indieWIRE's Scores

  • Movies
For 700 reviews, this publication has graded:
  • 77% higher than the average critic
  • 2% same as the average critic
  • 21% lower than the average critic
On average, this publication grades 14.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 76
Highest review score: 100 People, Places, Things
Lowest review score: 0 In Secret
Score distribution:
  1. Negative: 15 out of 700
700 movie reviews
  1. Most segments have a fair share of cheap scares, but they also delve into the art of the build-up, as if delivering a series of grim jokes with bloody punchlines. Consider it a 21st-century take on "Tales from the Crypt."
  2. Reichardt crafts a highly textured narrative that both invokes the mythology of the American frontier and cleverly transcends it.
  3. Shot in gorgeously expressionistic black-and-white and fusing multiple genres into a thoroughly original whole, Amirpour has crafted a beguiling, cryptic and often surprisingly funny look at personal desire that creeps up on you with the nimble powers of its supernatural focus.
    • 72 Metascore
    • 100 Critic Score
    “The Fast and the Furious” with wheelbarrows, Paraguayan action-thriller-romance hybrid 7 Boxes is a rollicking good time at the movies that offers breathtaking action and suspense, humor and appealing characters all in one visually flashy package.
    • 66 Metascore
    • 100 Critic Score
    The darker undertones of the family are handled with surprising nuance considering the first-timer behind the camera. The movie deals in open secrets, implications, and unsettling histories; a sense of alienation haunts virtually every scene.
  4. Epic in scope yet unassuming throughout, Linklater's incredibly involving chronicle marks an unprecedented achievement in fictional storytelling.
  5. On the whole, Manakamana succeeds by creating the ongoing anticipation of something, anything to happen next, a wholly unique sensation specific to its inventive design.
  6. Melancholia hovers in ambiguity with riveting aesthetic prowess.
  7. The excitement in The Soft Skin, however, gives way to an intense tragedy that's INFORMED by the thrills.
  8. Taking its time to let the world take shape, Short Term 12 builds to an involving series of mini-climaxes without tidying up every loose end.
    • 90 Metascore
    • 100 Critic Score
    Ida
    Pawlikowski doesn't punish his viewers, he simply challenges them. Take the vow to dedicate your attention to Ida and you’ll be rewarded deeply.
    • 71 Metascore
    • 100 Critic Score
    If The Raid: Redemption was a thrashing drum solo, its sequel is the opulent symphony where every instrument is played with fevered inspiration.
    • 71 Metascore
    • 100 Critic Score
    By shattering genre conventions, Silva subverts traditional perspectives on modern adulthood and finds no easy answers in the process.
  9. The movie's stakes are alternately personal and political, but Petzold's skill truly comes into focus in the tense climax, when those two aims come together with a powerful act of defiance.
    • 56 Metascore
    • 100 Critic Score
    The Secret Disco Revolution is the doc that disco deserves – rigorous, critical and entertaining.
    • 52 Metascore
    • 100 Critic Score
    It turns material that could have resulted in a sporadic narrative into a profound statement that the Arab Spring is a continuation of humanity's constant efforts to make a better, more just world.
  10. Rather than relish in the stark proceedings, Manuscripts Don't Burn preys on its viewers' imagination, leaving several deaths and other dreary outcomes off-screen. In the unbearable tension of its final moments, the movie arrives at an expected destination, but the outcome stings more than anything preceding it.
  11. Strickland generates a discomfiting quality that keeps the mystery of his world in play. Above all else, he taps into the intangible elements of sexual attraction by bathing them in ambiguities.
  12. First Cousin Once Removed benefits from the clarity provided by Honig's published poetry, which surfaces in voiceover narration and words on the screen, rendering the undulations of his life in sweeping abstractions.
  13. Despite the ongoing momentum, Sleepless Night never loses touch with its story.
  14. A wholly original and thoroughly surprising fusion of sensory overload and liberal philosophy bound to confuse and provoke in equal measures.
  15. Heinzerling's beautifully shot, painfully intimate look at the aging couple's struggle to survive amid personal and financial strain is both heartbreaking and intricately profound. This is a story about creative desire so strong it hurts.
  16. It's a frantic microcosm of life itself.
  17. The Troll Hunter offers high-caliber entertainment despite a low-budget production.
  18. Compared to "The Act of Killing," Oppenheimer's technique with The Look of Silence is deceptively simple, but it applies a more traditional style of documentary storytelling to extraordinary goals.
  19. The cumulative impact of The Arbor is one of claustrophobia; at times, the endlessly downbeat adventures of Dunbar and her offspring grow almost unbearably morose.
  20. The Tiniest Place calls to mind Patricio Guzmán's brilliant "Nostalgia for the Light," which focuses on the remnants of Chilean atrocities strewn about the Atacama Desert. Huezo, however, relies more on irony, juxtaposing the wartime setting with storybook images, acknowledging her distance from the events in question.
    • 76 Metascore
    • 100 Critic Score
    Despite the formulaic setup, "People, Places and Things" benefits from first-rate writing and stellar performances.
  21. Rather than building towards the finality of a single climax, Leviathan injects several of them into the tapestry of its elegant design.
  22. The magic of Uncle Boonmee is that it makes all viewers feel like the strange ones.

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