Boston Globe's Scores

For 5,885 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Oslo, August 31st
Lowest review score: 0 Cocktail
Score distribution:
5885 movie reviews
    • 77 Metascore
    • 75 Reviewed by
      Ty Burr
    Neighboring Sounds unfolds like a casual nightmare in the light of day.
  1. There’s nothing static about Still Walking.’ The presence of three kids sees to that, as does the eloquence of Kore-eda’s framing and compositions.
  2. Related with stolid majesty, with long shots of brooding landscapes and close-ups of opaque faces, the film provides poor preparation for the subversion of genre conventions to follow.
  3. Though at times Siddharth can resemble a well-photographed report on India’s social and economic ills, Mehta subtly employs different styles to sustain the poetry, poignancy, and drama.
    • 67 Metascore
    • 75 Reviewed by
      Ty Burr
    It's an angry story, but also a strangely hopeful one, in the sense of new life sprouting through a battlefield. Above all, it's personal and specific, and that IS news we can use.
  4. Isn't just a feel-good movie; it's a feel-good-and-righteous movie. And audiences will forgive its flaws.
  5. Sequels and fun don't often coincide, but this time they do.
    • Boston Globe
  6. He (Hui) does not achieve the surreal grandeur of Hayao Miyazaki’s animated films, but he has enough imagination and talent to engage his audience on its own level.
    • 73 Metascore
    • 75 Reviewed by
      Ty Burr
    It's a worst-case-scenario of bachelor party morning-after, and it is howlingly funny.
    • 64 Metascore
    • 75 Reviewed by
      Ty Burr
    Could fairly be described as a Robert Altman ensemble movie without the flab, or "Magnolia" with a mean streak and bigger laughs.
    • 75 Metascore
    • 75 Reviewed by
      Ty Burr
    What works best in Shrek 2 are the smaller roles, the pile-driving pop-culture jokes, and the moments of weird, early-Mad-magazine comic invention.
  7. By the end of Tickled the realm of superficial giggles has long been left behind. Though his lighthearted tone has difficulties keeping up with each new sinister discovery, Farrier has exposed in the least likely setting the network of power and money that preys on the weak with impunity.
    • 61 Metascore
    • 75 Reviewed by
      Ty Burr
    It’s all ridiculous and enjoyable, and at the movie’s center is an actress creatively guessing at what omniscience might feel like.
  8. In Mongolian Ping Pong the point is to look under the majestic vistas and see value in ordinary things -- ping-pong balls included.
    • 66 Metascore
    • 75 Reviewed by
      Ty Burr
    The new film is a juicily enjoyable crowd-pleaser that works hard at expanding to fit the size of its ambitions and that wants to give the audience a high old time while slipping in reminders of how low some people may sink in the pursuit of power.
  9. The cast helps enliven what could otherwise come off as a treatise. All four actors played these roles during the play's off-Broadway run.
  10. Because Manito is really just an opera without the violins or Viking hats, you probably don't need to have everything spelled out. Its Spanish-English script is secondary to the universal language and timeless drama of family, community, dreams made and dreams dashed.
    • 66 Metascore
    • 75 Reviewed by
      Ty Burr
    Second verse, same as the first, a little bit shorter and a little less worse.
    • 82 Metascore
    • 75 Reviewed by
      Ty Burr
    Smartly filmed (aside from a few distracting editing fripperies), but it's so dazzled by its subject and saddened by his martyrdom that it never moves past the heroic politics of dissent.
    • 61 Metascore
    • 75 Reviewed by
      Ty Burr
    The one thing that should have been changed but hasn’t is the title, which makes no sense at all in a movie about kung fu.
  11. Shares many things with ''Not One Less'' and ''The Road Home,'' among them a grass-roots sensibility that ultimately puts a premium on hope and simple kindnesses, while acknowledging the seductive power of money and superficial success.
  12. Hegedus and Pennebaker do solid work presenting Wise’s arguments. It’s a tricky narrative challenge to shift from inherently compelling wildlife scenes to abstract courtroom debate, but the film manages it capably, even spicing things up with one justice’s admonition that Wise needs to cut his slavery analogies.
    • 79 Metascore
    • 75 Reviewed by
      Ty Burr
    It’s largely successful, if by nature all over the map.
    • 81 Metascore
    • 75 Reviewed by
      Ty Burr
    So there's a hole at the center of "Pete Seeger" that the movie fills with loving remembrances, testimonials, and new interview footage of the singer at his hand-built cabin in upstate New York.
  13. Risks seeming too earnestly therapeutic for its own good. But what makes My First Mister a successful feature directing debut for Lahti is the emotional veracity it summons.
    • Boston Globe
  14. This stuff is clever, in the reflexively satirical, self-aware way that many animated films are. It's not until the dog is accidentally shipped off to New York City that the movie lets you in on an altogether more interesting idea: It doesn't want to be that cool.
  15. It's a snazzy, smartly made, and even hip little scarefest. As a jump-start to Halloween, it's all you could hope for.
    • Boston Globe
  16. Kinetic, fizzy, delivering more bounce to the ounce than anything out there right now, "Rumble in the Bronx" is my kind of mindless fun. [23 Feb 1996]
    • Boston Globe
    • 70 Metascore
    • 75 Reviewed by
      Ty Burr
    Andrew Currie's stylish satire falls into the narrower niche of zombie farce, as pioneered by "Shaun of the Dead ," "Slither," Robert Rodriguez's half of "Grindhouse."
  17. Could have been -- and should have been -- richer and more resonant. It's Hollywood Babylon Lite, only TV movie-deep. But at least it's tangy.
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    How are girls supposed to behave in a culture that tells them they're Disney princesses for the first 12 years and sex toys after that? Girls Rock! has one answer: Strap on a Fender and rage against the machine.
  18. The movie turns what could have been a tedious meta-movie exercise into a sincere dour farce.
    • 75 Metascore
    • 75 Reviewed by
      Ty Burr
    So, yes, something needs to be done, and if it takes Sting reuniting the Police in-concert to sing “sending out an SOS’’ on behalf of the plaintiffs (among other worthy causes), so be it.
  19. The film Soderbergh's made is about promiscuous stargazing. And you don't need a brain for that, just two eyes and a mammoth appetite for heavenly bodies.
  20. Solid, balanced period piece that focuses on a specific place and time yet resonates with universal themes.
    • Boston Globe
  21. Frustratingly elusive and seductively louche, Lespert’s “Yves” probes a cryptic myth and a fragile soul, penetrating neither, but conjuring up a taste of Saint Laurent’s suffering, genius and style.
    • 59 Metascore
    • 75 Reviewed by
      Ty Burr
    For smart kids between the ages of 8 and 12, the movie hits the sweet spot with a satisfying cosmic bang. It's a cross between "A Wrinkle in Time" and a middle-school version of "Close Encounters of the Third Kind."
  22. A delightful alternative to most current multiplex fare, which wouldn't recognize a juicy bon mot if it tripped over one in the aisle.
  23. Argo is absurdly suspenseful for both of its hours. I've never been this stressed-out watching people shred documents.
    • 65 Metascore
    • 75 Reviewed by
      Ty Burr
    Because it’s a Hollywood movie from a major corporation looking fondly at itself, it concludes that, while art may heal our psychic wounds, craftsmanship and commerce heal them better.
    • 63 Metascore
    • 75 Reviewed by
      Ty Burr
    For every line of dialogue that's truly, glitteringly acid, though, there are five that are merely clever, and Lee, likable as he is, never really taps into the misery of the teen misfit.
  24. The upshot: The movie develops a distinctively trippy identity.
  25. Kate Hudson and Matthew McConaughey don't simply star in this movie; they tag-team it out of the Freddie Prinze Jr. --Julia Stiles puppy-love ghetto.
  26. A solid, humane, old-fashioned film in the best sense of the term.
    • 71 Metascore
    • 75 Reviewed by
      Ty Burr
    Green unquestionably has a rare, intermittent knack for rapture.
    • 66 Metascore
    • 75 Reviewed by
      Ty Burr
    Absurdly entertaining even after it disappears up its own hindquarters in the last act, and it gives some of our weirder actors ample room to play.
    • 65 Metascore
    • 75 Reviewed by
      Ty Burr
    Merely grand old-school fun - a rollicking class reunion that stands as the second best entry in the venerable series.
    • 73 Metascore
    • 75 Reviewed by
      Ty Burr
    An almost fetishistic re-creation of a horror-suspense movie from around 1978.
    • 81 Metascore
    • 75 Reviewed by
      Ty Burr
    Mostly it’s a footloose tour through the noise and sun of a summer metropolis and an unassumingly wise portrait of a friendship.
    • 70 Metascore
    • 75 Reviewed by
      Ty Burr
    The new film isn’t nearly as bleak as Christopher Nolan’s take on Batman (in general, Marvel seems more risk-averse when it comes to fiddling with the crown jewels), but it still creates an action-movie landscape torn between patriotic ideals and harsh post-9/11 realpolitik.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    “Days” is fast, smart, well-acted, and intermittently inspired, and if you don’t know or care who Beast or Blink or Storm are, you can safely skip it.
  27. It’s a surprisingly humorous and humane film — a lyrical little oddity that stands as a welcome return to form.
    • 68 Metascore
    • 75 Reviewed by
      Ty Burr
    The actor is magnificent -- ravaged, desperate, aware -- and no more so than in a scene toward the end when Bob's cardsharp cool finally breaks. It's a risky scene, the one note of corn, but Nolte brings it home. Too bad the movie doesn't.
  28. A Cinderella subplot involving the prince’s scullery maid (Zooey Deschanel) is similarly both familiar and tonally refreshing, from the whimsical vocals to the disco skate that subs for a glass slipper.
  29. The gusto in the flying bullets, the fleeing lovers, and the flowing music will make you want to hang around until the party is over.
  30. The Signal is like a Romero zombie movie in which the zombies aren't dead, they're just really temperamental. Evil here is technology-born. Maybe our cellphones and satellite dishes are giving us all the crazy.
  31. If this is an unusually sentimental outing for Jia, it’s also characteristically tinged with woe. He’s just added a touch of sweetness to these otherwise sugarless lives.
    • 68 Metascore
    • 75 Reviewed by
      Ty Burr
    If you were alive in 1991, the televised images may still stick in your mind and your craw.
  32. A sweetly acted and neatly executed social comedy.
  33. The animals are so magically entertaining to watch here (helped by some gently mischievous narrative assists), the educational treatment is a fun time in its own right.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    It's a bit of a mess but strong stuff nevertheless -- a mournful, often wickedly funny religious satire that suggests what Kafka might have come up with had he been raised Catholic.
  34. Isn't as trippy, scary, handmade-looking, or environmentally aware as some of Miyazaki's pictures. But it shares their dreaminess. Even at its most ingenious, not even Pixar does that.
    • 64 Metascore
    • 75 Reviewed by
      Ty Burr
    Proof is proof that you can drain most of the juice out of a play and still have an enjoyable night at the movies.
  35. In addition to being very funny, In a World . . . also makes a case for women to be, well, heard. But in terms of cohesion and narrative, it doesn’t quite come together as a movie.
    • 81 Metascore
    • 75 Reviewed by
      Ty Burr
    It's to the "Lethal Weapon" movies what left-hand driving on a country lane is to a freeway chase: pokey, more than a little daft, but with a bloody surprise around every hedge.
  36. Waste Land is just what the film's website says it is: "stirring evidence of the transformative power of art and the alchemy of the human spirit."
    • 77 Metascore
    • 75 Reviewed by
      Ty Burr
    It’s predictable in many places and acerbic in others, sentimental when you expect it and poignant when you don’t. But it stars Lily Tomlin, and that’s all you really need to know.
  37. Another gorgeous and immensely satisfying reminder that there are few better directors than Téchiné when it comes to capturing the vagaries of the heart.
  38. Part of the reason for the comic surehandedness is the obvious chemistry between Shannon, Ferrell, and director Bruce McCulloch.
  39. I've never seen a movie like this. Not on purpose. Daniels isn't saying he's tasteful. He's just saying that his tasteless trash is as deserving of our attention as the tasteful trash we feel like we have to see. The whole thing's a crazy fantasy, like watching a porno dream it can win the Oscar.
    • 71 Metascore
    • 75 Reviewed by
      Ty Burr
    Darker, leaner, less expansive , and meaner, Harry Potter and the Order of the Phoenix is all business, and it casts a spell utterly unlike the first four films.
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    If you've got some very small fry on your hands and 75 minutes to kill, this is as bright, colorful, and fuzzy as you're going to get.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    Referencing the popular song, the movie's title reminds us that "the fruit of the poor lemon is impossible to eat." That, in a rind, is Riklis's deeply frustrated view of his country's stalemate, but you can only take a metaphor so far before it falters in the face of endless geopolitical complexity.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    There’s still enough to chew on to recommend the movie, not least the oddly touching sight of two siblings whose very identities have been altered by surgery.
    • 60 Metascore
    • 75 Reviewed by
      Ty Burr
    Vol. II is less focused than “Vol. I” — less funny, too, although there are a few dank laughs — and you feel Von Trier’s inspiration and energy start to flag during the final laps.
    • 64 Metascore
    • 75 Reviewed by
      Ty Burr
    The filmmakers bank against their impulse toward melodrama and deliver a reconciliation that is heartbreakingly understated.
  40. Intoxicating fun.
  41. A patient, suspenseful exercise in genre craftsmanship
  42. For a studio so clearly willing to take risks with so many of its movies, this particular movie has a whiff of exploitation. Rowling wrote one epic funeral that Warner Bros. requires us to attend twice.
  43. The idea is to share with us that this show happened. But gluttons for these artists and for music festivals in general might wonder, as I have, whether there's any way the filmmakers might share more of the remaining 123 1/2 hours.
  44. The movie shouldn't work, yet it does.
  45. A lot of the credit for what's right with 'The 40-Year-Old Virgin goes to the screenplay, which Carell and Apatow wrote. They like these characters and, when it matters, they dare to give them feelings, none truer than Andy's.
    • 72 Metascore
    • 75 Reviewed by
      Ty Burr
    If Gimme Danger never quite solves the secret of Iggy’s onstage atavism — how he pushed the myth of sheer, unhinged rock ’n’ roll abandon until he embodied it better (or worse) than anyone else, ever — it reminds us of when he was, verily, the velociraptor of popular music.
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    Teller is cornering a market on recklessness in the roles he chooses -- the energy from that demonic drum solo at the end of “Whiplash” seems to carry over into the ferocity with which Vinny pounds at life. He’s not very smart, he’s kind of a jerk, but he never, ever stops, and Bleed for This earns your respect for him.
  46. They're as special as special effects get.
    • Boston Globe
  47. Magnolia is "Short Cuts" with hope. It's my kind of mess.
    • 64 Metascore
    • 75 Reviewed by
      Ty Burr
    Cloverfield is content to be a creature feature; that's what makes it bearable and what keeps it from greatness. The genre, not the script, does the psychological heavy lifting.
  48. Kudrow and Robinson are intriguing casting and they get some sharp Bickersons material, but the movie unconvincingly shorthands how they got together. And Revolori’s horndog just feels like the film coasting on his quirky persona from “The Grand Budapest Hotel.”
    • 77 Metascore
    • 75 Reviewed by
      Ty Burr
    Personal Shopper is as coolly, beautifully ambiguous as we’ve come to expect from France’s Olivier Assayas, and it contains the kind of mysteries that can leave adventurous audiences tingling pleasurably while others spit out their gummi worms in frustration.
  49. Elf
    The movie sets Ferrell's assaultive and juvenile physical comedy in a less-combative playground, and the result might leave the Ferrell-intolerant exiting the theater on a high.
    • 68 Metascore
    • 75 Reviewed by
      Ty Burr
    This is a film lover's film, and as if to underscore the point, Bon Voyage opens and closes in a movie theater.
  50. What Stranger by the Lake lacks in suspense and back story it makes up for in atmosphere: It’s a subtle exercise in the pathetic fallacy.
  51. The endearing and cheeky ensemble works hard, and Ken Scott's script finds ways of wringing irreverence from the apparent good nature of the situation.
    • 68 Metascore
    • 75 Reviewed by
      Ty Burr
    Gorgeously shot (by Lee Hyung Duk) and well worth seeing for Jeon's deceptively simple performance. Unlike its heroine, though, it gets away without a scratch.
  52. Filmmaker Joe Berlinger isn’t so much inspired as disgusted by the notorious gangster in his newest documentary.
  53. What Little Children understands so well, and so poignantly, is a kind of parental existentialism that hits 30- somethings with kids: How does having children make you such a less interesting adult?
    • 55 Metascore
    • 75 Critic Score
    A hilarious, touching, and (except for a dip into melodrama near the end) skillful blend of subtle emotional depths and a dazzlingly playful surface.
  54. The film's indefatigable holiday spirit is infectious.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    Freeman portrays Mandela not as a saint but as a man who knows he has the political freedom of being seen as one; it’s a majestically two-dimensional performance with glimpses of a third dimension peeking through.
    • 72 Metascore
    • 75 Reviewed by
      Ty Burr
    It has been said before but it’s worth saying again: Gore Vidal was born to the toga, even if he never actually wore one.

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