Boston Herald's Scores

  • TV
For 725 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 The Larry Sanders Show: Season 6
Lowest review score: 0 One Tree Hill: Season 1
Score distribution:
  1. Mixed: 0 out of 391
  2. Negative: 0 out of 391
391 tv reviews
  1. Resurrection does something few dramas do today — it gives its characters breathing room to absorb and react to the fantastic in their lives, rather than forcing them to run from one plot point to another. Some will find this pace too leisurely.
  2. There doesn’t seem to be any trickery here, no video sleight-of-hand. Goodwin is upfront in his methods.
    • 60 Metascore
    • 75 Critic Score
    It makes for good TV. [21 Feb 2003, p.S35]
    • Boston Herald
  3. [A] gripping premiere. [28 Oct 2003]
    • Boston Herald
    • 75 Metascore
    • 75 Critic Score
    The show's concept is clever, and the pilot displays a blend of humor and drama with a bit of melancholy hanging over it. Shalhoub is excellent as the twitchy, mild-mannered Monk. But Monk can be an annoying character, and at times you may find yourself wanting to yell, "Snap out of it!" at the television screen. [12 July 2002, p.S36]
    • Boston Herald
  4. More accessible than “V” or “FlashForward,” “Happy Town” shows a sure hand with pacing and knows how to end an hour with a powerful cliffhanger.
  5. The dialogue is as arch as Desperate in its heyday.
  6. A momentary lapse could lead to weeks of thought-provoking drama. The Slap echoes.
  7. Extant plays with genres, mixing sci-fi, conspiracy thriller and scenes from a struggling marriage. It also asks some daring questions about the collision of machine and humanity.
  8. There's something bizarrely addictive about The Hasselhoffs.
  9. The casting directors have found edgier contestants (one admits he’s only there because he has a gambling problem). Host Dolph Lund­gren alternately rags on the contestants or riffs.
  10. The cast mines genuine heartache in the mysterious.
  11. Arquette is a cool presence onscreen and brings understated conviction to a character whose powers­ of observation border on superhuman.
  12. This show is a bit too easy, given that its source material has become a parody of itself. For those who have grown sick of the Bravo formula squabbling, these antics may be a tonic.
  13. If you loved this show for its split-second pop culture spoofs and absurd, sometimes sophomoric humor, then you'll be happy with the new, unimproved 'Guy.' [1 May 2005]
    • Boston Herald
  14. Many of his tricks here are explained, and the means of execution may only increase your appreciation for his genius. Less convincing is the miniseries’ speculation that the British intelligence agency MI-5 recruited him to act as a spy in the run-up to World War I.
  15. The first episode teases an exciting dynamic, with the possibility of forcing viewers to root for one monster over another.
    • 80 Metascore
    • 70 Critic Score
    This "Cheers" spinoff has a winking cleverness about it. The writing is snappy and Kelsey Grammer, who plays a radio shrink, is unexpectedly charming. If I was in major couch-potato mode after "Seinfeld," I wouldn't turn it off. [17 Sept 1993, p.47]
    • Boston Herald
  16. What separates this cast from just about every other real-ity show is that these people are chasing something larger than themselves, more vital to them than fame or money--that brief moment of perfection onstage, achieved after years of study and practice.
  17. More a cotton candy bouquet than a documentary, It’s Me, Hilary: The Man Who Drew Eloise introduces you to a man who has made millions of people happy--and would like nothing more than a chance to do it again.
  18. Mob City takes its time to lock and load, but its aim ultimately improves.
    • 70 Metascore
    • 67 Critic Score
    It's as though Levinson and Fontana decided to throw everything onscreen that they're not allowed to show on broadcast television. But pushing the boundaries doesn't make Oz better or more realistic than "Homicide." If anything, it infringes on the storytelling. It's one thing to shock viewers for the sake of drama, quite another to frighten them into worrying about what visual affront to their senses will pop up next...If you can get past all that, Oz does tell some intensely interesting tales about life in a modern maximum-security prison, stories vastly different from the ones used in the average prison movie or cop show. [11 July 1997, p.47]
    • Boston Herald
  19. The stories aren’t quite as goofy as they could be. The series is clearly a labor of love for the creators. Still, the show has its wonderfully silly moments.
  20. Once the story finds its pulse, Coma is fun, but there are a few hiccups.
  21. The insanely intense action drama opens its final season tonight. Scenes of quiet only serve to bridge action sequences.
  22. Game of Thrones starts less like an epic and more like a session of "Medieval Sims."
  23. You may laugh, but you'll hate yourself afterward.
  24. Unlike other period dramas, notably AMC's "Mad Men" and Starz's "Magic City," Vegas doesn't cram the hour with topical references. Here, they're more subtle and jarring.
  25. Episodes has funny moments, [but] like "Curb Your Enthusiasm," the satire is an acquired taste and seems to be too inside showbiz to find a mass audience.
  26. It’s a sporadically funny opening to an inconsistently comical season. A couple of episodes are slapstick hits--such as when the gang enlists Dee to spy on a Chinese fish factory. Others are just creepy. But it’s a mix that has fueled the sitcom’s success for nearly a decade.

Top Trailers