Metascore
63

Generally favorable reviews - based on 9 Critics

Critic score distribution:
  1. Positive: 6 out of 9
  2. Negative: 0 out of 9
  1. Reviewed by: Jeannette Catsoulis
    Nov 21, 2013
    70
    It’s a vintage flashbulb moment of two men at the peak of their talents, one on his way to securing his second world championship, and the other between the twin triumphs of “Rosemary’s Baby” and “Chinatown.”
  2. Reviewed by: Nathan Rabin
    Nov 21, 2013
    70
    Weekend Of A Champion is an immersive chronicle of a specific time and place in racing, but it’s also a film in a familiar Polanski mode, exploring a strong man at war with forces that could destroy him.
  3. Reviewed by: Calum Marsh
    Nov 19, 2013
    70
    The result is a pleasure, perhaps as much for audiences as for Polanski; it's a chance to luxuriate in the atmosphere of world-class Formula One, here a lavish free-love party interrupted now and again by a few laps on the track.
  4. Reviewed by: Stephen Dalton
    Nov 12, 2013
    70
    Weekend of a Champion begins as a motorsports movie but ends up a portrait of two wily elder statesmen who have survived into their seventies by skill, stealth and sheer luck.
  5. Reviewed by: Mike D'Angelo
    Nov 20, 2013
    67
    All in all, the original 1972 version of Weekend Of A Champion, which ran a fleet 80 minutes,was probably a thorough if minor pleasure. Unfortunately, that’s not the version now being released. Polanski says that he felt the need to re-edit the picture in order to make its rhythm more palatable to a modern audience.
  6. Reviewed by: Drew Hunt
    Nov 20, 2013
    63
    The film is at its most fascinating when Jackie Stewart authoritatively and pedagogically discusses the nuances of his trade.
  7. Reviewed by: Elizabeth Weitzman
    Nov 21, 2013
    60
    Looking for something unusual to see this weekend? Try this cool time capsule, which premiered in 1972 and then disappeared for decades.
  8. Reviewed by: Joshua Rothkopf
    Nov 19, 2013
    60
    This recut version appends a new interview with Polanski and Stewart, returning to the same hotel room to wax nostalgic. Essentially, they liked going fast and big; this film feels slow and minor.
  9. Reviewed by: Peter Bradshaw
    Nov 12, 2013
    60
    The movie has some real archival value and the simple juxtaposition of Polanski and Stewart – the oddest couple in Cannes, surely – has a surreal impact. But I wonder if there isn't something a little bit placid and self-satisfied about the film, which is paced remarkably slowly, given the subject matter.

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