Boston Herald's Scores

  • TV
For 978 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 1.8 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 Friday Night Lights: Season 5
Lowest review score: 0 Brooklyn 11223: Season 1
Score distribution:
  1. Mixed: 0 out of 529
  2. Negative: 0 out of 529
529 tv reviews
  1. Sinbad sets out to find his destiny on the sea, encountering menaces that would make Ray Harry­hausen proud.
  2. Ed is swell, as Ed might say. Not quite a strike but a satisfying spare. [5 Oct 2000, p.48]
    • Boston Herald
  3. The TV mom has changed - from out-of-touch authority figure to giggling girlfriend. This WB series attempts to depict a thoroughly modern single parent-child relationship. Yet, there's a sense this type of chumminess could only happen on TV. [5 Oct 2000, p.48]
    • Boston Herald
  4. The casting directors have found edgier contestants (one admits he’s only there because he has a gambling problem). Host Dolph Lund­gren alternately rags on the contestants or riffs.
  5. Sit through TNT’s “The Hero” and 72 Hours and REELZ’s “Race to the Scene” back-to-back, you realize how much the genre lives on the tired bone marrow of “Survivor” and "The Amazing Race."
  6. Sit through TNT’s The Hero and “72 Hours” and REELZ’s “Race to the Scene” back-to-back, you realize how much the genre lives on the tired bone marrow of “Survivor” and "The Amazing Race."
  7. Sunjata is talented and charismatic.... He deserves a show that will cement his status as a leading man. This isn’t it. Tveit buckles under the script shifts, in one scene a dweeb, in the next, a canny agent.
  8. The show cannily plays to teen hopes and dreams--the school, for example, is on the edge of a gorgeous beach (the kids at “90210” never had it this lush)--but there’s story for the adults as well.
  9. The acting ranges from adequate to awful. Milano and George have zero chemistry, and George’s sexy stud act, which has bankrolled his career, reaches its expiration point here.... It’s not nearly enough sizzle for summer.
  10. What a dazzling bunch of jerks. Yet, somehow, they are family and you can't help but laugh at them. Arrested Development is so dopey - but slick dopey. [2 Nov 2003, p.39]
    • Boston Herald
  11. If the script can at times seem slight, Douglas and Damon are 
  12. No one deserves to lose their job in a mess like this--except the person who created this dreck.
  13. Somehow executive producer Greg Daniels (``The Simpsons,'' ``King of the Hill'') and his cast must win over new fans while not pissing off the old fans. [23 Mar 2005, p.42]
    • Boston Herald
    • 70 Metascore
    • 67 Critic Score
    It's as though Levinson and Fontana decided to throw everything onscreen that they're not allowed to show on broadcast television. But pushing the boundaries doesn't make Oz better or more realistic than "Homicide." If anything, it infringes on the storytelling. It's one thing to shock viewers for the sake of drama, quite another to frighten them into worrying about what visual affront to their senses will pop up next...If you can get past all that, Oz does tell some intensely interesting tales about life in a modern maximum-security prison, stories vastly different from the ones used in the average prison movie or cop show. [11 July 1997, p.47]
    • Boston Herald
  14. Homicide is the best new television drama of the season. That's particularly surprising, considering it's yet another cop show. And even more surprising in that it's NBC - the loser network - which has come up with a winner teeming with unique characters, steaming with atmosphere and featuring writing as sharp as a stiletto. [31 Jan 1993, p.30]
    • Boston Herald
  15. Why did executive producer Jerry Bruckheimer ("Remember the Titans") populate his CBS series with such revolting characters? With the exception of Marg Helgenberger's harried but compassionate investigator, this is a crew teeming with bullies and psychos. [6 Oct 2000, p.S32]
    • Boston Herald
  16. CBS' new island series Survivor is populated with rats...Most of them walk on two legs. [1 June 2000, p.47]
    • Boston Herald
  17. Zach Stone Is Gonna Be Famous is a clever riff on the fanaticism and cynicism inspired by the network’s own reality slate, including “Teen Mom,” “16 and Pregnant” and “Buckwild.
  18. First, the dreck: The best thing that can be said about the unscripted series The Show With Vinny, starring “Jersey” castoff Vinny Guadagnino, is that the half-hour bumbles along like Sunday dinner with your most annoying relatives.
  19. [The] clunky scenes work thanks to the exceptional cast. These actors can sell anything. Almost.
  20. The Big C doesn’t traffic in miracles, but it does deliver small pleasures worth pondering and savoring.
  21. This nebulous look at the blurry line between crime and the law is already being done better on FX's "The Shield." That instantly more approachable and arresting. In The Wire, the characters' hazy morality is so ill-defined and sketchy that it's hard to care about them. West is a compelling lead, but his purpose and motivation aren't clear. He's a tough sell as the show's main protagonist. [1 June 2002, p.23]
    • Boston Herald
    • 74 Metascore
    • 90 Critic Score
    Alan Ball, the Oscar-winning screenwriter of "American Beauty," has done something wonderfully unusual. He has written a tremendously life-affirming drama about death. [3 June 2001, p.43]
    • Boston Herald
  22. The show’s pacing, particularly in the first hour, could trigger a nap.
  23. Series creator, director and writer David S. Goyer (scribe for Christopher Nolan’s “Dark Knight” trilogy) twists the already amazing life of the 15th century artist and inventor into something fantastical--but not altogether convincing.
  24. Mad Men is back with another ridiculously addictive season.
  25. It’s a macabre dance that only promises to get more intense.
  26. ABC’s midseason replacement How to Live With Your Parents (For the Rest of Your Life) is dumb and crass. That would be fine if it were at all funny.
  27. The sets and costuming are top-notch. The musical score is brash, if redundant. The personal dramas range from silly to 
  28. The settings never seem authentic for the Big Apple, and accents veer like partygoers after last call.... Still, Maslany shows skill in her many alternate guises, and the show has a dark sense of humor.

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