- Studio: Sony Pictures Classics
- Release Date: Dec 25, 2012
- Critic Score
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90As with "The Central Park Five," you come away from the film impressed by the storytelling but enraged by the facts. It's outrageous that this kind of thing happens, but Berg does an outstanding job of showing us how it does.
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88While the “Paradise Lost” films captured events as they unfolded in the heat of battle, West of Memphis has the luxury of at least partial closure.
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100Do we need a fourth film? Yes, I think we do. If you only see one of them, this is the one to choose, because it has the benefit of hindsight.
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100Prepare to be shocked, disturbed, awed... and, if you expected justice to prevail at last, ultimately devastated.
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91The film casts a hypnotic spell all its own. It artfully sketches out the events for anyone who's coming in cold, but basically, its strategy is to take what we already know and go deeper.
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88This is a compelling and comprehensive guide to one of the most Kafkaesque crime stories in American history.
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85Although it's the fourth documentary about the West Memphis Three, West of Memphis doesn't feel superfluous. This bizarre case rates at least 18 documentaries - one for each year Damien Echols, Jason Baldwin and Jessie Misskelley spent in prison for murders they clearly didn't commit.
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91West of Memphis does nothing to displace its predecessor films as masterpieces of investigative filmmaking, but complements them as a riveting capstone to an epic and tragic tale.
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91Thanks to Jackson's involvement as a producer, Berg has time and access Berlinger and Sinofsky didn't, allowing expansion of whatever material that's repeated.
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Nov 25, 201290Amy Berg's clear, captivating, indignant film carves out its own significant place in criminal-justice cinema, makes new and startling revelations into the triple-murder mystery, and is visually spectacular to boot.
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Dec 18, 2012100That makes this the most rare of films: one that indisputably matters. And one that stuns.
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90Ms. Berg's film, which she wrote with Billy McMillin, tells the story with unprecedented clarity. She has a dramatist's eye for what was irretrievably lost-the innocent lives of the children, plus 18 years of three other innocent lives.
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