Chicago Tribune's Scores

For 596 reviews, this publication has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 5.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 60
Highest review score: 100 Curb Your Enthusiasm: Season 1
Lowest review score: 0 Luis: Season 1
Score distribution:
  1. Mixed: 0 out of 302
  2. Negative: 0 out of 302
302 tv reviews
  1. This season, Ted seems to have a looser, even goofier vibe, and it plays to its actors' strengths more consistently while also giving plenty of screen time to my favorite characters, insecure research scientists Phil (Jonathan Slavin) and Lem (Malcolm Barrett).
  2. The solidly entertaining season premiere of The Office is of a piece with last season's better episodes.
    • 69 Metascore
    • 88 Critic Score
    Most of the time, it's hard not to laugh with--and identify with--Louie as he catalogues his misfortunes and insecurities. His problems may not be new, but Louie's execution is frequently delightful.
  3. The David of Curb is so scathingly direct that he’s also quite funny; half the time he’s just saying things that the rest of us are too polite or repressed to say.
  4. One of the best parts of the show is Alicia’s complicated relationship with her husband, who humiliated his family with a sex scandal but also appears to be a pawn in a larger game being played by high-level politicians.
  5. Pungent, sophisticated comedy. [14 Sep 1998]
    • Chicago Tribune
  6. Engaging, sometimes brutal. [12 July 1997]
    • Chicago Tribune
  7. If the slightly less relaxed Tim Gunn’s Guide to Style doesn’t quite have "What Not to Wear’s" tone of cheeky camaraderie, well, never mind. It has Gunn’s "make it work" philosophy at its heart, and it has his spirit of compassionate, caring honesty.
  8. If there's a problem with Rescue Me, it's that FX's law-enforcement series, "The Shield," has set the bar so high in the one-hour drama realm. "Rescue Me" story lines occasionally veer into superficiality and repetitiveness, and Gavin's boorishness and selfishness can be a little predictable and tiresome. [21 June 2005, p.C1]
    • Chicago Tribune
  9. If you like shrink-oriented, smartly written TV, In Treatment (Monday-Friday, 8:30 p.m., HBO) just might get you through the next few weeks with your sanity intact.
  10. Not an unqualified success, but it is eminently watchable. What's more, it does the near-impossible: It doesn't make the viewer forget the original, but it actually inspires affection, instead of cries of "sacrilege!" from this rabid "Office" fan.
  11. The creators of this comedically-flavored drama clearly know what they’re doing and this season, it’s certainly worth taking a gamble on Easy Money.
  12. The real pleasures of this half-hour show come from its sly sense of humor and from Belle’s practical yet adventurous approach to her job.
  13. [A] deeply interesting, occasionally riveting show.
  14. Both the book and the miniseries sketch admirably human portraits of historical figures such as Adams, Jefferson and Franklin.
  15. Thankfully, "Weeds" avoids the strained farce of "Desperate Housewives," and despite being billed as a comedy, the perceptively written show is actually a credible look at lives stuck in neutral and people almost trapped by their addiction to a certain level of upper-middle class comfort.
  16. Appearing in her first TV series, Bergen brings in a full-court-press performance-stylish, sardonic and funny. Couple that with English's crisp dialogue, which consistently veers off just at the point it seems to be settling for the formulaic, and "Murphy Brown" comes up as a bright, promising half-hour. [14 Nov 1988]
    • Chicago Tribune
    • 65 Metascore
    • 80 Critic Score
    Even though it's riding the path already paved by the similar period drama, "Dr. Quinn, Medicine Woman," the two-hour premiere of "Christy" stands solidly on its own, representing exactly what we could use more of: hearty, dramatic television. [1 Apr 1994]
    • Chicago Tribune
  17. She's self-flagellating, but in a nuanced, funny-sad and heartbreaking way, mixing slapstick and pathos with intelligence and the sharpest of comic instincts. [4 June 2005, p.C25]
    • Chicago Tribune
  18. In its solidly crafted premiere, the CBS drama demonstrates admirable restraint while still telling a reasonably interesting story.
  19. I blissfully enjoyed every minute of Lost’s smashing Season 4 start.
  20. Coming from Cannell, Wiseguy is, of course, all sweat and swagger, bullets and babes, breeziness and bravado. Men's bowling teams are advised to schedule their nights around this one.[16 Sept 1987, p.7C]
    • Chicago Tribune
  21. Though every detail of this lush Roman epic feels palpably authentic, history lessons don’t loom overly large; what’s most enjoyable about it is how deftly it mixes soap opera with senatorial debates.
  22. Written with a pen dipped in the clever-caustic "Cheers" well, it's high-spirited and clever. Most viewers will want to book future flights. [19 Apr 1990, p.21]
    • Chicago Tribune
  23. The biggest question hanging over "The Colbert Report" is whether the show’s sendup of the pomposity and fear-mongering of cable news blowhards will be as appealing in the long term as "The Daily Show’s" satire of public figures and the news media as a whole.
  24. Manages to get the balance of cuddliness and snark just right.
    • Chicago Tribune
  25. Dirty Sexy Money has everything you could hope for in a nighttime soap: a stellar cast, lush interiors, catfights, affairs, parties and jewels.
  26. [Season 2] is far better than the good but uneven first year of the show.
  27. Nip/Tuck is back to being the frothy, fun and knowing show it was in its early days.
    • 82 Metascore
    • 80 Critic Score
    Watching Golden Girls, you get the feeling that Harris had the good sense to fit the brand of humor with the actresses. There is a kind of Borsch Belt, take-my-wife-please approach to chasing the laughs, with everything in place but the nightclub rim shot, the obligatory ba-bump from the drummer on top of the punch line. [13 Sept 1995, p.5]
    • Chicago Tribune

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