Boston Globe's Scores

For 1,043 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 6.1 points lower than other critics. (0-100 point scale)
Average TV Show review score: 59
Highest review score: 100 The Sopranos: Season 6
Lowest review score: 0 Sons Of Hollywood: Season 1
Score distribution:
  1. Mixed: 0 out of 502
  2. Negative: 0 out of 502
502 tv reviews
  1. It’s just fine, although it never strays outside the conventions of poignant coming-of-age stories. Everything about the show is too familiar. The sincerity is refreshing in an animated context, but the characters and the stories are old hat.
  2. The show, from Greg Berlanti and Nicolas Wootton, does a good job of making Clark both appealing and overly ambitious.... What doesn’t work at all in the first two episodes of Golden Boy is the more familiar procedural material.
  3. [Piven] brings a contemporary delivery that is jarring in the context of all the period elements around him. Alas, in this particular entourage, which is filled with promise, Piven is the weak link.
  4. It's just a thoroughly conventional multi-camera sitcom rooted in familiar Felix-Oscar shtick and that tried-and-true comic standby, a cute kid. It's old school...And happy to be that way. [22 Sept 2003, p.B7]
    • Boston Globe
  5. Critics have been trashing this sitcom for weeks, singling it out as the season's first likely casualty. I have to admit I got a modest kick out of the first episode. [6 Oct 2000, p.D1]
    • Boston Globe
  6. So much about the Fox series is unseemly, and I don't just mean the commercial-to-show ratio and the sponsor plugs, which have been downright obscene. "American Idol," a new hybrid of reality TV and beauty pageantry, represents some of the crudest aspects of both network TV and the pop-music industry. ... And yet, and yet. "American Idol" remains addictive TV. [4 Sep 2002]
    • Boston Globe
  7. Tim Allen proved at the Emmys just how tired his shtick has become. [16 Sep 1992]
    • Boston Globe
  8. It efficiently, if unevenly, introduces nine new characters and recaptures some of the sense of wonder that made NBC's 1966-69 original the Holy Writ of screen sci-fi. [16 Jan 1995]
    • Boston Globe
  9. As it explores the efficacy of varying business tactics, "The Apprentice" actually has a hint of promise. [8 Jan 2004]
    • Boston Globe
  10. The wit of the historical re-creations, along with the excellence of the many guest actors in them (including, this season, Connie Britton, Kristen Wiig, Aubrey Plaza, Owen Wilson, and Jack McBrayer) helps to overcome the repetitiveness and slightness of the formula.
  11. Sedgwick ... deserves better than "The Closer," but she still makes TNT's conventional new homicide drama worth checking out. [13 Jun 2005]
    • Boston Globe
  12. Television doesn't get any more visceral than this, and you will not soon forget images of the sky exploding into a rainstorm of parachutes, planes, and fire over Normandy, or American soldiers stumbling across a German death camp tucked in the forest...But as episodic television storytelling, Band of Brothers is less successful, marred not only by loose plot threads and war cliches but also by an excess of indistinct characters. [7 Dec 2001, p.C1]
    • Boston Globe
  13. It’s an ambitious work that is always fascinating, if not always successful. When all is said and done, Boardwalk Empire may be TV’s best uneven series.
  14. The product tie-in is tiresome, but Wolk in particular, with his winks and grins, adds warmth as Williams’s cocky protege. He also rescues a few scenes in which Williams starts to drift into the nonsense stratosphere.
  15. A slick effects extravaganza whose pilot episode kept me looking instead of enjoying.
  16. OK, watching celebrities get taken down does have its nice side. [20 Apr 2003, p.N5]
    • Boston Globe
  17. The L Word will get some notice because of its frank, soft-core-tinged portrayal of lesbian sexuality. Just as gay men are neutered in the mainstream, shown only as fit, fashion-obsessed, show-tune-savvy fellas, gay women are still trying to shake the Boston marriage image.
  18. While it pales next to the original movie, it is an enjoyable Saturday-matinee-styled Western show with a charismatic cast and the potential for savvy plots reflecting the complications of race and violence in the post-Civil War West. [3 Jan 1998]
    • Boston Globe
  19. The characters may be shallow, but that doesn’t keep the show from giving the easy pleasures of reading a quickie mystery novel. And a few of the actors are entertaining despite the limitations of the script.
  20. It would be great to see the network come up with something as honest as, say, “My So-Called Life,” or as original and amusingly metaphorical as “Buffy the Vampire Slayer,” or as thought-provoking as a movie like “River’s Edge.” But in the meantime, a mostly happy dramedy like Chasing Life will do, marrying strong female roles with CW-style 20-something melodrama that’s as mindlessly angsty as the Bon Iver on the soundtrack.
  21. There’s a hint of “Arrested Development” in the air, but Working the Engels is ultimately a much more common kind of dysfunctional family sitcom.
  22. It's a fun ride at first. The series is tightly plotted, and the twists create moments of satisfying intrigue ... But juicy plot turns alone cannot fuel a series for long, especially when they repeat themselves, and the limitations of "Falcone" become clearer in its second and third episodes. [4 Apr 2000]
    • Boston Globe
  23. The documentary has its flaws: the flashiness of the editing, an overly insistent score, the sheer annoyingness of many of the talking heads.
    • 55 Metascore
    • 60 Critic Score
    NBC’s Peter Pan Live! on Thursday night was endlessly, weirdly watchable, which is not the same thing as a coherent artistic triumph. But on balance television needs more of this kind of daring.
  24. Galavant is a musical spoof of knight-in-shining-armor stories that is slight, unoriginal, and uneven, but that can be amusing and diverting nonetheless.
  25. The VH1 series is slight, but it has a certain charm and the potential to grow into a harmless, soapy amusement.
  26. The CW built this predictable teen supernatural romance as a companion to the similar and better "Vampire Diaries.".
  27. With J.J. Abrams as an executive producer, this tech-driven "Early Edition" is shockingly lifeless. Caviezel's Clint Eastwood impression is flat, and Emerson is too darkly eccentric to keep the drama afloat.
  28. The cast is an embarrassment of potential, but Dillon is wearing as a Drama-like dude; the cultural-obsession-with-youth trope is old; and the learning-to-be-a-man stuff is pat. It's very meh.
  29. I love this show, because I love the wide-eyed star, who is fully engaged in her role here. If you dislike her hipster adorability, though, beware.

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