Universal acclaim - based on 24 Critics What's this?

User Score

Generally favorable reviews- based on 20 Ratings

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
  • Summary: In Vincere, the closely guarded story of Italian dictator Benito Mussolini's secret lover and son is revealed in fittingly operatic proportions. Thunderstruck by the young Mussolini's charisma, Ida Dalser gives up everything to help champion his revolutionary ideas. When he disappears during World War I and later resurfaces with a new wife, the scorned Dalser and her son are locked away in separate asylums for more than a decade. But Ida will not disappear without a fight. (IFC Films) Expand
Score distribution:
  1. Positive: 22 out of 24
  2. Negative: 0 out of 24
  1. 100
    Setting aside, just for a moment, his general loathsomeness, there is a case to be made for a less apparent aspect of Benito Mussolini: He was once really hot.
  2. An amazing, galvanic experience. It's about the hushed-up story of Benito Mussolini's first wife and child, but no one will ever mistake this movie for a standard biopic. It's too raw, too primal.
  3. 90
    Well, if you care about movies, I'm telling you to carve out time for Vincere, a strange and powerful blend of historical fact and dreamlike imagination that captures both the charisma and the murderous madness of the young Benito Mussolini.
  4. Vincere, which translates as the battle cry "Win!" is like invisible ink on the ledger of war, a secret record of love and loss.
  5. Almost as an afterthought to the ringingly true performances--and Marco Bellocchio’s unusually approachable direction--comes a deft analysis of fascism, likened to lovesickness, insanity and a gust of orchestral strings. It’s all of that and more, not to mention a lousy matchmaker.
  6. What this uncaring man is doing to her (Ida), he's about to do to a nation of 50 million people. And all of them will hate themselves in the morning.
  7. Forty-four years after his exciting debut feature "Fists in the Pocket," Italian filmmaker Marco Bellocchio continues his late-career renaissance with the passionate, beautifully crafted, period melodrama Vincere.

See all 24 Critic Reviews

Score distribution:
  1. Positive: 2 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 1 out of 3
  1. HuguesF.
    Mar 29, 2010
    Through the struggle of this woman, Bellocchio not only is critical of fascism and of the dictatorship of Mussolini.. It is too a real hymn to cinema as a medium conveying meaning in an alienated world. In this point of view,it is by itself an act of resistance, in a world invaded by advertisements, and whose Imaginary is colonized by the society of the spectacle. Bellocchio offers us an operatic tour de force. Performance by both actors is exceptional, but especially from Giovanna Mezzogiorno, amazingly inhabited in the role of her young career (A performance and a movie that would undeniably have deserved more prizes, had Cannes jury been fair, or had Italy selected it as the Italian candidate for the Academy Award for Best Foreign Language Movie, instead of a more commercial one). Collapse
  2. Sep 22, 2010
    Con un vigor narrativo y una inventiva visual envidables, Bellocchio echa mano de un estilo diríase operático/futurista para contar la trágica historia de la primera familia del joven socialista Benito Mussolini, repudiada y aplastada cuando "Il Duce" cambió de bando para convertirse en lider del fascismo. Giovanna Mezzogiorno está extraordinaria. Expand
  3. JaneG.
    Mar 28, 2010
    Dark, impossibly dark, dreary and not worth the trouble. All the critics loved this but very disappointing.


Related Articles

  1. The Best and Worst Movies of 2010

    The Best and Worst Movies of 2010 Image
    Published: January 7, 2011
    In our annual report, we reveal the best- and worst-reviewed movies of 2010 in a variety of categories.