L.A. Weekly's Scores

For 3,656 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 7.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Harry Potter and the Deathly Hallows: Part 2
Lowest review score: 0 C Me Dance
Score distribution:
3656 movie reviews
  1. Very much a fully realized cinematic experience. John Turturro, even if you have to act less, be sure to direct more, and often.
  2. It is undeniable in its poignancy, an ecstatic vision of what might have been, though as much for its story as for the fact that the whole thing dissolves like a paper fan in rain, an evanescent masterwork.
    • 73 Metascore
    • 90 Critic Score
    The Coens have resurrected a hardscrabble California of wooden porches and gravel driveways, of rolling, oak-wreathed hills and one-lane roads, and of a restless people whose meager dreams are wrecked the moment money, sex or a bottle get in the way. Never has the past seemed so familiar.
  3. A quietly devastating song.
  4. The first REALLY great mythic film of the summer has arrived.
  5. The inventive, often comically horrible fight set pieces will have you standing on your seat cheering like a Viking, and the result is a supremely kinetic and amusing guilty pleasure.
  6. Deliciously wicked, strangely poetic portrait (adapted by Patrick McGrath from his own novel) of a schizophrenic man at once tyrannized and elevated by oedipal terrors.
  7. Sketches was produced for PBS's American Masters series, but it's in theaters now and deserves to be seen on the largest possible screen.
  8. While Parker and co-writer Catherine di Napoli are faithful to Melville’s plotline, they and a fully engaged supporting cast — have made the old boy's characters more quick-witted than any English Lit major would have thought possible.
  9. The alchemy of good acting under the pressure of sublime film sense makes for a miracle in the hearts of the audience.
  10. Heartwarming here relies less on forced air than on Petter Næss’ delicate, clever direction -- and a wonderful, imaginative script by Axel Hellstenius.
  11. Powerfully enigmatic study of the fundamental opacity of human relations.
  12. Victor Vargas has the look and feel of a neo-realist masterpiece, yet captures New York with a burnished authenticity not seen since the glory days of ’70s American cinema.
  13. Unfolds with such leisurely, terrible beauty, it takes a while to realize that what we are witnessing is the children's long slide into beggary, exacerbated by the slow torture of faint hope.
  14. Though Kippur seems a creature radically different -- more nakedly autobiographical, more naturalistic, more forgiving -- from Gitai's highly conceptual and stylized body of work, there are clear thematic continuities.
  15. Bujalski takes a sledgehammer to the carefully ordered surfaces and dramatic conventions of narrative cinema, favoring instead an unpredictability in which the crosscurrents of quotidian life collide on the screen in a series of brilliantly alive patterns.
  16. The film's strength and its entertainment lie in John Myhre's production design, its generally appealing cast...and, perhaps most importantly, a canny degree of self-parody.
  17. Poignant, funny, and proof of Basquiat's magic.
  18. The true mystery is the journey itself, which will turn out to be one of the most spiritually enervating, and elevating, Outward Bound courses ever undertaken.
  19. A humane and precociously wise documentary by the young Los Angeles director Amir Bar-Lev.
    • L.A. Weekly
  20. Can now be appreciated not just as a minor classic of tragic destruction, but also as a somber exploration of conflicted postwar emotions.
  21. What makes The Sea Inside such a riveting drama is that none of these relationships is sufficient to make Ramón want to go on living.
    • 71 Metascore
    • 90 Critic Score
    It is funny, sad and beautiful. And it's right on time.
  22. For those of us who find Lelouch an unbreakable habit -- the guiltiest of guilty pleasures -- watching And Now Ladies & Gentlemen comes close to sheer moviegoing bliss.
  23. And like all great family sagas, The Best of Youth, while tipping its hat to the painful confusion of living life forward, reels it backward to give it the thrilling significance of time and place.
  24. We never seem to be looking at actors, but at people; never at scenes, but at life unrehearsed.
  25. The last-minute details of plot can't compete with the frightening intensity of Kiberlain's and Garcia's performances, which trace, with brilliant precision, the exhausting mix of brutality and grace inherent in the mother-daughter relationship.
  26. The Last Winter won’t win many fans among those who place the saving of union jobs above the repairing of the ozone layer. But this is a horror movie with many inconvenient truths to tell about the ways in which we are willingly destroying our planet.
  27. The comic, tragic and monumentally beautiful new film by writer-director Jia Zhangke (Platform).
  28. Magnificently twisted black comedy.
    • L.A. Weekly

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