Metascore
61

Generally favorable reviews - based on 22 Critics

Critic score distribution:
  1. Positive: 14 out of 22
  2. Negative: 0 out of 22
  1. Clearly a spiritual descendant of the old Looney Toons cartoons; it's not hard to imagine Daffy, Bugs, Porky and their pals in the starring roles here. And that's a cinematic pedigree worth cherishing.
  2. 75
    At some point we're flashed a junkyard billboard telling us that Collinwood is the ''Beirut of Cleveland'' - yes, but here, it's by way of Looney Tunes.
  3. 60
    The climactic sight gag is lifted from Monicelli's movie like a diamond from a jeweler's window.
  4. 63
    A wacky and eccentric heist comedy with many virtues, but it is also a remake of "Big Deal on Madonna Street" (1958), a movie much beloved by me. Some scenes are so close to the original it's kind of uncanny.
  5. 63
    Even at a mere 82 minutes, the movie is guilty of killing time. It's not a complete Kaputschnik, but it's sure no Bellini.
  6. The farce is energetically written, breezily acted, and never quite as dumb as the lunkheads it's about.
  7. It's excessively quirky and a little underconfident in its delivery, but otherwise this is the best "old neighborhood" project since Christopher Walken kinda romanced Cyndi Lauper in "The Opportunists."
  8. Excitement trumps incompetence as one colorful loser recruits another. Pretty soon, the screen is filled with hip actors playing clueless lowlifes, pretending they're in a Bizarro World production of ''Ocean's Eleven.''
  9. 60
    With a dream cast that also includes Patricia Clarkson and, in a cameo, a tattooed George Clooney, fullness of narrative may not have struck the filmmakers as key, and their film feels slight, as if it were an extended short, albeit one made by the smartest kids in class.
  10. There isn't much else to the film beyond slapstick antics and professional gloss, but the results are diverting enough, in great measure because it's essentially a scene-by-scene remake Mario Monicelli's 1958 satire, "Big Deal on Madonna Street."
  11. It takes us about half the film to adjust to its quirkiness, and we leave the theater with both laughter cramps and the feeling that it should have been funnier a lot longer.
  12. 63
    Doesn't have the polish of "Ocean's Eleven" - but it does have George Clooney.
  13. Funny and not-funny, slapstick and slapdash, Welcome to Collinwood is a seriously uneven caper comedy in which a bunch of really fine character actors get to act really, really silly.
  14. 40
    A bigger problem is that since the movie is a straight remake that reprises many of the original's scenes, we have those scenes playing in our heads, and the Russos' execution just isn't up to Monicelli's. It's painful to see gags that worked so beautifully fall flat, or wither and die because of indifferent timing.
  15. A diversion so soggy that even the few combustible comic disasters fail to light a flame under the lukewarm laughs.
  16. 70
    A low-key charmer that balances half a dozen winning performances, Welcome To Collinwood's momentum occasionally stalls, and it doesn't always produce laughs.
  17. Filled with a sweet, loopy sensibility and some fresh comic turns, Welcome to Collinwood is a low-budget American film that falls into the good-but-slight category.
  18. What the movie lacks in polish, though, it makes up for in pluck, enthusiasm and slapstick shamelessness.
  19. Reviewed by: Ken Fox
    70
    Populated by a great ensemble cast and oozing a grubby sort of charm.
  20. Reviewed by: Todd McCarthy
    50
    Anthony and Joe Russo place too much faith in the ability of their talented thesps to carry the day over precariously thin material.
  21. Reviewed by: Ed Park
    60
    An anti-"Rififi" in which nearly everybody loses their cool, not after the big score goes down but repeatedly and neurotically throughout.
  22. This ensemble comedy has its inventively funny moments. But ultimately, it gets a little too cute for its own good.

There are no user reviews yet.