Chicago Tribune's Scores

For 5,181 reviews, this publication has graded:
  • 63% higher than the average critic
  • 2% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 The War Tapes
Lowest review score: 0 I Hope They Serve Beer in Hell
Score distribution:
5181 movie reviews
  1. The result is a picture that is baldly manipulative yet weirdly sentimental, and while Considine (a fine actor) can write, he is capable also of writing dialogue you've heard before.
  2. The very strong performances in this low-budget film deserve a better narrative structure to strut their stuff.
    • Chicago Tribune
  3. The reason basketball is such a great spectator sport isn't because of its opportunities for razzle-dazzle editing and direction. It's because the game is kinetic enough without all that swoosh/zap/wham business.
  4. An average franchise re-launch.
  5. Like the massive shipboard set that is its centerpiece, the film is huge and impressive - though, again like the captain's imposing vessel, it stubbornly and disappointingly remains at anchor. Hook never sets sail.
  6. It can't help but fall prey itself to a final deadly genre cliché: Its soundtrack outsparkles the movie.
  7. A River Runs Through It emerges as hopelessly middle-brow-the kind of diluted, prettified art traditionally associated with PBS and the Academy Awards. [09 Oct 1992]
    • Chicago Tribune
  8. The script avoids going full-bore as satire. Where it goes instead lacks a purpose, a reason for being, beyond the usual name-checking of "The X-Files" and the like.
  9. Beyond Affleck's, the performances here lack amplitude and dramatic impact.
  10. The script is a mess. It's an object lesson in taking a nonfiction book ("The Feather Men," about a cadre of ex-British Special Air Service operatives) and making a hash of it.
  11. A commendably brave piece, but less focused and powerful than you'd like. In the end, Garapedian might have been better off concentrating her energy on the 1915 Armenian story--which has been told on film various times (for example, in "Forty Days of Musa Dagh" and Atom Egoyan's "Ararat"), but never with the power of, say, "The Pianist" or "Schindler's List."
  12. Secretariat isn't bad but it's precisely what you'd expect.
  13. A big, empty picture full of star turns, artificial energy and jokes that don't quite work, even if stars Willis and Perry do their best to slam them across.
    • 49 Metascore
    • 50 Critic Score
    Sometimes it's best to let sleeping divas lie.
  14. McAvoy does his best with this subpar, heart-tugging material. At times his mix of easy charm and inner demon pulls Rory out from under the tired script, but those pesky dramatic forces keep pushing him back in for every predictable plot development.
  15. John Singleton stumbles badly with a terribly awkward but well-intentioned drama about political correctness and race at a contemporary university. [13 Jan 1995, p.B]
    • Chicago Tribune
  16. The heartbreaking thing about Meet its occasional funniness amid a sea of pablum. If it were completely rank, it'd be less frustrating.
  17. Some movies run out of gas. This one could use an alternate fuel source.
  18. The Proposal reworks "Two Weeks Notice" with the genders switched.
  19. This sophomoric little gimmick picture -- although at times, serving as no more than a showcase for daredevil snowboarding -- provides enough powder power to keep the audience laughing, even over the rocky parts.
    • Chicago Tribune
    • 22 Metascore
    • 50 Critic Score
    It's probably best to leave talking animal stories in the care of comedic filmmakers.
  20. It is an intriguing subject, though so far all that Morris has brought to it is a combination of the morbid and the cruel; he needs to develop some sympathy, too. [16 Sept 1988]
    • Chicago Tribune
  21. The most vivid aspect of The Eye is its poster image, that of a huge female eye with a human hand gripping the lower lid from the inside. The least vivid aspect is the way Jessica Alba delivers a simple line of expository dialogue.
  22. An old-fashioned comedy. And in this case, "old-fashioned" means tired, out of date and so abominably blah that you'll fall asleep in your popcorn.
  23. Spectacular, fast, never boring. But it's also one of the more disappointing movies I've seen recently.
  24. Sets out to answer all sorts of cosmic questions, though the one most frequently asked is more mundane: Is it better than "Reloaded"? The answer is a matter of degree.
  25. Oblivion is odder and less conventional than your average forgettable star vehicle; at times it feels like a five-character play taking place in a digital-effects lab. But there's not much energy to it.
    • 47 Metascore
    • 50 Critic Score
    The film, for all its pretensions of revelatory, life-altering enlightenment, is actually about as deep as a wading pool, as substantive as cotton candy.
  26. Beautiful, horrifying, exasperating and just plain weird.
  27. There's too much hardware, too little sense. Too much blood, too little flesh. Too much program, too little mind. That's the virus of the contemporary movie techno-thriller.

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