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Generally favorable reviews - based on 14 Critics What's this?

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  • Summary: Award winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky, beautifully weave together diverse stories from around the globe that eloquently detail humanity’s relationship with water through the ages: how we are drawn to it, how we use it, andAward winning filmmakers Jennifer Baichwal and Nick de Pencier, and renowned photographer Edward Burtynsky, beautifully weave together diverse stories from around the globe that eloquently detail humanity’s relationship with water through the ages: how we are drawn to it, how we use it, and the magnitude of our need for this rapidly depleting resource. Full of soaring aerial perspectives, this film shows water as a terraforming element and the scale of its reach. This is balanced by forays into the particular: a lingering memory of a stolen river, a mysterious figure roaming ancient rice terraces. These images, both beautiful and haunting, create a compelling global portrait that illustrates humanity’s past, present and future relationship with the natural world. [Entertainment One] Expand
Score distribution:
  1. Positive: 7 out of 14
  2. Negative: 0 out of 14
  1. Reviewed by: Kenneth Turan
    Apr 17, 2014
    90
    If Watermark does nothing else, it will make you question society's contradictory view of water use.
  2. Reviewed by: Peter Debruge
    Apr 4, 2014
    90
    Despite the staggering range of material Watermark manages to present — Burtynsky’s five-year undertaking is certainly the most encompassing survey any one artist has ever dedicated to the subject — it’s still just the tip of the metaphorical iceberg.
  3. Reviewed by: Joe Morgenstern
    Apr 17, 2014
    80
    Here's a case of images in the service of important ideas, rather than entertainment, yet they could hardly be more powerful, from roaring torrents released by a dam in China to a lyrical helicopter shot of a glistening river in British Columbia.
  4. Reviewed by: Mike D'Angelo
    Apr 2, 2014
    60
    There’s a difference between an exhibition of one photographer’s work and a speedy tour of a museum’s entire photography wing, and Watermark feels more like the latter, despite Burtynsky’s involvement.
  5. Reviewed by: Mike McCahill
    Sep 22, 2014
    60
    It’s not as focused as its predecessor, but its best sequences rehydrate the mind.
  6. Reviewed by: Patrick Peters
    Sep 1, 2014
    60
    Beautiful to look at but lacking a strong point.
  7. Reviewed by: Randy Cordova
    May 1, 2014
    40
    Although the visuals are spectacular — a barren Colorado River looks like a landscape from a science-fiction epic — there's not much else here to grab on.

See all 14 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Nov 27, 2014
    7
    I'm not exaggerating when I say that Watermark has some of the most staggering imagery I've seen in film all year. A film about a topic asI'm not exaggerating when I say that Watermark has some of the most staggering imagery I've seen in film all year. A film about a topic as vast as water is bound to have it's reach exceed it's grasp. The attempt at unifying these gorgeous visual vignettes into an all-consuming theme is not so much a failure as it is incredibly vague. This movie is less a work of Terrence Malick (sans the poetic narration and disjointed narrative) than it is one of those 'OFF THE AIR' segments that plays on Adult Swim at four in the morning but stretched out to a feature-length runtime, which I see no real problem in. There are some slight gripes to be had. Each 'storyline' is so disparate from the next that a jarring effect is created. Maybe this is to make commentary on how universal and diverse the application of water around the world is, but, if so, the immense imagery we have on display here is wasted on such a tame thesis. I would have preferred the film simply overwhelmed me with sheer color and visual scope (which it has in abundance, believe me) than attempt to label some sort of 'meaning' to it. The human aspect of Watermark is severely lacking, is what I mean to say. In spite of most of the astounding shots of dams and farms having elements of humanity, when an interview is conducted or the focus of the film steers clear of it's cinematography, my interest seems to drift. But when it's all said and done, once Watermark hits a stride of optic grandeur, it certainly leaves it's MARK. LEEL LEEL LEEL. Seriously, though, check this out. If anything, convert some still shots from the movie to a slideshow background on your iMac. You won't be disappointed. Expand

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