Boston Globe's Scores

For 1,303 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 60
Highest review score: 100 Game of Thrones: Season 3
Lowest review score: 0 Sons Of Hollywood: Season 1
Score distribution:
  1. Mixed: 0 out of 659
  2. Negative: 0 out of 659
659 tv reviews
  1. The show, as fast-paced as ever, is crammed with subplots this season, some of which will be more engaging than others.
  2. [It] passes quickly but gleefully.
  3. By episode 2, though, after the crammed (and super-sized) premiere, [creator] Weisberg reveals a sure sense of detail that bodes well for the future of the series.
  4. Schumer’s delivery is confident and sometimes coy--her jokes about Oprah and the Obamas push the envelope--and she doesn’t bother with a Letterman-esque meta-commentary on jokes that don’t connect. But she also brings an intimacy into the hall, as she gets her audiences to lighten up and laugh at a few secret truths. She loves to play the bad girl, and she’s awfully good at it.
  5. Fans of Sorkin's work, especially his previous shows "Sports Night," "The West Wing," and "Studio 60 on the Sunset Strip," will be pleased to see The Newsroom has all the hallmarks of its predecessors.
  6. It's not too early, however, to heap praise onto this astute, well-written show and its many specific wonders.
  7. Dirty Sexy is right on the money.
  8. Nashville falls somewhere in between the two extremes, a story that thrives on heightened melodrama and big twists but gives its characters more depth than you generally find in network lather-fests.
    • 76 Metascore
    • 80 Critic Score
    The New Edition Story tells the story with verve and charm, meticulously re-creating videos and photo shoots and, more notably, creating rootable characters out of already-familiar stars.
  9. The abundance of material plays out naturally, in a nicely arranged script by John Pielmeier that leans heavily on the R-rated soap side of things. You'll probably get lost in the high melodrama while watching this massive chess game, where the pawns are as prominent as the bishops, the king, and the queen.
  10. If you enjoy slowly piecing together a puzzle without having first seen the final image, Rubicon is right up your alley; if not, the brainteasing will likely unnerve you.
  11. The best of a recent group of heist dramas, including NBC's "Heist" and FX's "Thief."
  12. American Crime is indeed filled with some impressive material, if you can get past the pretensions.... Both Hutton and Huffman act up a storm.
  13. [A] thoroughly enjoyable miniseries.
  14. The FX drama returns for its fifth season tonight at 10, after a 19-month absence, and it returns to its former glory after an unfortunate fourth-season slump.
  15. Given how sharp his songwriting is, it’s little surprise that Sondheim makes an excellent storyteller, always candid and precise, and by turns funny and rueful. And it’s a remarkable tale, one that could probably make for a great musical.
  16. There’s so much more to like here, not least of all the five strong Bronte performances, tight camera work that abets their intimacy, and writing and direction that refuse to romanticize these people and their circumstances. Wainwright never pushes us to interpret the Brontes’ story as one of nascent feminism; more valuably, she delivers the bleak tale with all its tragedy and redemption and lets us find the meaning on our own.
  17. A finely constructed docu-dramatic piece, Cinema Verite folds together the stories of the Louds of Santa Barbara and the PBS filmmakers who took over their home, and it adds in both real and expertly re-created footage from the 12 episodes of "An American Family."
  18. Montage of Heck is dizzyingly impressionistic and dense with information: snippets of recordings Cobain made, interview excerpts, and images that, in some cases literally, animate his life story.
  19. Olyphant creates a sense of suspended time whenever Raylan comes into contact with thugs--as if a gun standoff isn't so far from standing at a bar with a drink in hand. His Raylan is the kind of guy who doesn't say much, but gives us plenty to talk about.
  20. Its themes aren’t quite as ambitious [as "Downton Abbey"]. It can also be a tad precious. But there’s something pleasing about the way it captures a time of innocence and a family in recovery. If you like this kind of escapist fare--and you know who you are--then I expect you will savor this laidback, elegant entertainment.
  21. The shamelessness of Nip/Tuck returns intact, which is a good thing.
  22. For a new series, Sports Night already has a nicely developed sense of ensemble and texture. Charles and Krause show a natural chemistry as anchors and friends, and Robert Guillaume has strong presence as the imposing executive producer. The most appealing actor, though, is Huffman, who is dynamic as the committed producer who lives only for airtime. She's got caffeine running through her veins. [22 Sept 1998, p.C1]
    • Boston Globe
  23. We’ve seen this kind of romantic comedy before. The pacing is very gradual, too. But Rust and Jacobs are each thoroughly endearing in very different ways. ... Another plus: Rust and Jacobs are surrounded by good supporting characters, including Mickey’s lovable and endlessly cheerful roommate, played by Claudia O’Doherty.
  24. It’s all fairly slight, when you take a step back from it, but ultimately that’s the strength of Looking and its closing movie. They comprise sweet, passing chapters in a small group of ordinary lives.
  25. If the show can stay as gripping as its premiere... it will be a welcome new prime-time puzzle.
  26. Unlike many cartoons, this one actually looks funny, and it constantly plays on its grade-school aesthetic for shock value, with great success. At its best, "South Park" is more a profane "Peanuts" than a downsized "Beavis and Butt-head." [13 Aug 1997]
    • Boston Globe
  27. I do think it has real potential to become a solid dramatic addition to the FX slate, as The Shield enters its final season.
  28. The story line is expertly structured, especially after the first hour's exposition, as potential explanations emerge and the pieces begin to fit together. And the writers maintain an all-important sense of humor, not just with the one-liners among the team members but with shrewd social satire.
  29. It has heart and wisdom, qualities that aren’t easy to bring to an animated show. The characters begin as stock creations, but the voice work and the writing give them added dimensions.

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