Boston Herald's Scores

  • TV
For 698 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 24: Season 4
Lowest review score: 0 One Tree Hill: Season 1
Score distribution:
  1. Mixed: 0 out of 376
  2. Negative: 0 out of 376
376 tv reviews
  1. There's something bizarrely addictive about The Hasselhoffs.
  2. The casting directors have found edgier contestants (one admits he’s only there because he has a gambling problem). Host Dolph Lund­gren alternately rags on the contestants or riffs.
  3. The cast mines genuine heartache in the mysterious.
  4. Arquette is a cool presence onscreen and brings understated conviction to a character whose powers­ of observation border on superhuman.
  5. This show is a bit too easy, given that its source material has become a parody of itself. For those who have grown sick of the Bravo formula squabbling, these antics may be a tonic.
  6. If you loved this show for its split-second pop culture spoofs and absurd, sometimes sophomoric humor, then you'll be happy with the new, unimproved 'Guy.' [1 May 2005]
    • Boston Herald
  7. Many of his tricks here are explained, and the means of execution may only increase your appreciation for his genius. Less convincing is the miniseries’ speculation that the British intelligence agency MI-5 recruited him to act as a spy in the run-up to World War I.
  8. The first episode teases an exciting dynamic, with the possibility of forcing viewers to root for one monster over another.
    • 80 Metascore
    • 70 Critic Score
    This "Cheers" spinoff has a winking cleverness about it. The writing is snappy and Kelsey Grammer, who plays a radio shrink, is unexpectedly charming. If I was in major couch-potato mode after "Seinfeld," I wouldn't turn it off. [17 Sept 1993, p.47]
    • Boston Herald
  9. What separates this cast from just about every other real-ity show is that these people are chasing something larger than themselves, more vital to them than fame or money--that brief moment of perfection onstage, achieved after years of study and practice.
  10. More a cotton candy bouquet than a documentary, It’s Me, Hilary: The Man Who Drew Eloise introduces you to a man who has made millions of people happy--and would like nothing more than a chance to do it again.
  11. Mob City takes its time to lock and load, but its aim ultimately improves.
    • 70 Metascore
    • 67 Critic Score
    It's as though Levinson and Fontana decided to throw everything onscreen that they're not allowed to show on broadcast television. But pushing the boundaries doesn't make Oz better or more realistic than "Homicide." If anything, it infringes on the storytelling. It's one thing to shock viewers for the sake of drama, quite another to frighten them into worrying about what visual affront to their senses will pop up next...If you can get past all that, Oz does tell some intensely interesting tales about life in a modern maximum-security prison, stories vastly different from the ones used in the average prison movie or cop show. [11 July 1997, p.47]
    • Boston Herald
  12. The stories aren’t quite as goofy as they could be. The series is clearly a labor of love for the creators. Still, the show has its wonderfully silly moments.
  13. Once the story finds its pulse, Coma is fun, but there are a few hiccups.
  14. Game of Thrones starts less like an epic and more like a session of "Medieval Sims."
  15. You may laugh, but you'll hate yourself afterward.
  16. Unlike other period dramas, notably AMC's "Mad Men" and Starz's "Magic City," Vegas doesn't cram the hour with topical references. Here, they're more subtle and jarring.
  17. Episodes has funny moments, [but] like "Curb Your Enthusiasm," the satire is an acquired taste and seems to be too inside showbiz to find a mass audience.
  18. It’s a sporadically funny opening to an inconsistently comical season. A couple of episodes are slapstick hits--such as when the gang enlists Dee to spy on a Chinese fish factory. Others are just creepy. But it’s a mix that has fueled the sitcom’s success for nearly a decade.
  19. Perry proves to be adept at both the mirth and misery required by the role. Viewers, however, may be put off by a series that seems stuck like its patients in a gray zone between laughing and mourning.
  20. Delany can be both captivating and infuriating as the know-it-all medical examiner, but she always holds the screen.
  21. This is a series with no redemptive value. It barely qualifies as entertainment, but sexy summer trash will always find an audience. That's the inescapable truth at the heart of Pretty Little Liars.
  22. In true "Grey's" fashion, each newbie is challenged with a case that dredges up the personal issues that brought them to this isolated spot, where, according to Ben, it's like practicing medicine in 1952 in a Third World country
  23. Touch needs more work grounding its reality before any of these fantasies take flight.
  24. Photographer and filmmaker Timothy Greenfield-Sanders accessorizes his picture with some vintage clips, but his Face could do with fewer mouths.
  25. Underwood’s Ironside rolls over everyone in his life, figuratively and literally.... As flashbacks show, Ironside was shot in the back two years ago while pursuing a suspect. His ex-partner Gary (Brent Sexton) has never recovered emotionally from what happened that night.... Their prickly relationship now is the most daring part of the show.
  26. While the premise is slight, smart casting gives Ben and Kate a comedic edge.
  27. While the two play for the cameras, it feels forced. Tallman rolls his eyes so often, they just might tumble out and roll away like loose marbles. His off-the-cuff remarks about his customers won't help his business.
  28. Underneath the crude humor, there's a sweetness and an honesty to the show. The duo's struggle with weight is believable.

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