Los Angeles Times' Scores

For 11,106 reviews, this publication has graded:
  • 57% higher than the average critic
  • 6% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Saraband
Lowest review score: 0 Behaving Badly
Score distribution:
11106 movie reviews
  1. If in Bresson's films nothing ever seems out of place or superfluous it's because he strove to find the essential truth of the image. Not an image or sound is wasted -- or offered up in self-glorification -- and from such seeming simplicity there arises a world of feeling.
  2. This is no sappy portrait of a saint: Mino is tenacious, critical and defensive, and in one memorable scene, a colleague tries to get her to face reality about what the real world holds for their students after graduation.
  3. These despairing, ambiguous pieces are always emotionally unsettling, and that is due in part to Kieslowski's complete assurance as a director. His spare, minimal visual preferences dominate each episode. The camera work is fluid and precise, and the films are so rich they seem to be feature-length though they're not.
    • 100 Metascore
    • 90 Critic Score
    Citizen Kane does occasionally sink to dullness because of its reiterations, notwithstanding it can be classified as, in a number of aspects, one of the most arresting pictures ever produced.
  4. Overflowing with life, rich with all the grand emotions and vital juices of existence, up to and including blood. And its deaths, like that of Hotspur in "Henry IV, Part I," continue to shock no matter how often we've watched them coming. [16 Mar 1997, Calendar, p.7]
    • Los Angeles Times
  5. The film is a glittering triumph of personal expression at its most elegant and opulent.
  6. An extraordinarily intimate portrait of a life unfolding and an exceptional, unconventional film.
  7. Seems every bit the masterpiece it was when first released by Paramount. In this dazzling film, Bertolucci manages to combine the bravura style of Fellini, the acute sense of period of Visconti and the fervent political commitment of Elio Petri -- and, better still, a lack of self-indulgence.
  8. Moonlight is magic. So intimate you feel like you're trespassing on its characters souls, so transcendent it's made visual and emotional poetry out of intensely painful experience, it's a film that manages to be both achingly familiar and unlike anything we've seen before.
  9. As someone who was part of the Resistance, Melville knew enough to neither melodramatically glorify nor cynically devalue the heroism he presents. This is people doing what needed to be done, Army of Shadows says, this is the way it was.
  10. Beautifully crafted, movingly acted, still involving and entertaining, this is just the kind of film people are talking about when they say they don't make them like this anymore.
  11. With Pan's Labyrinth, Del Toro has made his most accomplished film to date, a dark and disturbing fairy tale for adults that's been thought out to the nth degree and resonates with the irresistible inevitability of a timeless myth.
  12. By focusing on the personal side of the city game, Hoop Dreams tells us more about what works and what doesn't in our society than the proverbial shelf of sociological studies. And it is thoroughly entertaining in the bargain.
  13. Though this film is simple to summarize, to understand and experience the powerful emotional charge King in the Wilderness conveys, it simply must be seen.
  14. This one you see for the pure love of great movie making. Its tough-minded, unsentimental writing and ferociously brilliant acting--across the board and especially at the top--manage to give a pretty good idea of what Christy Brown, the Dublin-born writer, poet and painter, was all about.
  15. Beyond the timelessness of the story itself, the film is beautifully shot and though early in Godard’s career already showcased his ability to capture emotional intensity in the very way he frames the shots.
  16. One of the great crime thrillers, the benchmark all succeeding heist films have been measured against, it's no musty museum piece but a driving, compelling piece of work, redolent of the air of human frailty and fatalistic doom.
  17. The older it gets, and we with it, the more we're able to see in it. As few American films have, Gone With the Wind succeeds both as historical epic and as intimate drama.
  18. This is a film with a commitment to reality unlike any we're used to seeing.
  19. A director in command of everything from the watchful eyes of his actors, to the beauty of a misty morning light, to the heart-stopping vectors of arrows and swords bursting across a widescreen frame, Hu creates cinema that's the definition of kineticism.
  20. Director Wong is at his best in this rerelease of the 1991 film.
  21. Ran
    Ran, which translates as "chaos" or "turmoil," is at once brisk and vital, elegiac and contemplative, intimate and epic, tragic yet shot through with humor. It combines the energy of youth with the perspective of maturity. It encompasses all of human nature in its folly and grandeur, and it does so in images as beautiful and terrifying as any ever captured on film and in performances that are impeccable.
  22. This is impressive filmmaking, but it is not easy to take in.
  23. Powerful, emotional filmmaking that leaves a scar, Kenneth Lonergan's Manchester By the Sea is heartbreaking yet somehow heartening, a film that just wallops you with its honesty, its authenticity and its access to despair.
  24. Ratatouille is as audacious as they come. It takes risks and goes places other films wouldn't dare, and it ends up putting rival imaginations in the shade.
  25. It enables us to recapture exactly the delightful sensations felt all those years ago when we and the world were young and exciting together.
  26. Gravity is out of this world. Words can do little to convey the visual astonishment this space opera creates. It is a film whose impact must be experienced in 3-D on a theatrical screen to be fully understood.
  27. Prepare to be astonished by Spirited Away.
  28. Wised-up as well as traditional, with a striking and detailed look and a strong storyline, it is sure to charm a wide audience both now and for a long time to come.
  29. Haynes understands that swooningly beautiful traditional technique bolstered by thrilling performances creates the greatest impact. He has made a serious melodrama about the geometry of desire, a dreamy example of heightened reality that fully engages emotions despite the exact calculations with which it's been made.

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