SummaryAmbitious secretary Tess McGill (Melanie Griffith) makes her up the corporate ladder with a little creative deception by "taking over" when her boss Katherine Parker (Sigourney Weaver) breaks her leg on a ski trip.
SummaryAmbitious secretary Tess McGill (Melanie Griffith) makes her up the corporate ladder with a little creative deception by "taking over" when her boss Katherine Parker (Sigourney Weaver) breaks her leg on a ski trip.
The movie was a major success for Melanie Griffith, sure, but it was as the secretary's boss ... that Weaver combined all of her star qualities, pulled in laughs, and took home an Academy Award nomination for Best Supporting Actress.
Smart, hard working secretary Tess wants to move up from her working class neighborhood. That's the American Dream, right? She lucks out when her new boss is a woman who will mentor her and help her climb the corporate ladder. Or not. Her new boss is getting pressure to make a big deal so is she stealing Tess's idea? Good romantic comedy with some high stakes business dealings make for an interesting movie. I don't have that many DVDs but this one is in my collection.
Working Girl is a romantic comedy film made in 1988 by director Mike Nichols (Wolf 1994). Working Girl stars Melanie Griffith as probably the main character of Tess and also stars Harrison Ford, Sigourney Weaver and even a short appearance from Kevin Spacey and Alec Baldwin is also present. Working Girl is full of guys having affairs, backstabbing to a degree, business deals, love, romance, the issue of trust and chit chat.... Tess (Melanie Griffith) loses her job after calling her boss a pimp and gets another chance but is in a new job and is working as a secretary for her boss (Sigourney Weaver) I think but Weaver has an accident whilst skiing and breaks her leg and is recovering in hospital. Whilst in hospital back at the workplace Tess takes charge and even steals Katherine Parker's (Weaver) love interest played by Harrison Ford and tries to make her life better by reaching the top however when Katherine (Weaver) gets released from hospital she tries to put an end to Tesses dreams and hopes. Working Girl is well acted but it's too long a film so patience is required and Sigourney Weaver is great and very beautiful, it's fairly funny but contains bad language, nudity, drugs, scenes of sex but all in all a decent film.
This is not a laugh-out-loud film, though there is a lighthearted tone that runs consistently throughout, Griffith's innocent, breathy voice being a major factor.
Nichols must have a cummerbund around his head: the directing is constricted – there's no visual inventiveness or spontaneity. And in his hands the script has no conviction. [9 Jan 1989]
However outdated the costumes and settings, outmoded the corporal cooperation business, I believe the ethic of WORKING GIRL is abiding, at least until this moment (24 years later), resembling a 1980s version of THE DEVIL WEARS PRADA (2006), however collected 6 Oscar nominations with 1 win (for Carly Simonâ
No film with those lines of dialogue could actually be good. Working Girl does not buck the trends and is a cookie cutter romance with my least favorite narrative cliche in the history of humanity. Yet, far too many films seem to think it works. This film may be fun for many, but it just aggravated me to no end and made me desperate to shut it off. The film is incredibly well-written, even if it is cliche ridden and director Mike Nichols allows the film to successfully follow cliches, always remaining relatively palatable in the face of its annoying plot conventions. Oh and of course the bad dialogue that clearly served as inspiration for Melanie Griffith's daughter Dakota Johnson to say the bad dialogue in Fifty Shades of Grey with confidence because, hell, her mom got an Oscar nomination for the same lines.
Featuring a woman beat down by the system, Tess McGill (Griffith), her goofy friend Cynthia (Joan Cusack), and her **** boss Katharine Parker (Sigourney Weaver), the film's plot is kicked off when Katharine breaks her leg. Having previously pitched an idea to Katharine regarding a possible merger path for a client of their investment firm, Tess - a lowly secretary - learns that Katharine planned to steal the idea and send it off to boyfriend Jack Trainer (Harrison Ford) to bring it home. Well, Tess decides to pose as a tried and true professional in the mergers and acquisitions game, falls in love with Jack, and hides her lies from everybody with the help of Cynthia. You will never guess what happens in the middle though. She almost tells Jack the truth! In the midst of telling him (leading off with, "I have to tell you something"), he gets a phone call to distract him, and then he turns to her and says, "What did you want to tell me?" Later, he learns when Katharine bursts into the big merger meeting where Tess' deal is set to go through and is initially hurt, but quickly gets over it and loves her anyways. Even better, the big client - after Katharine fires Tess - offers Tess a job and gets Katharine fired for stealing the idea from Tess. Is this not just the most upliftingly original plot you have ever heard? No spoiler tags either. I implore you read that past paragraph because it does not spoil anything. If you have seen any romantic comedy, you have seen this plot play out before. It is a shame to see Nichols stuck with such annoyingly derivative material.
That said, he does well with it. Thanks to Harrison Ford and Melanie Griffith, Working Girl nearly comes off. Joan Cusack is annoying here as a loud obnoxious cliche, but all the same, the film nearly gets home. It is quite cute and the ending underscores that when Jack and Tess finally get to be together with no lies between them. But, man did I wish I had read a plot summary beforehand. I will never like a film with this plot. Hell, I hated Some Like It Hot - a classic - for the very same reason. These films where a character misrepresents who they are just leave me agitated and waiting for the same cliched plot to play out where they get exposed, get some egg on their face, but then the people they hid it from do not really care in the end. It is a plot with no tension because it has been played out so much, so it befuddles me to no end to see it constantly played out.
That said, Nichols does write the film quite well. It is cliched throughout, but it does hit all the cliches. The fact it almost works shows that the cliches have some merit, even if it worn out. It is a perfect example of this kind of film, so it is no surprise to see it well received critically. It is a film that is cliche ridden, but has so much bubbly energy from its leads that it masks many of these cliches and, where it does not, the cliches hit sweet notes, though familiar.
Working Girl may be a good film. It did receive a Best Picture nomination. But, its cliched plot is one that simply is not up my alley. It just causes me unnecessary aggravation due to the tediously nature of this particular set of cliches and the prototypical story that ensues. That said, the film does embody the cliches perfectly and for those that enjoy this type of storyline, it will appeal greatly. The acting, particularly from Griffith, is quite good and rise above the derivative material and corny dialogue.
Working Girl is essentially a 1988 comedy, drama romance type of film but as far as I'm concerned isn't very funny if at all. Tess McGill (Melanie Griffith) is some secretary for some lady boss named Katherine Parker played by Sigourney Weaver but when she has a skiing accident and breaks her leg and ends up in hospital Tess McGill (Griffith) is forced to take over after receiving a phonecall from hospital and talking to a hospitalised Katherine Parker (Sigourney Weaver). She has a meeting or two with some businessman named Jack Trainer (Harrison Ford) and some romance but when Sigourney Weaver is released from hospital she wants to put an end to Tess McGill's cushty existence and says she's lying about this and that and blah, blah, blah and even gatecrashes a meeting at the end of the film to disrupt a important meeting between Harrison Ford and Melanie Griffith. This film has romance, nudity, bad language, sex scenes, nudity and the odd silly song or musical score thrown in with cheating husbands such as Alec Baldwin, a laughable and short appearance by Kevin Spacey and Oliver Platt makes an appearance.. Most of the film is pure nonsense, meetings, drivel between Harrison Ford and Melanie Griffith and the other characters and feels nice at times and horrible at others.
Comédie sympatoche pendant un certain temps, le temps de rigoler devant ces coiffures et ces tenues "années 80" et le temps également d'apprécier tout de même Mélanie qui nous incarne une grande cruche bien nunuche de toute beauté ! elle est tellement conne qu'on dirait la femme de François Pignon.
Le temps d'apprécier (aussi et surtout) une autre grande, Miss Alien Sigourney en personne, très à l'aise dans le "mauvais" rôle de la "méchante manipulatrice" de service ! elle est excellente à dire vrai, quel dommage de saborder son rôle et de le réduire à une vilaine satire (plus ou moins involontaire d'ailleurs) !...
Puis Harrison qui ne déboule qu'au bout d'une très grosse demi-heure vient nous jouer le sensible bellâtre (de service lui aussi) et là, force est de constater qu'il est presque aussi ridicule que Mélanie !
De toute façon, passée sa première moitié le temps de la curiosité bienveillante est passé... le film s'enlise sévèrement jusqu'aux ongles (très vernis) de ces dames et pédale dans la semoule comme un vieux hamster cardiaque sous Prozac. Avec en point d'orgue final la grosse morale bien niaise que l'on croirait tout droit sortie d'un épisode de Candy. On aura tout vu !
This is very much a dated film. Its categorised as a comedy, a rom com I think but I didn't find it funny. Watching pervy men flirt with an 'ambitious secretary', nah, not my thing. Sigourney Weavers character, Katharine Parker, was probably the most stand out, if any. I don't think Tess was a character I found it easy to feel too sorry for, even though its clear she's subject to a certain amount of misogny. The female stereotypes are too cheesy and annoying and the chemistry with certain cast members didn't feel or seem especially genuine, so it didn't really work. Oh and also, some of the dialogue was a bit hushed, which I find frustrating. I wouldn't recommend it, no.