School of Rock kicks ass. It's one movie that definitely goes to eleven.

A film to savor and to be thankful for.

Trust me, if you have a thirst for a good, dark drama, this one is a big gulp.

A tale that's so enriching, so heartwarming, so funny, so touching and so breathtaking, you'll wonder why the king of wackiness didn't branch out sooner.

A film that you can appreciate, but it’s also one that may be difficult to watch. Because it is so course, because it is so authentic, and because the characters are so real, you feel a closeness to Lee that may be uncomfortable.

This is a family film. There's a great deal of wackiness.

This is a serious look at the corrupting influences of fame, money and entertainment, and what it says about us may be even more damning than what it says about its participants.

Hellboy just might end up being one of the best movies you see this year.

This is a finely crafted film for grown-ups only ... and it's hard to remember the last time we had one that was this provocative and moving.

Hilarious and often terrifying look at the effects of fast food on the human body.

It was incredible to see what is arguably the best of the Star Wars films, on the big screen again. However, I do not believe that any of the minor changes make the film any better. [Special Edition]

The cast playing these eccentric characters is magnificent...This is definitely one of the most unique comedies you’ll see all year.

One of the best surfing documentaries ever filmed.

How can such difficult subjects as under-age sexual activity, brutal beatings and murders be presented in a way that doesn't alienate the audience, yet still capture the horror and circumstances in a believable manner? The solution? Assign Kai Pieck to the task.

Alexander Payne is becoming one of the greatest American directors of modern cinema and again, Sideways is on its way to being one of the best films of the year.

May be the best independent horror film to have come out since "The Blair Witch Project." It's certainly better than "Blair Witch", and more fun, more gruesome, and more macabre. In a very delightful way.

Just like “It’s A Wonderful Life” is shown on TV every year, The Polar Express should appear in IMAX theaters that traditionally.

The photography alone would make this a worthwhile effort, but the drama that unfolds over the two years on tour is equally involving and framed by the interviews with former champions.

The film is near perfect in its attempt to properly mix the irrationality of war in with an interesting love story.

A gripping tale of survival and the kind of smart thriller that will gain much-deserved attention for both director Stolhand and actor/writer Uygar Aktan. Simply a stunning piece of filmmaking.

The story goes on and on, endlessly fascinating to the last - the sensational trial, the convictions, the revelations, the recriminations.

This is Scorsese’s "Schindler's List", for better and for worse (mostly the better).

The smart dialogue doesn't hurt, of course, and perhaps the best work is done by Bird himself, who provides the voice of Edna "E" Mode, superhero fashion designer.

It's a remarkable film; the dialogue takes our breath away with its sharp skewering of expectations and realities, the bleak honesty is balanced by the freshness of real life and moments of raw truth and comedy -- Don't miss it.

Sophomoric silliness.

The seemingly total access and seemingly total coverage the film makers enjoy makes us forget at times that this isn't some Hollywood fabrication.

Incredible because for a 100 minute movie, Alexandra's Project passes like 30. Incredible also that most of those 100 minutes take place in a single living room. It's the tension and performances that pull you through, never letting your attention stray from what's going down on-screen.

May look like an ironic, jet black comedy -- and it succeeds brilliantly on that level -- but in it's sad and wistful heart, it's a completely sincere call for saving the Earth.