Chicago Sun-Times' Scores

For 786 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.7 points higher than other critics. (0-100 point scale)
Average TV Show review score: 65
Highest review score: 100 The Good Wife: Season 6
Lowest review score: 0 Back to You: Season 1
Score distribution:
  1. Mixed: 0 out of 542
  2. Negative: 0 out of 542
542 tv reviews
  1. It sure felt a lot like the same old show to me, just with different faces.
  2. It's hard to say how the series will play out because by the end of the first episode Mom has declared that the family is going straight. In this, I hope they fail.
  3. If nothing else, Breakout Kings is a nice travelogue of the country's prisons. Here's hoping there's a juicy episode coming up for Stateville. But the gratuitous violence and creepiness will turn off a lot of viewers.
  4. Heavy-handed.
  5. The acting is solid, the scenery is appealing and Becca's quest to find her son provides a fair bit of dramatic tension. But what's really missing is credibility.
  6. Somehow, the routine isn't as fun on More to Love [than "The Bachelor" or "The Bachelorette"].
  7. In the premiere at least, the story unfolds nicely--and to the tune of a good soundtrack. When the episode ended, I wanted to know more about the Circle, both its history and where it's headed.
  8. This undercooked stew gets bogged down in attempts to show the softer side of men, though Dotrice's dotty bromides are good for a chuckle. [6 Oct 2000, p.55]
    • Chicago Sun-Times
  9. Rob Lowe does a respectable turn as JFK... [But] It’s the lesser-known story of Lee Harvey Oswald, expertly played with simmering anger by Will Rothhaar, that’s most interesting.
  10. There are so many things I hate about his new show, In the Shark Tank, that I started numbering them just to calm down. Where to start?
  11. Boreanaz and Deschanel stir good chemistry as a crime-fighting duo.
  12. Defying Gravity is taking its time to get off the ground, but I plan to tune in at least until Saturn.
  13. It's not ground-breaking or cutting-edge, and it's by no means the funniest show on TV. But it has the potential to get more lovable with time if viewers vote to give it a chance.
  14. It's a unique concept [public can purchase online that night or the next day], although that's where Fashion Star's originality ends.
  15. If you don't think too hard about it--and don't mind seeing every single romantic movie cliche crammed in two hours--then you will find Labor Pains to be less painful than actual birth.
  16. The show has a lot going on and it isn’t always easy to follow, but for the most part it’s stylish, sexy and smart.
  17. The show's humor is tepid at best. The characters are mostly annoying--and bereft of the vulnerability and honesty that make you want to root for the similarly self-involved twentysomethings in "Girls."
  18. Monday Mornings spends a fair bit of time probing controversial and ethically complex issues like organ donation, informed consent, health insurance and advance directives. But that, coupled with a cast of characters who don't become all that compelling after three episodes, isn't enough to elevate the series above the rest of the pack.
  19. Underneath the special effects and fairy-tale plot propeller lurks just another crime drama, and not a very good one at that.
  20. Christina Ricci does a haunting turn as notorious hatchet swinger Lizzie Borden.
  21. Overall, I don't have too many complaints. But if you're a fan of the fantasy "Real World" houses, I should warn that you'll be disappointed. The aesthetic highlight here is blue Astroturf.
  22. That cast and the sweet but not disgustingly sugary direction uplift "Mattress" from what could have been a merely not-horrible event.
  23. The pace is so fast that, like a good party, you might forget everything that's happened even before it's over. That's the sign of top-notch disposable entertainment.
  24. Despite two great character actors as support--Alan Rosenberg runs the legal clinic and Dabney Coleman is the dad--this manipulative and cloying series neither rings true nor strikes the emotional chords it all too transparently wants to pluck. [25 Sept 2001, p.47]
    • Chicago Sun-Times
  25. What the 10-episode series lacks in originality it makes up for by piling on the creepy suspense.
    • 54 Metascore
    • 63 Critic Score
    Hood comes across as brilliant but aloof. Young, meanwhile, seems to be angry, but the source of her anger isn't really explored (we can only assume that babysitting a scientist, no matter how brilliant, is not the job people sign up for when they go to work for the FBI).
  26. This miscast, tone-deaf family sitcom fails on multiple fronts, the biggest being J.K. Simmons’ nonsensical character: a lawyer and father of two who’s managed to hide his blindness from just about everyone.
  27. One of those standard-issue high school series, and it's infuriating. [29 Sept 1999, p.59]
    • Chicago Sun-Times
  28. [This] energized combination of wish fulfillment and streamlined storytelling set for is eminently watchable -- and it will continue to be so long as the troubling, too-literal white knight vs. black hats motif in the opener goes away in later episodes. [6 Oct 2000, p.55]
    • Chicago Sun-Times
  29. On its own, this series ... might not have seemed so bad. But it can't hold a note compared with "The Sopranos." [4 Apr 2000]
    • Chicago Sun-Times

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