Boston Globe's Scores

For 6,287 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Bad Education
Lowest review score: 0 From Justin to Kelly
Score distribution:
6287 movie reviews
    • 87 Metascore
    • 100 Critic Score
    Tootsie, the story of a man who liberates himself by masquerading as a woman, is the funniest, most revealing comedy since "Annie Hall." [17 Dec 1982]
    • Boston Globe
  1. As Apichatpong erases, once again, the barriers between the celestial and terrestrial, he also does away with the cordons between film genres - this is sci-firomancefamilyreligiousthrillercomedyporn. No video service has a section for that. The only suitable shelf is the one in your soul.
    • 87 Metascore
    • 88 Reviewed by
      Ty Burr
    Brokeback may be too polished for some people, too elegantly dispassionate in its study of choked passion.
    • 87 Metascore
    • 100 Reviewed by
      Ty Burr
    The Dardennes achieve lyricism without seeming to try.
    • 87 Metascore
    • 88 Reviewed by
      Ty Burr
    A fitting, expertly made final chapter, freighted with hard-won emotions, shot through with a sense of farewell, and fully aware of the epic stakes involved.
  2. A key point, though, is that all the scientists profiled have staked their careers on this one discovery.
  3. A masterpiece.
    • 87 Metascore
    • 100 Reviewed by
      Ty Burr
    Murderball is a paradox: a movie about quadriplegics that insists we look beyond their disability.
    • 87 Metascore
    • 100 Reviewed by
      Ty Burr
    Fairy tales hew to time-honored story lines, and some may fault The Shape of Water for the traditionalism that underlies its phantasmagoric surface. It’s the getting there that bewitches, though, and a performance by Hawkins that’s smart, scared, furious, profoundly erotic, and regal — all without saying a word. Love doesn’t speak in this movie. Instead, it swims with unparalleled style.
    • 87 Metascore
    • 88 Critic Score
    Timothy Treadwell was killed, along with his girlfriend, by a rogue bear in October 2003.
  4. A tender genuflection to the women's energies that keep that spinning world from keeling over.
    • 87 Metascore
    • 88 Reviewed by
      Ty Burr
    Moneyball is a hilarious and provocative change-up, entertaining without feeling the need to swing for the fences.
    • 87 Metascore
    • 75 Critic Score
    Crewdson's work is distinctive, and this film does a great job helping us understand the specific nature of his vision.
  5. I have not seen the film “Fifty Shades of Grey” but I doubt that it evokes the mystery, wit, and eroticism that Peter Strickland’s sumptuously claustrophobic fable of women in love does. All without nudity, bad dialogue, or the requisite wooden acting.
    • 87 Metascore
    • 88 Reviewed by
      Ty Burr
    The performances are uniformly excellent, but pride of place goes to Bennett’s Sir James, an upper class twit of Pythonesque proportions. Rarely has a character this moronic been this happy.
    • 87 Metascore
    • 88 Reviewed by
      Ty Burr
    A cruelly precise, often bleakly comic account of upper-middle-class privilege coming unglued when the cosmos throws a curveball.
  6. As full of joy as pain, it's a perspective we need to see more often.
  7. Who most of these exquisitely costumed people are I have no idea, but they brush past the camera in such rapids of jubilation it's a wonder they don't knock the thing over. I watched most of the film exhilarated, but depressed that I'm not a big Russophile.
    • 86 Metascore
    • 88 Reviewed by
      Ty Burr
    It makes politics exciting again.
  8. It's a meditation on life and death, but it's less somber and more light-handed, subtle, and mischievously funny.
    • Boston Globe
    • 86 Metascore
    • 88 Reviewed by
      Ty Burr
    As taut and suspenseful as any fictional mystery.
    • 86 Metascore
    • 100 Reviewed by
      Ty Burr
    Room unfolds with the privilege of seeing and experiencing the world for the very first time, which is maybe the best we can ever expect from a medium like the cinema.
  9. The simplicity of Like Water for Chocolate - a Mexican expression for the boiling point - is that of a sophisticated hand paring away all excess until what's left is primal, elemental. In Esquivel's and Arau's fabulist hands, it's the hand that tends the cookfire that rules the world. [19 Mar 1993, p.50]
    • Boston Globe
    • 86 Metascore
    • 88 Reviewed by
      Ty Burr
    It’s a movie that floods you with emotion when you least expect it.
    • 86 Metascore
    • 100 Reviewed by
      Ty Burr
    You may even feel like dancing in the aisles yourself. Sure, the real world doesn't always work this way. Have you forgotten that this is one of the reasons why we go to movies in the first place?
  10. A miracle of data retrieval as the grown schoolchildren are measured against their footage from the earlier films.
  11. Farnsworth's embodiment of old American values, with their combination of delicacy, reserve, and stand-alone independence, is a one-of-a-kind treasure.
    • 86 Metascore
    • 100 Reviewed by
      Ty Burr
    More than "Unforgiven," more than "Mystic River," it is Clint Eastwood's autumnal masterpiece.
    • 86 Metascore
    • 88 Reviewed by
      Ty Burr
    Krisha sucks you into its gradually worsening family dynamic with a confidence of style and a maturity of observation that is remarkable in a home-brewed Kickstarter movie. At times you laugh in horror. At other times you shrink from the screen. There are truths here.
  12. The film shifts back and forth in time. It works like memory that way, but the memories are Johnson’s, not the viewer’s, which makes the absence of some discernible organizing principle a real drawback.

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