Arizona Republic's Scores

  • Movies
  • TV
For 1,328 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 2.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Birdman or (The Unexpected Virtue of Ignorance)
Lowest review score: 10 The Legend of Hercules
Score distribution:
1,328 movie reviews
  1. It is a question that has vexed lovers of fine cinema for years: What if you made a teen sex comedy with grown-ups? And now, thanks to Hot Tub Time Machine, we have our answer: It would be pretty cool.
  2. The acting is uniformly excellent, and the cause - dragging the beginnings of civil rights into Jackson, Miss., at great risk - couldn't be nobler. What the film lacks is a strong point of view.
  3. Skeptical at first, perhaps a little embarrassed, but before you know it, you're having a blast.
  4. It’s cute, funny, exciting to look at but not quite magical.
  5. Let's not pretend otherwise: The comedy here is profane, juvenile, silly. Fine by me, because some of it also is hilarious.
  6. It presents Perry as a likable, hard-working artist, someone you root for, even if she's not on your iPod.
  7. Both the film and television project were directed by Martin Campbell. He creates a nice level of tension throughout, and there are a couple of legitimate shocks (including one jaw-dropper).
  8. Scott's epic - and it's hard to think of anything this big, this elaborate and, no doubt, this expensive as anything but - is very much an origination story, a prequel, if you will.
  9. It works, both as a character study and a BOO! made-you-jump exercise in horror.
  10. As tiresome as those live-action sequences are, they are more than outweighed by laughs — some riotous, some groaning and some very, very befuddled, but none predictable.
  11. If you're a fan of provocative, offbeat films such as "My Own Private Idaho" or "The Crying Game," you might want to give "Phillip Morris" a chance.
  12. Caro's direction, Costner's performance and the winning cast, along with the shining of a sliver of light on the plight of field workers, however thin that sliver may be, combine to make McFarland a much better movie than it has any right to be.
  13. True Story never really soars in the way it might, but the performances more than keep it aloft.
  14. It's an entertaining film and a deceptively gritty thriller, and Kinnear conveys Mickey's mounting desperation in winning fashion.
  15. There is much to like about Avengers: Age of Ultron. There was much to love about "The Avengers," and therein lies the difference.
  16. It's a little too obvious -- interesting, sometimes kind of fun but, ultimately, not as satisfying as it might have been.
  17. Simon Killer is a beautifully made look at ugliness and brutality, the kind of oxymoronic exercise that fascinates some and repels others.
  18. It’s aggressively charming, and competitions and training montages are filmed with kinetic whimsy. The film’s chief triumph is in spinning something remotely thrilling out of something as inherently dull as speed typing.
  19. Barber uses various stylistic devices - hand-held cameras, cellphone cameras, etc. - that make a somewhat slow story seem to move at a brisker pace.
  20. Yam Laranas doesn't leave it at that. In his low-budget, creepy thriller, he spells out why and how this particular path is so deadly, as well as what led to the crimes and supernatural horror that seem to frequent the place.
  21. It's not always pretty, and it's not always exciting, but you genuinely don't know from one moment to the next how these characters will behave.
  22. It’s not the best movie of the summer, not by a long shot, but if there’s such a thing as smarter dumb fun, this is probably it.
    • 51 Metascore
    • 70 Critic Score
    One is left wishing a little more time were spent on the clothes and the creative process, but Yves Saint Laurent is still a lovely escape into an elegant, evolving world.
  23. If you are a stickler for movies that follow the laws of, say, physics, nature and common sense, The A-Team might not be for you. If, on the other hand, you get a kick out of exchanges like this - "Are they trying to shoot down that other drone?" "No. They're trying to fly that tank" - then you're in for a treat.
  24. 42
    Helgeland has given us an impressive introduction to one of the most important men in U.S. history. But you can’t help wanting more.
  25. It's Moore who makes the movie worthwhile, who elevates it from disease-of-the-week fare to the role of a lifetime.
  26. Yes, in the end, Trance is pretty manipulative. But again, with Boyle behind the camera, it’s a more satisfying experience than it might have been. If we’re going to be manipulated, it might as well be by a master.
  27. It’s predictable. It’s saccharine. It’s silly. It’s also, thanks to the consummate talents of Stamp and Redgrave, occasionally a joy.
  28. Neighbors is not the classic raunchy comedy it wants to be, but it certainly isn't for lack of trying. And when it's funny, it's really funny. Just not as often as one might hope.
  29. An unapologetic love letter to the popular board game. It's also almost - but not quite - something more.

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