3. This is a no-cable, no-wake-up-call, cash-only dump of a film, where you breathe through a hankie and bring your own Lysol.
User Score

Universal acclaim- based on 124 Ratings

User score distribution:
  1. Positive: 20 out of 30
  2. Negative: 5 out of 30
  1. Jul 16, 2014
    Vacancy is an intense thriller with stylish scares and visuals. Vacancy will surprise you and captivate
    you with its refreshing style and
    plot. One of the best thrillers in years. Full Review »
  2. Dec 26, 2011
    To put it plain and simple, This is horror. Vacancy not only keeps you on the edge of your seat but it also manages to suck you in and keep you interested every step of the way. I loved it. Full Review »
  3. Nov 1, 2013
    Hungarian director Nimród Antal’s debut was screened at the Prix Un Certain Regard of the Cannes Film Festival 2003 and with the suspense horror Vacancy, he establishes himself as a hope for future European independent cinema. This rather short Hitchock homage does have an A-list cast, including Kate Beckinsale, Luke Wilson, and Frank Whaley, but as we’ve seen well enough in the last couple of years, that alone doesn’t make for a good horror movie. Vacancy proves otherwise though, and impresses with never-ending thrill, creditable and genuine acting, and a completely rational story.
    After the nicely designed title sequence, the movie commences without any digressions, but it will take some time to completely grasp the situation. The screenplay deftly includes the needed information into the everyday dialogues of the two protagonists and knows just how much exposition is enough. Through that, the actual horror can quickly kick in and after not even 20 minutes, you’ll already have goosebumps and hands tied to the chair. The macabre game can begin and a difficult to watch assemblage of snuff films is followed by a nocturnal chase through an isolated motel, which doesn’t always omit clichés but conceals them through the director’s original and unpredictable ideas. However, the greatest asset stays the almost unendurable suspense, which makes for such an uncomfortable viewing that on one side, you’ll want to quit the movie and on the other, keeps you hooked in front of the TV.
    The movie completely lays down all horror stereotypes in its final act by staging it in sunlight, and it may for a moment seem that it degenerates into the bizarre. Fortunately, that’s not the case, and Antal stirs up a mysterious open end that is without equal. As the credits start in the style of the title sequence, you’ll not only be relieved to stop shivering, but also exhilarated to have ultimately seen a really great horror movie.
    Full Review »